happy 2015 everyone I just spent the morning listening to an entire Sufjan Stevens album
almost home
Misplaced Lens Cap
hello vonnie
styofa doing anything
ojovivo

oozey mess

❣ Chile in a Photography ❣

tannertan36
"I'm Dorothy Gale from Kansas"

@theartofmadeline
Monterey Bay Aquarium
sheepfilms

roma★
Claire Keane
trying on a metaphor

Kaledo Art
i don't do bad sauce passes

JVL
art blog(derogatory)

JBB: An Artblog!

seen from Malaysia
seen from United Kingdom
seen from United Kingdom

seen from United Kingdom

seen from Maldives

seen from Malaysia

seen from Malaysia

seen from United States
seen from United States

seen from Spain

seen from Germany

seen from Malaysia

seen from United States

seen from Australia

seen from Germany
seen from Singapore

seen from United States
seen from Türkiye

seen from Türkiye

seen from United States
@witchknights
happy 2015 everyone I just spent the morning listening to an entire Sufjan Stevens album
I finally played dragon age veilguard and guys it is. Making me wanna draw again after idk five or six years I love my Rook she is a Mourn Watcher and I gave her the pastiest complexion and biggest dark circles I could manage in the character creator. Lucanis canonically runs after her in the lighthouse with a plate of liver parm. Emmrich is begging her to please take a nap. She is not going to inherit his pension if she keeps it up like that
Also I have like a Lot Of Thoughts about the writing but I think it is kind of beating a dead horse at this point
Anyway residency is going fucking bonkers, I am on my last days of vacation rn and had to have my wisdom tooth removed!
i don’t need a “day off” or a “weekend” i need to respawn in a clean apartment with all my responsibilities reset and the complete certainty that nobody hates me
Posters for National Theater of Korea's production of Macbeth, designed by Yuni Yoshida and photographed by Noh Juhan. [1][2]
its less than a week til you've made it through this year if it kills you, so turn on the song and prepare to leave some snacks for the mountain goats on new years eve
hurr hurr I'm a human body hurr hurr I'm gonna solve all my problems using mucus
"i require more fluids" well what did you do with the fluids I already gave you. hmm? did you make more mucus with them? you made more mucus with them.
clinical internships are……………… hard.
30 minutes into urology and there were two necrotic dicks
Happy Easter to me I've been in the hospital since 4am
Its 2pm and I am facing the prospect of a 4 hour colon surgery
meteora's 20th anniversary and the realization I have just been mentally ill since I was eleven
The Good Place 4x13 - “Whenever You’re Ready” deleted scene
how dare they not share with us this beautiful and perfect moment how dare
clinical internships are……………… hard.
30 minutes into urology and there were two necrotic dicks
no such thing as wasting your 20s your 20s are for recovering from whatever the fuck happened to you as a kid so that youre ready to get weird with it in your 30s
Morose rumination… to be or not to be, that is the question…..
clinical internships are.................. hard.
not mine but hilarious
OH YES
Fire the headcan(n)on: Problems with long-term management of biotic resources for maximum strategic potential in the Alliance military
It is obviously not ideal* for a ship's CO to be running risky ground missions, but the issue demonstrated by Commander Shepard actually brings to light a larger dilemma that's been discussed within the upper echelons of the Alliance military for years. Biotic personnel are a huge asset as front-line troops, and any still able-bodied biotic moving off the front lines is considered a net loss. This poses a potential retention problem, since the usual route for advancement would remove them from where they're considered most valuable.
A trail of internal communications dating back over a decade (recently acquired by Westerlund News) documents how the Alliance instructed recruiters to push biotics to enlist (with exorbitant sign-on bonuses) rather than attend school for a commission.
It's worth noting that when faced with a similar recruitment-and-retention problem for pilots, the Alliance chose to offer commissions, while technically-skilled Specialists can be brought in as officers or warrant officers, depending on their pre-military career and level of education.
Alliance military doctrine suggests preventing a "Shepard Problem" not by restricting a biotic CO to their ship, but by making sure they'll never command a vessel in the first place. If at all possible, biotic personnel should not be given the opportunity to advance to senior command positions until they are physically unable to serve on the front lines.
*Understatement
The counter-argument that worked its way up through the Marines went something like this:
Sure, Special Forces operatives are valuable in the field, but they also work better if their CO is *one of them*: they get more respect from their subordinates and they have a better handle on what their people can do when dealing with their superiors' expectations. Why shouldn't biotics get the same treatment?
