me: man, the comics have given us so many instances of Kim angsting over an out-of-commission Tommy. I wish we could have seen the roles reversed once in a while
the ever-reliable and rewatchable Changing of the Zords three-parter:
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I'd rather be in outer space đž

⣠Chile in a Photography âŁ

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PUT YOUR BEARD IN MY MOUTH
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@whiterangerfanboy
me: man, the comics have given us so many instances of Kim angsting over an out-of-commission Tommy. I wish we could have seen the roles reversed once in a while
the ever-reliable and rewatchable Changing of the Zords three-parter:
The members of 1986âČs Choushinsei Flashman team!
Red Flash- Jin
Pink Flash- Rou
Green Flash- Dai
Blue Flash- Bun
Yellow Flash- Sara
Super Sentai in France!
Iâve talked before about how Super Sentai spread before it ever came to the US as Power Rangers but that mostly focused on Brazil and a bit on South Korea with a digression to the Phillipines. However, one place I havenât really mentioned was France, which began airing there in 1985.
The first series to get a French dub was Choudenshi Bioman from 1984. It dropped the first part of the name to just become Bioman and was pretty much a straight dub. Â
The producers even created a French language version of the theme song sung by Bernard Minet.
It was very popular and resulted in more Super Sentai becoming dubbed for the French audience. This brought over both Hikari Sentai Maskman and Choujuu Sentai Liveman as Bioman 2: Maskman and Bioman 3: Liveman.
Once again, there were French theme songs for these series though they were not just adaptions of the Japanese themes but all new compositions such as the Bioman 2: Maskman:
And here is the theme for Bioman 3: Liveman:
As with so many places exposed to Super Sentai, the popularity of these shows inspired local fan creations and unofficial entries. The most famous one in France is Jushi Sentai France Five!
And these were the heroes of that series!
Itâs not an entirely serious series, as you may be able to tell from those names.
green and pink are best friends. society isnât ready for this though
[caption source : @glurg ]
green and pink are best friends. society isnât ready for this though
[caption source : @glurg ]
izzy garcia in ânew recruitsâ
Love her đ
TFW youâre a 65-million-year-old alien who used to hang out with dinosaurs and whoâs resume simply reads âPower Rangerâ and youâre skeptical of your new friends who are trying to get you gainful employment at a knock-off version of BuzzFeed.
~ Toei's Spider-Man (ăčăă€ăăŒăăł / SupaidÄman): Review ~
For some reason I donât know, Japanese people loves insects. Even popular artists have them as pets! When HYDE announced that he have a spider as a pet, I was just⊠But it has nothing with the review, right? So, forget I said that. Where was I? Ah, yes. Japanese people loves insects very much. And they also loves Western media. Why? Itâs hard to explain. Even though Japan is well known to be a country of entertainment (which is actually playing a huge role in worldwide entertainment business) and they sure knows how to make various interesting things all by themselves, they still loves Western stuff. Up to the point when even though voice acting in Japan is much better, they still loves Western voice acting very much. Just because it gives off a nice foreign feeling. Die hard fans from America and Europe will never watch Japanese stuff with dub, but Japan like those. They even have some animated movies that was done in English (Vampire Hunter D: Bloodlust) and Japanese games often have English audio from very beginning. So, Japan loves insects and Western stuff. Keeping this two facts in mind, itâs easy to get why did Toei wanted to make their own adaptation of Stan Leeâs famous superhero Spider-Man (introduced in 1962). Even costume was designed in a way that Japanese people liked. But the most interesting thing isnât that they wanted to make it. The most interesting thing is that they was able to do it. MARVEL really agreed to give Toei rights to make an adaptation (Stan Lee even traveled to Japan and explained his hero to Toei, even though he never worked on show itself) and itâs sure an unique phenomenon. They quickly reconsidered, though. And that wasnât very good for them and their reputation. Itâs only thanks to MARVEL this series was rare for a very-very-very long time. Just because MARVEL was like âYou want to make an adaptation of our comic books series? Sure, no problem! We like sushi, Japan banzai!â, but right after that they started to act like âNo-no-no, you canât release it on VHS, how can we allow that???â. Toei was even unable to put Spider-Man on the cover of the original soundtrack, thatâs how much pain MARVEL caused for them, even though they allowed to make a series. Only 27 (!!!) years after MARVEL agreed to let Toei to release Region 2 DVD Set with all episodes (previously, only one VHS was released with two episodes and movie on it and there was no more official releases) in exchange of the rights to broadcast all episodes for free with English subtitles on MARVELâs website. Talking about being a good partner⊠But anyway, all that aside, Toei was able to make a series and MARVELâs way to do things isnât the point here. Letâs just look at Toei and their adaptation.
