Please don't leave me. Never.
THE BOYS 5.07 The Frenchman, the Female, and the Man Called Mother’s Milk
wallacepolsom

Product Placement
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hello vonnie

Kiana Khansmith
Three Goblin Art

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taylor price
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Mike Driver
i don't do bad sauce passes

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"I'm Dorothy Gale from Kansas"
d e v o n
Alisa U Zemlji Chuda
Misplaced Lens Cap
cherry valley forever

Origami Around

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@whatsagauntlet
Please don't leave me. Never.
THE BOYS 5.07 The Frenchman, the Female, and the Man Called Mother’s Milk
I still wrestle with the catharsis of acting. I don’t end up playing a lot of likable characters, so I find myself living in a lot of unlikable skin. As a result of that I don’t always feel good. I get a lot more catharsis from taking pictures or painting or making short films. You have some control. I think all art—if it’s good—is a result of really trying to create something that you can’t put into words. Where language ends is where good art begins.
JAMES RANSONE (June 2, 1979 – December 19, 2025)
Frenchie and Kimiko + looking at each other like that
Congratulations to NOAH WYLE on winning the Emmy Award for Outstanding Lead Actor in a Drama Series for his performance as Dr. Michael "Robby" Robinavitch in season 1 of THE PITT!
You know why I still rewatch Season 6? Because of that moment in The Real Paul Anka when Rory tells Jess why she loves The Subsect.
"You know why I love your book? It doesn't remind me of anything. It's not a rip off. It's just you."
Do you all know what this single line communicates? To me, I see it as Rory acknowledging how well they actually knew each other. It shows us all the moments we never got to see onscreen. She knew Jess so well that, despite their shared love affair with literature and the potential for little bits of his favorite authors to find their way into the book (as so often happens with first time writers), she tells him how special, unique, and precious it is.
Because it's him.
It's his writing, brand of humor, fears, pain, emotion, etc. all laid bare in this slim paperback. I don't think that was a coincidence on the part of ASP and the props dept. That book is so him that it even resembles the pocket-sized paperbacks he carried around four seasons earlier. They memorized every detail of each other. And even when the scene ends so tragically (it is what it is), that interaction makes the entire relationship worth it to me.
She saw him. He saw her. They knew each other, at least intellectually and soulfully, better than anyone else. It's hard to beat that.
"I know you better than anyone." Yes. And she knows him better than anyone too.
Not even hyperfixating on the verb choice. She LOVES his book because it's HIM? Not appreciate, not adore, but LOVE?? She loves an extension of himself???¿¿? Madam, listen to yourself.
Oh, exactly. Like, ma’am…do you HEAR yourself!? LOVE? Watching that entire interaction from him sitting down next to her to her getting up to leave is almost too intimate. Am I interrupting something??? 😂
i like how dean represents rory’s humble small town stars hollow world and logan represents rory’s wealthy ivy league world and rory being torn between these two worlds is basically the theme of the show, so you’d think that the narrative would be very dean vs logan. yet both of them are intimidated not by each other but by this little guy who comes out of nowhere during both relationships, displays an undeniable connection with rory and dips. i love it.
Ooh, ooh, I saw this the other day and wanted to interject. This makes 150% sense! Because the conflict of Rory's arc is not actually "Stars Hollow vs. Wealthy Ivy League." It's actually "Stars Hollow vs. Wealthy Ivy League vs. Rory." And Jess is not there willy-nilly in the mix, he plays into the triad in a super specific way. Let me explain:
From a narrative perspective, it's no surprise that Jess is introduced in season 2, and not earlier or later in the series--and in the episode directly after Lorelai and Rory take a road trip to Harvard, a place she'd never been despite wanting to go there her whole life. In season 1, Rory's life is split between navigating friendships and relationships in Stars Hollow, and exploring the newfound world offered to her by her grandparents' wealth and Chilton. Her future is still nebulous. Not so in season 2. Rory is now a junior, and those college applications are breathing down her neck. The very first episode sees Dean and Rory fight over her commitment to her extracurricular activities, seemingly over spending time with him. The season makes it clear that Rory's arc now has a third aspect to it: her future as a foreign correspondent.
Thus, enter Jess. As others have pointed out, he doesn't fit in either world, which might aid their connection as Rory feels caught between them, but I'd argue that more importantly, Jess is from the world that Rory so desperately wants to join but is terrified of. Jess, for all intents and purposes, is Rory; they are, essentially, the same character, separated by impact of childhood trauma. But Jess is less inhibited than Rory is. He's more confident, bolder, brasher, and much more sure of himself and his future than she is of her and her future. Even if his future is doing "whatever, wherever" and hers is "Harvard, then foreign corespondent." She needs Jess's confidence, and so he gives it to her: his unabashed faith that she can and will succeed in this new, scary aspect of her life. In return, she lends him her optimism and her wide-eyed idealism he's lost over the years.
Jess leaves, and Rory flounders. I don't think this was 100% an intentional writing choice, since season 4 is clearly supposed to mirror the beginning of season 1 (little fish in a big pond), but it says a lot that when Rory's life narrows to only "Stars Hollow vs. Wealthy Ivy League," she loses something intensely fundamental about herself, and spirals into making poor choices. It requires Jess coming back into her life once again to remind her that there is this other part of her that she forgot exists to put her back on track.
