To Each His Dulcinea

To each a secret hiding place / Where he can find the haunting face. Shannon. 

[weaveadream]

"How dear the woods are! You beautiful trees! I love every one of you as a friend." Anne paused to throw her arm about a slim young birch and kiss its cream-white trunk. Diana, rounding a curve in the path, saw her and laughed. "Anne Shirley, you're only pretending to be grown up. I believe when you're alone you're as much a little girl as you ever were." "Well, one can't get over the habit of being a little girl all at once," said Anne gaily. "You see, I was little for fourteen years and I've only been grown-uppish for scarcely three. I'm sure I shall always feel like a child in the woods."

Anne of Avonlea, by L.M. Montgomery

[maiamars]

[mermaidenmystic]

Edge of Renewal by Erin Kate Archer ~ erinkatearcher

[weltenwellen]

Joy Sullivan, “If I Had a Hundred Lives to Live”, Instructions for Traveling West

[c-atratus]

Rebeca Fleur

[museum-of-artifacts]

The historic "Frog House" (Kamienica Pod Żabami) in Bielsko-Biała, Poland.

Visit instagram!

1903

[rylandgraces]

I’ll admit I’ve sent a 👍 in my time

[aropride]

[vaguely-concerned]

I am so charmed by how tumblr-esque dorothy l sayers' way of expressing her fondness for her hero is. she truly was spinning that guy around in an anachronistic microwave and chewing on him and beating him with hammers and biting him biting him biting him and so on with the greatest affection imaginable fr fr. she may have been vastly more articulate and educated than I'll ever dream of being and I respect her writing skill immensely, but blorbo brain recognizes blorbo brain across the ages too. she literally starts out at 'he's like a little worm ❤️in a top hat :)' and only keeps going from there and it's glorious. tell me that descriptions like 'he looked, with his long, narrow face, like a melancholy adjutant stork', 'true, he is all nerves and nose --' and 'he was a colourless shrimp of a child' are not in the same literary tradition as, if removed in time from, the modern tumblr idiom for blorbo appreciation. you can't. I'm right about it. anyone can give their hero hard grey eyes and ptsd but it takes tumblrina instincts to also repeatedly liken him to a bewildered heron

[thepastisalreadywritten]

📹 @SeeItalyTravel / X

[sonyaheaneyauthor]

Window in a café in San Gimignano that opens on Valdelsa, Tuscany, Italy in October.

[hotvampireadjacent]

[thebristolboard]

“The Militarization of the Police Department – Deadly Farce,” an original painting by Richard Williams from “The 20 Dumbest People, Events, and Things of 2014″ in Mad magazine #531, published by DC Comics, February 2015.

[spaceraptor]

Here’s the original, for comparison. And here’s a bit more about the artist and why he created the piece above for MAD Magazine.

[pennamerequired]

Richard Williams on Norman Rockwell:

“For most people, he was the painter of ‘America,’” he added. “But even he said his vision was what he wanted ‘America’ to be. It was a mythical ‘America,’ a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasn’t really true… you just wished it was. My parody of Rockwell’s painting simply says, ‘That myth is dead.’”

[1-420-666-6969]

I think it’s relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldn’t allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.

A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.

But I don’t think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here

Rockwell’s legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.

Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:

But I think it’s important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:

We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.

[ceruleanheaven]

[looking at people younger than me] you have your whole life ahead of you [looking at people older than me] you have your whole life ahead of you [looking at myself] its over

[fitzandfooltrash]

Happy Pride month to Fitz "what do you mean you're in love with me, those kisses were platonic" Farseer, and to Beloved, who has to put up with him

[amandla]

[paintingispoetry]

Albert Aublet, "Selene", 1880