Well, first of all, itâs not much of adaptation. Instead, it is⊠Super Sentai series. Yep, thatâs right, Super Sentai series. Without âSentaiâ (Iâm sure that you know it, but Japanese word âSentaiâ means âSquadâ) in it, but still. After J.A.K.Q. Dengekitaiâs lack of popularity and break up with Ishinomori ShĆtarĆ-sensei, Toei made Spider-Man instead of another Sentai show. Which means that 1978 is the only year when there was no Super Sentai, but Spider-Man instead. But even that isnât the reason why I said that Toeiâs Spider-Man is a Super Sentai series. The reason is - itâs made in the same exact traditions. Itâs using the same narrator (Ćhira TĆru-san) and itâs doing things in the same exact way with previous Toeiâs tokusatsu. Actually, with this series Toei admitted how important Ishinomori ShĆtarĆ-sensei was for them. A lot of ideas was copy/pasted to Spider-Man from Ishinomori ShĆtarĆ-senseiâs works. From Tetsu JĆ«ji Dan (Iron Cross Army) as main villains (almost the same thing with Kuro JĆ«jigun, or Black Cross Army from Himitsu Sentai Gorenger) to character design, fights and the way to tell story. Which is the reason why Western fans of Spider-Man usually have a hard time with this series. Itâs a totally different thing, different culture. Old school tokusatsu fans will get into it easily, but Western people without experience in such a things will be like âWait, what???â and it canât be helped. Toeiâs Spider-Man is a Japanese tokusatsu from first to last episode. And to make similarity with Super Sentai series even more obvious, they made some old actors to appear as supporting characters. Miyauchi Hiroshi-san (Aorenger in Himitsu Sentai Gorenger and Big One in J.A.K.Q. Dengekitai), Kazato YĆ«suke-san (Clover King in J.A.K.Q) and Mitchi Love (Heart Queen in J.A.K.Q.) will appear as a supporting characters and Spider-Man will use the same suit actor who played Clover King too. Thereâs more, but I think thatâs enough for example. Toei even re-used a lot of old effects, so if you watched Himitsu Sentai Gorenger, youâll be like âPle-e-ese, not this street to be destroyed again! Weâve seen it in Gorenger for like a million times already!!!â. But whatâs more interesting is that Spider-Man is a very important step for Super Sentai. If youâll watch Battle Fever J right after J.A.K.Q. Dengekitai, youâll miss a very important step that Toei made in this series. And when Iâm saying âimportantâ, I mean important.
So, whatâs so important here? First of all, Toei finally learned about how to tell a proper story. You canât watch the first and final episodes like in Himitsu Sentai Gorenger, or a few main story episodes like in J.A.K.Q. Dengekitai. Story progressing step-by-step now (Tetsu JĆ«ji Dan will try to reveal Spider-Manâs true identity, etc), so, you should learn it this way too. Which is absolutely amazing, because Toeiâs series finally feels like a whole thing, not like separate episodes. Even though Toei returned to their âThe whole finale in one episodeâ thing again, which was a step backward in a way, because, unlike J.A.K.Q. Dengekitaiâs epic finale, resolution of this series looks a bit briefly. In other hand, finale is a really good written, so, itâll be wrong to think that itâs a disappointment. Itâll be better as two episodes, but even as is itâs very good. So, even though thereâs still a lot of things to polish here, the way of telling the story made a big step forward.
And thereâs another huge thing - giant robot. Even though Spider-Man will use a supercar like Ishinomori ShĆtarĆ-senseiâs heroes from previous Toeiâs series, and thereâll also be a regular big aircraft (Marveller), Spider-Man will be able to transform that aircraft into a giant robot called Leopardon, that instantly became a legend. Leopardon wasnât the first transformable robot in history, of course, and not even the only one in 1978 Popy Toys Catalog (There was also TĆshĆ Daimos. Thought that Takara Toysâ 1982 Micro Change series was the first ones? Boo-boo! Wro-o-ong!), but he sure kicked ass! And he was especially popular, because this time transformable robot was shown not in an animated series, but in tokusatsu. Which means that it was like the robot was a real thing! So, while being popular all by himself and since toys was really well made, Leopardon quickly became a legend. The fact that Toei was unable to use Spider-Manâs image thanks to MARVEL and used Leopardon instead also helped.
