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EXPECTATIONS
Misplaced Lens Cap
Not today Justin
let's talk about Bridgerton tea, my ask is open
2025 on Tumblr: Trends That Defined the Year
Show & Tell
we're not kids anymore.
he wasn't even looking at me and he found me
Jules of Nature
The Stonewall Inn

titsay

roma★

Love Begins
Game of Thrones Daily

Origami Around
d e v o n

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@wicked-0ne
I mean the whole damn point of the Nativity story is that the supposed son of God (interpret Jesus how you fucking want, of course) was born to a couple of poor, exhausted peasants in the stable for the inn, and his first bed was a feeding trough for animals. That would nowadays be like a poor couple where the mother gives birth in a parking garage behind the motel because they couldn’t find a better place and nobody else would take them in. It’s a pretty gritty setting, and the idea is that God was reborn in some of the rock-bottom lowest circumstances. The only thing majestic was all the angels and shit, and of course motherly love
I get that a lot of the art portraying Madonna and Child as fabulously wealthy europeans in splendid robes and golden light was meant to glorify God + whichever nobility was sponsoring the artist, and while of course it’s genuinely beautiful art, it just always struck me as horribly missing the point, which is that the supposed son of God started in incredibly humble circumstances, among the kind of people that everyone else looks down on
‘Massacre des Innocents’ by Leon Cogniét, 1824. Although the Feast of the Holy Innocents is in a couple of days time, this painting is still really relevant in that it portrays Mary as how She really was: a scared refugee mum, so fearful that Her son was going to be one of the Innocents killed by King Herod.
My new favorite mordern interpretation is this work, José y Maria by Everett Patterson (http://www.everettpatterson.com)
I had to look at this like FIVE TIMES to register all the layers of symbolism going into the piece by Patterson.
The hoodie as a veil.
Weisman cigarettes
Each of them is haloed by an advertisement sticker.
No Vacancy sign on the motel.
Dove sticker over Maria’s head.
Neon sign with a star symbol also over Maria’s head.
The crown over the ‘Dave’s City Motel’ sign. “New Manger.”
The sign behind Jose’s elbow likely says ‘Herod.’
The wee little plant growing through the cracks at their feet.
It’s like a New Testament ‘I Spy.’ I love it!
Ugh.
New favorite interpretation of the nativity.
Here’s a link to a larger version of José y Maria. It’s worth examining, and I spotted a couple more I-Spy tags.
That sign behind Jose’s elbow reads “Elect(?) Herod Antipas”; the newspaper at his feet has an ad for Shepherd-brand watches and for Glad and Tide household products, there’s a bottle of Golden Ale by the phone pedestal, Maria’s hoodie is from Nazareth High School and the crown over the motel sign makes it “Royal David’s City”, as in the carol. There are probably others I’ve missed, but nothing’s there that the artist didn’t put in deliberately.
Interpretations with a contemporary setting make these images far more immediate than Sunday-school “Bible Story” illustrations, and one of the best (for a given value of “best”) isn’t modern-contemporary at all, though it was contemporary to the artists.
It’s “Massacre of the Innocents” by the Pieters Bruegel; father and son had the same name and both painted versions of the incident. Look at it while listening to “The Coventry Carol”.
Despite the 450 years separating the painting from modern viewers, it still has a chillingly familiar look which has nothing to do with the weather and which any military historian will recognise: Drogheda 1649, Amritsar 1919, Russia 1941, Lidice 1942, Oradour-sur-Glane 1944, My Lai 1968…
A long, depressing list of incidents and excuses. “Terrorists / untermensch / nits grow into lice / kill all, God will know his own / just following orders…”
It was such uncomfortable viewing for Holy Roman Emperor Rudolf II (the men doing the killing were following orders from the Spanish side of his Hapsburg family) that he had his copy censored, The dead and soon-to-die children were overpainted with livestock and bundles of produce, turning the massacre into a more acceptable scene of simple looting.
As an example. this…
…became this…
…and this…
…became this.
This article looks at the redaction and how it was discovered during restoration of the “Massacred Innocents Pillaged Village” version in the British Royal Collection.
It’s worth reading.
But looking for all the clues in “José y Maria” is far more pleasant…
I was expecting this to turn weird at some point but it just looks delicious.
The dude watching it goes through so many emotions
Peter Steele in Playgirl, August 1995
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