We're so freaking back...

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oozey mess

ellievsbear
One Nice Bug Per Day

Andulka
trying on a metaphor
Today's Document

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RMH
noise dept.
cherry valley forever
will byers stan first human second
d e v o n
DEAR READER
we're not kids anymore.
occasionally subtle
taylor price
art blog(derogatory)
styofa doing anything

JBB: An Artblog!

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@woahpines
We're so freaking back...
I've been binging Breaking Bad lately anyway huge fan of this guy so far
Happy MCR 2025!! Just some sketches, I can't believe mcr and Hozier are touring at the same time 💔
Genuinely cannot stop drawing these guys, just a peak into my twisted mind
Original designs by @imgdist0000 and @aratinganana ‼️
Leaves this here and runs away
Original designs by @imgdist0000 (Cat Cecil) and @aratinganana (Donald duck) ‼️
Falsettos?!?! Act 1 Marvin ?! Happy Falsettos day
Rare non-starkid post ?!?!!1!?
“It’s Polish 😔”
T‘noy Karaxis, what a guy!
they r best friends actually!!!!
where in the HELL did that horse come from
#rdr2
Grace Chasity from NPMD by TeamStarkid.
#woah this is outstanding art #grace chasity #NPMD
The Belated Tragedy of Ted
I think a lot about how the introduction of Pete as a fully-formed character changes how the fandom perceives Ted's role in the wider Hatchetfield story.
Like, at first it was just Ted--office sleazeball, horny bastard, selfish coward, and ultimate loser. Sure, he’s hilarious, imminently watchable, and imbued with surprising moments of depth and pathos, but at the end of the day Ted was still that gross guy who’s penchant for dying became of one Hatchetfield’s most beloved recurring gags. The story goes: Ted’s a douche, someone kills him for some silly reason, Tinky jiggles his toy box, and we all roll our eyes and laugh--“Oh Ted, dying again. What a pathetic drowned rat of a man, lmao.”
But then we got to truly meet Pete, unironically the coolest kid in Hatchetfield, who chooses to sacrifice himself to save the world in direct contrast to Ted’s choice to run and abandon Paul to the Apotheosis. Pete, who is good and kind and gentle and brave and everything his disastrous brother is not. Pete, who, despite it all, really loves Ted.
And suddenly Ted’s deaths, routine as clockwork (tick tock, Teddy Bear), stop being just a reliably good joke about a horny bastard and instead also become about the heartbreak of a good, heroic kid who deserves far better than burying his beloved older brother.
I dunno, I just think it’s a really interesting example of how world-building can manipulate how the audience thinks about certain characters or moments only tangentially related to the piece of story being developed.
Also, I just the love the Spankoffskis, different as they are. There's that, too.
I had too much fun with this 😭
reference : ))
THIS IS AWESOME (!!!!)
Going insane over my new hyperfixation
a gay person looking at the lyrics of a hozier song, trying to figure out if it applies better to aziraphale/crowley or to ed/stede:
First post got Tumblr to express the strange thoughts inside my head and my friend said it was quite a place
And to consume content of my silly shows music games and obsessions
I like art, animation, music, film, history, gravity falls, nature, reading, games, skiing and sharks
Hozier and Good Omens too
🤯
Okay bye