Donât expect Leopardonâs part to be very big though. Toeiâs giant robot was more like a proof of concept. Even though Toei introduced a revolutionary idea, they havenât used it much. Leopardon in this series is more like an alternative for a finishing attacks like Gorenger Hurricane and Big Bomber. Heâll appear only to make one, or two attacks and enemies will barely fight back. Amazing battles of giants is something that will come later. For now, itâs more about an idea that made a revolution in genre. Toei still wasnât ready for a long action with giants. Actually, they used the same video for most of the scenes with Leopardon and Marveller. And itâs one of the biggest problems of the series. Toei returned to their âletâs re-use the same scene again and again without an endâ thing and, since it was almost abandoned in J.A.K.Q. Dengekitai, you simply canât help but scream âNot again!!!â from time to time. They even returned to their bad idea of re-using the same actors in the same series. The actors with memorable appearance that is. âWait, this guy was killed a few episodes ago, Iâm absolutely sure!!!â, time to remember about such a stuff. And since Spider-Man is two times shorter than Himitsu Sentai Gorenger, which was all about such a things, itâs hard to forgive it. Itâs not like itâs killing series in any way, but still, it isnât a good thing.
The story (itâs fun that I started to speak about it only now, but honestly, there was too many technical things to mention) is yet another thing that makes this series different from American original. I already said that Toeiâs Spider-Man is a Japanese series in a heart. And it also means that Japanese Spider-Man is a Japanese hero. Desperate avenger with a broken heart, but kind and bright soul - totally Japanese character. Japanese Spider-Man wonât only fight the villains, heâll also fight for the other peopleâs dreams, for their feelings and to make them keep light in their hearts. âMan moved by the dog whistle! Spider-Man!â Words like this will easily make a lot of Western Spider-Manâs fans like âWhatdidIjust???â. Thatâs the trick about the series. You should have a heart of a five years old kid (Stan Lee, creator of the original American Spider-Man, enjoyed Japanese series very much, because such an artists keeps a heart of a young kids until the very end and thatâs what makes them artists), or be a tokusatsu fan (which is actually the same thing) to get into it. If youâll try to get into it just because you like Stan Leeâs character, youâll have a hard time. I mean, really hard time. You may even see it as some sort of parody, some sort of comedy show. And itâll be a totally wrong impression, because itâs actually a dead serious series. Dark and gloomy. Toeiâs Spider-Man is a strong willed avenger, who arenât about to show any mercy to his enemies. And stories that isnât directly related to the main storyline is also very depressive. Toei actually continued to go in the same way with J.A.K.Q. Dengekitai (and actually re-used some old stories from J.A.K.Q., which is a bad thing), so, if you need some depression, this series will give you a lot. It may be even more depressive than J.A.K.Q., even though itâs hard for tokusatsu to be more depressive. And a lot of deaths isnât the most depressive thing here. The most depressive thing is how easily villains will break peopleâs dreams. But, unlike J.A.K.Q. Dengekitai, in this series itâs totally good thing. Why? Because as a stand alone thing Spider-Man also totally free of any laws and borders. It wasnât supposed to put you in a bright mood from very beginning. It was designed as a dark and gloomy story and itâll be like that from very beginning until the very end (yet again, unlike J.A.K.Q. which became more bright in a second part of the series). Spider-Manâs image worked out very well and helped Toei to create kind, but somehow dark character with a lot of anger inside. Western thing about the fact that superhero should hide his true identity from both his friends and his enemies also became a very nice addition to the show. Toei utilized it really good and it really makes series more interesting.
And acting helps to get into all that even deeper. Even though acting this time is a little tricky matter. The main actors do really good. TodĆ Shinji (Yamashiro Takuya, Japanese Spider-Man) shown pain in his characterâs heart incredibly well, Kagawa Yukie, who played one of the main villains called Amazoness was able to show a real villain, not just a clown in funny suit, while some supporting characters was shown so good that itâs hard to believe that you watch tokusatsu and not a serious, deep and complicated drama. So, whatâs tricky about all that? The tricky part is that thereâs also some actors who was added just because of their look. Those not only know a single thing about acting, but do like theyâre just standing there for fun. They can smile at dramatic moments, or even (God save us!) look right into the camera. Kids in fan-made movies can do the same exact thing. Those are usually foreigners (well, the only people in Japan with no talent is foreigners, canât be helped), who was supposed to look cool for Japanese people, who, as I already said, like foreign stuff. But since some of those was used a lot, itâs really painful to see such an âactingâ. Itâs not like it ruins the whole thing, but it feels like Power Rangers happened much earlier and youâll want to scream âShoo! Shoo!â each and every time such an âactorâ will appear. But, as I already said, most of the important characters do really, really good, so, youâll feel the whole thing and will suffer and cry along with characters.
