I know we beat the "seasons are only 10 episodes now and it sucks" dead horse on the daily but another thing we lost when we stopped making the 24 episode 1 hour drama was the freedom to be narratively risky.
Star Trek, The X Files, and Doctor Who are great examples of this since they had the sandbox of Sci-Fi to play with. There are so many amazing, mind bending, soul stretching episodes that were teetering on the edge of flop or flying and through bold writing they didn't just fly but catapulted into the stratosphere of iconic. These episodes changed expectations and genre boundaries of what Sci-Fi could be for years to come.
We don't get episodes like this anymore because these new shows cannot afford the risk of a flop. The weekly episodic story structure that was once the foundation of television has been abandoned by Hollywood. The beautiful thing about this "simplistic" structure is that it provides a narrative safety net. You can take a risk and afford the miss because you can have a clean slate next week. You can't do that with continual narrative structures where only one story is being told over ten episodes (note to add: both structures are valuable, but total abandonment of one in favor of the other is detrimental).
These production companies gleefully hold the metaphorical gun of cancellation to the writer's heads and this actively ensures that stories are as safe as possible. This is creatively devastating, and ironically, guarantees catastrophic failure of shows. Safety is a bland cage.
Of course, the production think-tanks can't possibly take responsibility for their suffocating creative control so they blame the audiences for *checks notes* being on their phones too much, not subscribing enough, paying too little for ads, being too vocal online, not being vocal enough, being too demanding, being too liberal, being too conservative, whatever it takes to say "these failures are not our fault, you're just bad audiences".
Now, there are the episodes that did flop, but they flopped so spectacularly that we have entire days celebrating them decades later. These episodes took massive risks and instead of trying to back away from that creative intensity, these writers-of-old stepped up to bat, acknowledged they probably didn't have the screen-time to truly flesh out these concepts but by God they were going to try, and then hit so hard they shattered the bat. Sure they lost the game, but wow, what a thing to witness.
When I invariably get asked what my least favorite episodes of Star Trek are, I can't even remember because a "bad" episode to me is one that's simply forgettable.
There is no greater crime in the realm of artistic creation than being aesthetically beige and mind numbingly forgettable and yet for the past 15 years 8 out of 10 productions seem to be repeat offenders of exactly this.
janainaart
romaincrisis
areudirty
izzy806
germansingergirl
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