robert wun | fall 2025
ojovivo
$LAYYYTER
let's talk about Bridgerton tea, my ask is open
No title available

oozey mess
PUT YOUR BEARD IN MY MOUTH

tannertan36
Cosimo Galluzzi
DEAR READER

⁂

@theartofmadeline
occasionally subtle
Alisa U Zemlji Chuda
Sweet Seals For You, Always
Misplaced Lens Cap
No title available
Three Goblin Art
2025 on Tumblr: Trends That Defined the Year

titsay
he wasn't even looking at me and he found me

seen from Canada
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seen from United States

seen from Malaysia
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seen from United States

seen from United States
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seen from United States

seen from Germany
seen from United States
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seen from United States
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seen from Canada
seen from Canada

seen from United States

seen from Netherlands

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seen from United States
@wearedancersinthedark
robert wun | fall 2025
Kate Winslet photographed by Peggy Sirota for Rolling Stone, 1998
Meshes of the afternoon - dir. Maya Deren, Alexander Hammid (1943)
#there was probably dialogue but honestly who cares
Dreaming of Another World, Tim Walker
Maybe we shouldn't say anything. Maybe.
All of Us Strangers (2023) dir. Andrew Haigh
The Mirror-Faced Grim Reaper in Meshes of the Afternoon (1943), dir. Maya Deren, Alexander Hammid
“This film is endowed with an acute sense of restlessness and alienation; reflecting this uncanny estrangement in the doubling, tripling and quadrupling of its central character, and in its cyclic narrative, a structure that seems condemned to repetition. Why is the hooded Death figure constructed as a kind of mirror? Are we dealing with Nietzsche’s notion of ‘eternal return’? (…) You could go on forever about the meaning buried in this particular work. It invites and eludes analysis.” – CINEMA AND DREAM-LOGIC IN MESHES OF THE AFTERNOON
James McAvoy as Robbie Turner Atonement (2007)
PHOEBE BRIDGERS By Daniel Jack Lyons for Net-A-Porter (2021)
Sam Fender on the cover of „Notion”
La Reine Margot (1994) dir. Patrice Chéreau
Ginger Spice (Spice World, 1997)
Museum of the Moon in the oldest church in Cluj-Napoca. Artist Luke Jerram.
Anya-Taylor Joy by Pip
Meshes of the afternoon - dir. Maya Deren, Alexander Hammid (1943)
HARRY FOR VOGUE DECEMBER 2020
I don’t know one person old or young that is immune to his charms.