But letâs return to the story, because thereâs much more to say about it. To make it short - it have absolutely nothing with Stan Leeâs original. Instead, even though itâs a 100% Japanese thing, it feels more like another Western story - Superman. Yamashiro Takuya, Japanese incarnation of Spider-Man. wasnât turned into a superhero by a bite of radioactive spider. Instead, he was saved by Spider Extract, the blood of alien called Garia, who came to Earth from planet Spider. An alien blood saved mortally wounded Takuya and also gave him some super powers. For example, now he have and extremely good senses, can climb vertical surfaces like a spider, etc. In exchange, Takuya should avenge Gariaâs planet that was destroyed by evil Monster-kyĆju (Professor Monster) and his Tetsu JĆ«ji Dan (Steel Cross Army). After saving Takuya, Garia will soon pass and itâll be only between Takuya-san and Monster-kyĆju since then. See? Dead planet, the last of the kind, avenger of alien race⊠Itâs Superman, not Spider-Man. It doesnât feel like a rip-off, but still, you can easily see what Toei tried to do. Thereâs also a lot of elements from classical Japanese media. I already mentioned vehicles and aircraft, as well as giant robot, but Japanese Spider-Man also have so-called Spider Bracelet, which is almost the same thing with Kamen Ridersâ transformation belts. Add the fact that the way of telling the story is totally same with previous Toeiâs works, and youâll see that Japanese Spider-Man is a strange mix of Western and Japanese media in favor of Japanese ones.
As for the stunts, those are absolutely great. This time thereâs only one masked hero (obviously), who was played by Koga Hirohumi-san (as I already mentioned, the same suit actor, who played Clover King in J.A.K.Q. Dengekitai), but he did oh-so-great. Thereâs a lot kinds of stunts in this series. Regular fights, in which the most important thing was âto act like a spiderâ, dangerous stunts without any tools (like fights and jumps on moving truck) and tools-assisted stunts like wall climbing. And all of those are absolutely amazing. Koga-sanâs âspider-likeâ movements are absolutely priceless (I mean it, he doing it incredibly good, even Stan Lee was amazed by it and even in 2005, during his interview that was included in DVD Set, he was head over heels about it), dangerous stuff makes you âWhoa-a-a, some people sure put everything into their performance!â, while tools-assisted stuff is surprisely realistic. I mean really, when I started with this series at my first very time (it was right after the DVD release), I was like âThereâs no way thereâll be realistic wall climbing in 1978 series!â and I-was-oh-so-wrong. The way Spider-Man climb the walls looks incredibly realistic. They did it the same way with American 1977 series The Amazing Spider-Man, which means that they used a rope and made it invisible by some simple tricks, but thanks to the fact that Koga Hirohumi-san also tried to act during the climbing, Spider-Man will look totally like a real spider here. Amazing work! Actually, itâs yet another thing that rea;;y impressed Stan Lee in this series. The only bad thing about an action in this series - staff kept overlooking a holes on an obvious places. Spider-Man, for example, will have a huge holes on both of his sleeves for a very long time. An epic hero⊠in suit full of holes⊠Thanks for that, Toei, I was so sure that such a things ended in 1977 (J.A.K.Q. Dengekitai).
And, of course, soundtrack. I think I told it in my previous reviews, but Iâll repeat myself - if soundtrack for tokusatsu series canât make you sing along, then itâs a fail of soundtrack. And this one is a huge success, because Watanabe ChĆ«meiâs (aka Hide YĆ«ki, well known for the works on music for Kaiketsu Lion-Maru and Ultraman Leo) âYeah-yeah-yea-a-ah-WOW!â will be in your head for ages. Moreover, like soundtrack for J.A.K.Q. Dengekitai, this one is like a part of the whole thing. It captures the dark, gloomy and very depressive mood of the series and express it in music. Ending theme, Chikai no Ballade, the song about grief and loss thatâll also mention Takuya-sanâs dead father is almost unbearable. Itâs so-o-o beautiful, but so-o-o sad⊠Never thought that song can make you cry? Try this one after the first episode of the series. Youâll cry your heart out. Original Soundtrack for Toeiâs Spider-Man is one of those things that bite you right into your heart. Amazing work!
