Hello! my name is Mojay. I am a bun that is also a fish. who draws.
My Art
#nomad, goatherd, star
main: @bun-fish
:)
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@wigglybunfish
Hello! my name is Mojay. I am a bun that is also a fish. who draws.
My Art
#nomad, goatherd, star
main: @bun-fish
:)
The Left Hand of Darkness (1969) colourized
ARTnimorphs. nimonARTs. peri fauna feed presences. bugging secunit is its passion!
I picture its feed presence to move a bit like how the animal spirits in this video do. swoosh
@somekindofsubprocess i laughed Out Loud
armada
i think they're plotting against me
breq playing that stringed instrument at strigan's!! picturing it as something alike to the himalayan dramyin. (not pictured: seivarden half dead in the bg)
āA wooden box sat on a table in a corner, a long oval with a carved, pierced lid and three strings stretched tight across. The wood was pale gold, with a waving, curling grain. The holes cut in the flat top were as uneven and intricate as the grain of the wood. It was a beautiful thing. I plucked a string and it rang softly.ā
so exited you are doing tlhod art yippee!!
the book lets go of no one and i am caught like pesthry in a trap. happy to be here \o/ you've been a great inspiration, i love all your art and linework!!
"Sorve"
#č¶ ē“åę”ä½ ēēč§øåååååå#the bits of turquoise accents...#alsoļ¼č®é§ęåā¼ļøā¼ļø#love the idea of something like wax apples adapted to gethen weather flgjkdjf#i imagine they'd be sturdier and way less juicy than irl š¤ via @thirrith
åååč¬č¬ä½ š„¹š«¶ 太éåæäŗ>< also on the wax apples: lmao yea you're absolutely right. watch it become persimmon-like (or perhaps plum-like) once removed from our sub-tropical environment
"Sorve"
my multi-year long love for tibetan culture and newfound tlhod worms are merging and growing into something chonky and terrifying. potentially beautiful
one of those long talks in the tent on the ice.
I made a tlhod plot-chronological playlist here for those interested :)
Tibet-coded planet gethen you are so real to me
ceramic peppers from class that had entered the ovens last week. I knew the glaze combo I chose would be banger
I'm in the college midterm hectic-but-fun zone at the moment so I'd thought I'd blog about it.
If you donāt know yet- I'm an art student studying chinese painting in taiwan. so uh. welcome to chinese pigment painting 101???
anyway. what you're seeing up there is a 50Ć60cm drawing of my mother. it is also my midterm project in its ink-line state from last weekend. I'm almost done with the colors as of now (it is due tomorrow.) but I'm going to recount it from the very start because it has been. a Process. so to speak
so before doing anything like sketching the outlines or mushing up paint (except maybe pre-plan the composition) I gotta prepare the rice paper. the paper is then mounted on a wooden frame like this:
which some friends and I ordered together so that's out of the way. now, the paper.
your typical rice paper from chinese art supply stores are called "raw(ē)" rice paper. for the kind of pigment painting I'm doing, I need to soak it (by brushing over it) in a magic potion solution of Animal Glue & Alum. we call rice paper that has been put through the solution "ripe/cooked(ē)". what difference does that make u ask?? well
left to right are raw and ripe rice paper respectively. ripe rice paper prevents the water in the brush from spreading, typically used in a detailed drawing technique called Gong-bi (å·„ē). this copy painting by emperor Huizong is done in gong-bi. the material is silk, but it still needs to be brushed with the same solution that gives it the same water-stemming effect. it's in the boston fine arts museum btw:
meanwhile raw rice paper are usually used in mountain/landscape paintings that endorse the spread of water-ink, or to make this guy:
different types of chinese painting calls for different kinds of rice paper. pigment painting typically falls into the gong-bi category, so I gotta rippen the rice paper. which i did. I don't have pictures from that whole procedure unfortunately, just know I was taking up a lot of floor-space in my dorm. my roomates are very nice people. the rice paper is lorge.