From a narrative perspective it makes sense that Logan and Dean aren't threatened by each other; not only do they represent spheres of her life that are actively being explored (and neatly separate, despite being in conflict with each other), the narrative makes it clear that Rory isn't meant to choose Stars Hollow or Wealthy Ivy League--she's meant to strike out on her own and find her way. This is, after all, the end of her story in the series proper. She's left Dean behind, symbolically leaving Stars Hollow in her childhood. The finale sees her leave Logan behind, symbolically leaving behind the Wealthy Ivy League as she takes a job being a domestic correspondent for the Obama campaign. This was always supposed to be the end of Rory's arc. It's even the end of her arc in the revival, with Rory once again leaving Dean and Logan behind to rediscover the part of herself she'd lost, a part which Jess represents not only as the guy who gave her the blueprints to move forward, but as the only ex she doesn't get closer with.
Dean and Logan are, however, both threatened by Jess. Both for his complete understanding of Rory and their obvious bond, but also because he represents the part of Rory that would take her away from either of them. Dean and Logan, at their core, are not much interested in Rory herself but in how they can "keep" her. Dean is chronically insecure about his place in Rory's life, clingy and jealous 24/7 even when he's having an affair with her. Logan makes decisions about their future together without once consulting her, and gets ticked when she understandably balks. Jess's role in Rory's life, time after time, is to remind her of the part of herself that isn't Stars Hollow or Wealthy Ivy League, and that is a threat to her relationship with both Dean and Logan, at different times. I also think this is the main reason Lorelai dislikes Jess, as Lorelai is very much Team Stars Hollow.
This got long and a little rambly, but I live for this kind of meta analytical opportunity. I hope it's halfway coherent.
Noah Wyle as Dr. Michael “Robby” Robinavitch in The Pitt 1x14: 8:00 PM
Well now I want to watch the show.
Ough thats real base jewish trauma response right there. Like previous tags have stated we say the shema when we wake up, right before we go to bed, and right when we are about to die. Its one of the most important prayers in Judaism and its ingrained in many of us as something you say daily but also in extreme desperation.
God thats painful and beautiful to see at the same time
when the mcu tries to gently Just Good Pals steve and bucky i want to laugh at them because, like. they were the ones who structured their arc, from the very beginning, as a story about leaving a plucky sweetheart behind in the states when you ship out. it could have been lifted wholesale from practically any wartime romance filmed between 1940 and 1950. “i just wish they’d take me into the army too– i’d go with you, show that fuhrer a thing or two– just promise me you’ll take care!” “darling, don’t worry, you can do your part right here at home– it’s ever so important to the war effort!” it’s the theme of fucking “tender comrade” and “since you went away” and “mrs. miniver” and i could go on and on
the part where steve gets turned into a tall dangerous hillshire farms beef log is the surprising science fiction twist; but the part where he grumps about being Left Behind by a uniformed hottie is 1000% period-accurate romantic dramedy that could have been screenwritten by david o. selznick. i’m sorry mcu i don’t make the fucking rules. this is just how it is. give them their v-e day kiss already and let me rest
also THEY are the ones who put a searching-for-romance subplot in Winter Soldier where Steve says he just can’t find anyone with “shared life experience” 30 minutes before his lifelong best friend who is also a super soldier and was also frozen and also missed the last 70 years comes back from the dead
like what the fuck did they think they were trying to convey there
I mean🤷♀️
More Stucky :] heres a scene on a train and at some bar
#when you have to immediately go check on your boyfriend
the bear is a comedy
I know Steve is really talented with his shield and is like an expert with it
but just imagine him smacking it in his face
or tripping over it
or waking up in the middle of the night and he shuffles off to the bathroom only to step on the edge of the shield and it smacks him in the shin and he curses loudly enough to wake up the other Howling Commandos who just sit up and start laughing at the way Steve is holding onto his leg and swearing
Seriously, though, super-soldier or not, watching Steve learn to use his shield must’ve been A+ comedy!
Steve throws it at some HYDRA goons but misses them by a mile and it bounces off a wall and flies out through a window, and Steve is just standing there, whoops, while Bucky rolls his eyes, takes out the enemies with his rifle, and jogs back outside to fetch the shield.
Steve hasn’t learnt the ctrl+c to crouch move yet; he holds the shield in front of his face and a HYDRA sniper shoots him in the thigh. Bucky facepalms because Steve you idiot, the shield only protects the bits of you actually behind it. Eventually, Steve masters the art of hiding his entire body behind the shield, tortoise-style, by ducking and having Bucky chuck pebbles at whatever parts of him are sticking out - of course Bucky has a wicked good aim and an even more wicked sense of humour, and Steve ends up with some rather embarrassing bruises.
The Commandos are on a stealth mission to infiltrate a secret HYDRA base, except the shield slips, falls, and does that rolling-metal-lid-dropped-on-the-ground sound like clang!!-grooiinnng-rooiinng-ooiinnnng-rnnnng-rrnng-rrnng-rrnng until Steve puts his foot on it. Everyone stops and just stares at him.
Also, my personal headcanon is that Steve once bet the shield in a hand of poker and Bucky won it. So it’s actually been Bucky’s shield since October 1944, Steve’s just borrowing it.
So it’s actually been Bucky’s shield since October 1944, Steve’s just borrowing it.
Oh my god yes please
Should we make a matching collar for Dog?
You don’t have to kill people. You don’t like it.
"No more missions for this month."