(Every marine a rifleman is still a thing, and as biotics are pretty universally marines, that marine camaraderie is mostly strong enough to counter the heaviest anti-biotic mindsets.)
The brass said all the right things and nodded in public, but they kept very high requirements for biotic MOS' promotions to slow them down and keep them out there as long as possible.
(MOS = Military Occupation Specialist Code; basically your actual job assignment. There is enough variety in the requirements for some highly specialized jobs that the fact that it was that much harder to get promoted as a biotic wasn't anything most non-biotics could pick up on.)
But then Shepard fucked up the status quo, as Shepard tends to do. Shepard is recognized by the general public. Whether that's positive for the "Hero of Elysium", negative for the "Butcher of Torfan", or the galaxy rubbernecking at a tragic accident for the "Sole Survivor", if the Alliance follows its usual molasses speed biotics promotion with a biotic Shepard, people like al-Jilani and Wong will notice and will make it a story.
The Alliance does not want that to be a story.
So someone makes sure that Shepard gets promoted; creative paperwork is a skill set anyone high up enough in a bureaucracy has figured out, after all. And then someone hides Shepard in N training in the hope that they won't do anything else to attract the public's attention.
(This fails dramatically, obviously, but it looked good on paper to certain subsets of politicians & brass.)
Council Spectres are supposed to be 'special tactics and reconnaissance' operatives; in human terms, they work somewhere between special forces military and James Bond. They're not usually high profile figures; that would make their job harder.
But the position of First Human Spectre isn't about how effective the candidate is at helping the Council; it's about staking humanity's claim as players on the galactic stage. It's representation in positions of authority. So from the politicos' standpoint, suggesting Shepard is a no-brainer: no one can deny they're accomplished! The military tries to resist, but they can't get enough traction with the 'chain-of-command nightmare' argument because they already presented all their counter arguments when Anderson was the proposed candidate—someone lower profile and without the biotic complication.
So Shepard has a ship, because Spectres have to have autonomous movement. And Shepard leaves the ship, and no one can blame them, because when you have that rare biotic soldier you want them where they can use biotics.
But no one likes it.
Okay so a production of Hamlet that ends with “Goodnight, sweet prince,” etc. and then Horatio looks up and sees the audience for the first time and is both shocked and furious, because his world is falling apart and you sat there and watched.
This idea would go fantastically well with my director’s idea that Hamlet knows the whole time that he’s in a play. He had me (when I played Hamlet) interact with the audience, exchange looks with people in the front row, deliver my soliloquies to people in the first few rows casually like I was just talking to them, and I even had the idea to not freeze and just walk about the stage when other characters had their little ‘asides,’ which he allowed me to keep in.
Basically, if Hamlet continuously acknowledges the audience unnoticed by all the other characters (almost Fleabag-style) and then suddenly he’s gone, and obviously he knew he’d have to be gone at the end, and then poor Horatio is left all alone to finally realize there was someone else there the entire time, now that would make it all the more devastating.
There’s no difference between the Danish courtiers, who showed up because they wanted to see the Mad Prince get his butt kicked in a staged sword-fight, and us the audience (who… also showed up to watch Hamlet loose a sword fight.)
I want to see a production where Horatio just stares at us, and screams “Now cracks a noble heart!” with the subtext “You fucking fuckers. He was better than all of you, you watched him die, and you just stood there.
Then, he just silently cries over the body. For like FIVE MINUTES. And the courtiers peel away into the wings, one by one, until Horatio is alone on stage with a lot of dead bodies. It starts getting uncomfortable. You’re thinking… is the play over? Am I supposed to go? (hamlet is just about the *only* play where the final scene is cut about 50% time, so use that uncertainty, use that ambiguity.) Maybe some people do get up to go. There’s definitely muttering. And then there’s smashing sounds coming from the direction of the box office, and Horatio looks up, with an expression like something’s gone wrong.
But then he says, “Why do the drums come hither?” Fortinbras enters though the audience, and the play continues.
(I *also* think it would be really cool to cut for intermission right after Claudius freaks out and breaks up the play-within-a-play. Just imagine it: king yells “Lights! Lights! Lights!” And the houselights come up.)
All good. And also–
As Hamlet is dying in Horatio’s arms, he puts his hand on Horatio’s face and turns it toward us. And that’s when Horatio sees the theater.