rebecca’s fanmix masterpost ✨

ellievsbear
I'd rather be in outer space 🛸
Peter Solarz
Monterey Bay Aquarium
"I'm Dorothy Gale from Kansas"

Discoholic 🪩

JBB: An Artblog!
No title available
Stranger Things
Xuebing Du
No title available

Love Begins
Misplaced Lens Cap
d e v o n

tannertan36
Cosimo Galluzzi

titsay

祝日 / Permanent Vacation

roma★
occasionally subtle
seen from Malaysia

seen from Malaysia

seen from United States

seen from United Kingdom

seen from Chile
seen from United States
seen from United Kingdom

seen from United Kingdom
seen from Singapore
seen from Sweden
seen from Spain

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from United Kingdom
seen from Australia
seen from United States

seen from Pakistan
@redcheekdays
rebecca’s fanmix masterpost ✨
The reason I reached for genre romance novels for Star Trek is Ive read so so so many of them and I know roughly how most of them convey something about the culture that produced them, in content and structure and what it means for what a culture values in a partner, and in themselves. It’s somewhat easy to use the scaffolding I already know to use existing genre conventions to explain something about the aliens in Star Trek.
I have not read enough murder and thriller novels to articulate what the genre is establishing about culture and values so I can’t be like ‘this is the dime airport novel about women getting sexy murdered but in Vulcan’ because I don’t know which genre conventions are load bearing and which are just more traditional. The murder mysteries i HAVE read are literally just Agatha Christie and maybe a handful of others that are directly inspired by her. I’ve watched a lot of murder television, but that is nottttt the same medium.
Bringing out those tags because so, so interesting, perhaps one of my favourite things, to mess around with patterns of story*. When I sat down with Spock to transcribe his autobiography, we came up with a form for what Vulcan memoir might look like, which he subverts. (There’s some of Sarek’s poetry too.)
Meditations on a Crimson Shadow is described as being set during a future war, so is a Cardassian sf novel. I figured it would surely, at least superficially, tell the story of Cardassian supremacy and permanent conquest, like Orwell’s boot stamping on a human face forever. Except maybe if you were reading it in the basement of your father’s home as your whole civilization implodes around you. Then I thought it might read differently. Or at least you would start the previously unimaginable work of imagining differently.
If historical fiction tries to reconfigure what we think was possible for people in the past, sf tries to configure what we think can be possible to us in the future. They feel very close, in my mind. Can we find sources or traditions in the past that give us succour or hope? What visions of the future are available to us, or do we need to imagine, and how do we map our way there? I think about these things all the time.
Walter Benjamin, On the Concept of History, VI
* Patterns of Story was the title of my MA creative writing module where we read 6 novels and mucked around with them in as many ways as possible. This week we’ll go through one scene in Madame Bovary and see how meticulously it’s constructed. This week we’ll read some post-apocalyptic Kentish dialect and I’ll do my party piece from Ulysses. This week I’ll tell you why Moll Flanders is like the Doctor Who Hartnell-era story “The Sensorites”. This week I’ll explain what I think are the two distinctive modes in the crime novel. And this week we’ll read a modernist novel that you’ll doubt at best or hate at worst but ten years later you’ll email me to ask the title because you haven’t been able to get it out of your head. I loved teaching that class. What an amazing technology novels are. I really do like them, probably nothing nicer than novels.
Oh, just to add that if we go with Harold Bloom (wait! come back!) and read Shakespeare as "inventing" the human, then Garak's blustering that Shakespeare is rubbish and pointless can of course be taken as yet another crock of performative bullshit - not only does he QUOTE HIM TO TAIN (let me throw words learned from my beloved in your fucking face), but Shakespeare represents his encounter with humanity by which we mean Bashir by which we mean the crumbling of Garak's belief in Cardassian supremacy. Shakespeare by which we mean the human by which we mean Bashir rewires (see what I did there) Garak's brain to such an extent that I would not be surprised if Garak regularly catches himself thinking in blank verse.
the most important virtues for the young woman are as follows: time theft, selfishness, orgasms, irreverence to authority, sacrilegious behavior, a questioning mind, and eating regular meals.
out of all the great finnish sayings ’anyway, onto new disappointments’ is my favorite. in constant use in my household of one
“The Enchanted Abode” by Lars Van De Goor
it's crazy how many gaycoded things gabrielle has said not even half way through the pilot. like okay lesbian clark kent whatever you say ...
that’s his little guy!!
some updates:
angel seems happy that jerry’s getting recognition:
M*A*S*H - 2x05: Dr. Pierce and Mr. Hyde
it's almost pride month. prepare by rewriting this scene's dialogue
you all failed miserably last year btw
Beautiful sinners canary by @saucefunk2🔥🔥🔥 sinners zine digital pdf is now LIVE and i’m so excited to share my piece for it! this is honestly my favourite thing i’ve drawn.
Cider is like if beer transitioned and stopped hating herself
#AtoZOneWordFilm Challenge:
SINNERS (2025) Director: Ryan Coogler
there are days where NO ❌️ video games are played and there are days where video games are played for 10 or maybe 14 hours straight
i actually can’t do this rn