this lorge. (it goes up to my nose and I'm abt 5'3.)
due to the rice paper being the thick type and not translucent, I need to make water-friendly non-smudgeable tracing paper to transfer my big big composition. with the same dirt-based pigments I will be using to color it later. (and also because there is literally nowhere in this economy will u get tracing paper the size of a wall.)
tools needed: Giant Brush, two(2) packets of earth paint (I'm using a color I like! ē½ē¶ , white-green), container for paint mixture wide enough to fit the brush in, and āļøour star tonite, rice wine.
the stickiness of the rice wine lets the pigments stick to the to-be tracing paper, just enough that when used, pen pressure can push it down onto the drawing paper.
I'm using a japanese brand that our teacher recommended for its specific stickiness. drank what was left later on. it's good :)
wrapping the pigment in scrap paper and crushin it into powder.
letting them all dry after applying the mixture. had to stand on my bunk ladder to get a full pic.
rip if you room with an art student because floor space is at a premium always
I'm in the college midterm hectic-but-fun zone at the moment so I'd thought I'd blog about it.
If you donāt know yet- I'm an art student studying chinese painting in taiwan. so uh. welcome to chinese pigment painting 101???
anyway. what you're seeing up there is a 50Ć60cm drawing of my mother. it is also my midterm project in its ink-line state from last weekend. I'm almost done with the colors as of now (it is due tomorrow.) but I'm going to recount it from the very start because it has been. a Process. so to speak
so before doing anything like sketching the outlines or mushing up paint (except maybe pre-plan the composition) I gotta prepare the rice paper. the paper is then mounted on a wooden frame like this:
which some friends and I ordered together so that's out of the way. now, the paper.
your typical rice paper from chinese art supply stores are called "raw(ē)" rice paper. for the kind of pigment painting I'm doing, I need to soak it (by brushing over it) in a magic potion solution of Animal Glue & Alum. we call rice paper that has been put through the solution "ripe/cooked(ē)". what difference does that make u ask?? well
left to right are raw and ripe rice paper respectively. ripe rice paper prevents the water in the brush from spreading, typically used in a detailed drawing technique called Gong-bi (å·„ē). this copy painting by emperor Huizong is done in gong-bi. the material is silk, but it still needs to be brushed with the same solution that gives it the same water-stemming effect. it's in the boston fine arts museum btw:
meanwhile raw rice paper are usually used in mountain/landscape paintings that endorse the spread of water-ink, or to make this guy:
different types of chinese painting calls for different kinds of rice paper. pigment painting typically falls into the gong-bi category, so I gotta rippen the rice paper. which i did. I don't have pictures from that whole procedure unfortunately, just know I was taking up a lot of floor-space in my dorm. my roomates are very nice people. the rice paper is lorge.
this lorge. (it goes up to my nose and I'm abt 5'3.)
I'm in the college midterm hectic-but-fun zone at the moment so I'd thought I'd blog about it.
If you donāt know yet- I'm an art student studying chinese painting in taiwan. so uh. welcome to chinese pigment painting 101???
anyway. what you're seeing up there is a 50Ć60cm drawing of my mother. it is also my midterm project in its ink-line state from last weekend. I'm almost done with the colors as of now (it is due tomorrow.) but I'm going to recount it from the very start because it has been. a Process. so to speak
I always say that the thing which sets Sargent apart as a portrait artist is that he draws/paints literally every subject - no matter their gender, social position, life vs representational drawing etc - like he is right that minute realising he's desperately in love with them. And it rules every single time.
Examples pulled just from his Wikipedia page most popular works. Absolutely devastating scenes for bisexuals for over a century
Don't forget the ALLIGATORS. He loves them too.
I LOVE MY INDONESIAN MUSIC CLASS!!!! GAMELAN IS FUN. ding ding dong ding dong. cling cling