So, whatâs in conclusion? First of all, point of view is important this time like never before. How much youâll like it depends exactly on who you are. If youâre a Western fan, who used to read an original comic books a lot, youâll probably see it as a weird parody and wonât like it at all. But if youâre a tokusatsu fan, youâll love it. Itâs an amazing, dark and very dramatic series with fantastic stunts and great stories, in best Toeiâs traditions. Same goes for those, who can enjoy both and for those, whoâs still a kid in a heart. As for me, I can enjoy some Western stories and characters and actually liked them a lot up to certain period. Not anymore, because nowadays Western superheroes feels like they was made for crazy girls to include them in their dirty gay fanfics, but still, itâs not like I canât enjoy Western stuff. And yet, for me Toeiâs Spider-Man is wa-a-ay better than any Western Spider-Man media ever created. Simple like that. Itâs, probably, not very fair thing to say, since, even though, Iâm trying to be as neutral as possible, Iâm still much more into Japanese stuff than in Western one. But still, hereâs my opinion. Deep and touching stories, gloomy and dark atmosphere, amazing stunts, very good acting (most of the time) and giant robot! For me itâs love. Will you be able to get into it and feel the whole depths of drama and epicness? Itâs all up to you. If you arenât ready for such a stuff, but want to get into it, itâs better to try with something else first to learn how to enjoy this sort of things. For everyone else itâs better not even try. Toeiâs Spider-Man isnât an adaptation of Western comics, but solid Japanese tokusatsu. And fantastic one, that is. Japanese Spider-Man marked another step in evolution of Toeiâs series and even though MARVEL did their best back then to make it become forgotten, it shouldnât be forgotten at any cost. Toeiâs Spiderman is a bright gem from 70s for everyone, who can appreciate it. Yet again, itâs not ideal, but we love tokusatsu not for being well polished, or something like that. And as tokusatsu this one fulfills its duty 100%.
âItâs over Anakin! I have the high groundâ @ewanmcgregoronly @haydenchristensen @natalieportman @samuelljackson @rosariodawson @starwars @lucasfilm @disneyplus @disneyplusuk @dave.filoni @jonfavreau #starwars #starwarsfan #starwarsprequels #starwarstheclonewars #obiwankenobi #lucasfilm #disney #starwarscomics #starwarsgraphicnovels #hellothere #ifindyourlackoffaithdisturbing #youwherethechosenone #maytheforcebewithyou #foroverathousandgenerationsthejediknightsweretheguardiansofpeaceandjusticeintheoldrepublic #thesearentthedroidsyourelookingfor #youvetakenyourfirststepintoalargerworld #usetheforceluke #graphicnovel #comicvault #supportlocal #supportyourlocalcomicshop (at Comic Vault) https://www.instagram.com/p/CLFZroDADom/?igshid=1admxqb0rrdfs
âHave you ever danced with the devil in the pale moonlight?â @michaelkeatondouglas @timburton @jacknicholsonofficial @batman #batman1989 #batman #dccomics #dcfilms #batmangraphicnovel #batmancomics #1989 #thejoker #gothamcity #graphicnovel #comicadaptation #batmanhardcover #hardcover #hardback #hardbackbooks #comicvault #supportlocal #suportyourlocalcomicshop (at Comic Vault) https://www.instagram.com/p/CLFUsvMgpz5/?igshid=gfrdmp0mz122
I highly recommend this book to any fan of Ms Marvel/Kamala Khan 10/10 @msmarvelseries @msmarvelupdates @msmarvelbr @msmarvxl18 #msmarvel #kamalakhan #kamalakhanedit #msmarvelcomics #msmarvelkamalakhan #marvelspotlight #imanvellani #imanvellanimsmarvel #imanvellanikamalakhan #imanvellanimarvel #disneyplus #marvel #mcu (at Jersey City, New Jersey) https://www.instagram.com/p/CKm8mndA1CiWh1RPnsgtIgnc6XtLb1KFTZkVs80/?igshid=1tbm6wweqkhe2
IMAN VELLANI AS KAMALA KHAN IN MS MARVEL (2021)
Should have posted this on Jan 1st but was too busy binge watching Cobra Kai Season 3 this gift set is such an awesome thing to own for any Karate Kid/Cobra Kai fan I highly recommend this set but get it at a low price #karatekid #allvalleykaratechampionship #miyagido #cobrakai #cobrakaiseason3 #mrmiyagi #daniellarusso #chozentoguchi #johnnylawrence #samanthalarusso #migueldiaz #demetri #hawk #elimoskowitz #chris #mitch #bert #nathaniel #johnkreese #terrysilver #mikebarnes #torynichols #robbykeene #dougrickenberger #kyler #brucks #mikey #miyagidokarate #cobrakaikarate #eaglefangkarate I just absolutely love this franchise (at All Valley Karate Championship) https://www.instagram.com/p/CJuZTvggbJnDp2UkELx4XA0Hkuir0dnmokbgX00/?igshid=8441g8wr8hxa