Okay, so I finally watched Project Hail Mary.
Just as good as all the spoilers promised. Better, even.
Mad respect to y'all for inventing a character that I thought was real...how so many people got behind the design is wild.
let's talk about Bridgerton tea, my ask is open

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@writerbee-33
Okay, so I finally watched Project Hail Mary.
Just as good as all the spoilers promised. Better, even.
Mad respect to y'all for inventing a character that I thought was real...how so many people got behind the design is wild.
You guys, last night I had a dream that featured my OCs.
I think I leveled up
i love being a writer what do you mean it's my job to open a document and then lie
Lying? Nah, presenting truth in such a detailed format it becomes secret code only those who are willing to spend hours analyzing can crack while most wildly misinterpret the meaning and call for riots whenever some even suggests at the idea of a different or— heaven forbid— a conflicting inference from theirs despite both answers being so far removed from the original text it makes on lookers wonder if they read the same story or worse, make them question their own critical thoughts
Something neuroscience-y that helps with prose: attention is selective. A character will not notice everything in a room. They will notice what matters to their goal, fear, desire, training, wound, or obsession. A jealous character notices hands. a hungry character notices food. A soldier notices exits. A lonely character notices pairs. Description becomes character when attention has a bias.
[Image of text saying,
Some AAVE speakers pluralize 'child' as 'childrens'. People get racist about this ("It's already plural!"), but 'children' actually comes from Middle English speakers doing the same thing: slapping their plural marker on word already pluralized by an extinct plural marker.
To oversimplify: in Old English, 'childer' ('ċildra') was the plural of 'child' ('ċild'). Middle English developed an '-en' plural marker, which we see in 'oxen'. Instead of updating to 'childen', people slapped their preferred '-en' onto the end of 'childer' - so now we have 'child-er-en'. AAVE carries on this tradition with 'child-er-en-s'.
"Pure" language is just impurity obscured by the passage of time.
End ID.]
OUT OF CONTEXT THINGS MY PROFESSOR SAID PART 3 (PART 2)
"Get funky! Write that down. The Professor says to get funky."
"You can become a bediter. A bediter editor."
"This is for taking down Darren Tate!" *Aggressively erases whiteboard*
"[Student], be quiet or I will report you to the nuns."
"Here's a knife. Let me rest it upon my chromium."
OUT OF CONTEXT THINGS MY PROFESSOR SAID PART 2 (PART 1)
"Do any of you journal? Do you ever get dirty with it?...That sounded wrong..."
"That was a bad idea. I shall repent now."
"Like, if I were to get fired, that's how I'd want to go out." (In reference to setting a bunch of paper airplanes on fire in the middle of the classroom)
"Could there be any more boys in that mansion to fall in love with?" (In reference to The Inheritance Games by Jennifer Lynn Barnes)
"I must sound like a crazy person. I was like, 'Male Models!' ...I'm not crazy, I swear."
Over the last three months I've read around 25 novels and 50 picture books, including self help books, classic American literature, and children's books from 15 different genres. I was going to put a list up but that would take forever. Here's some of my favorites:
The Graveyard Book by Neil Gaiman
Conquering Your Inner Critic by Debi Gilmore
In Our Time by Ernest Hemingway
Looking for other recommendations? Let me know!
OUT OF CONTEXT THINGS MY PROFESSOR SAID IN CLASS THIS SEMESTER PART 1
"It's lonely up on this desk."
"That's a big no no." *Does cringe face* "I'm such a dad. No no?"
"I want 'MEMO' to die but it refuses to do that."
"I used the words, 'I'm gonna burn you' last class. But what does that even mean? I'm going to take points away."
"If you don't punch that guy, you might not get the last Starburst."
"Can't squeeze blood from a turnip."
Hot take:
Religious trauma is real, and stories about it absolutely have a place. But I’d love to see more stories where a character realizes the harmful version of Christianity they were taught isn’t the same as Christ.
Give me characters who deconstruct abuse instead of faith.
Give me characters who discover a deeper, kinder, more compassionate Christianity.
Give me doctors, teachers, farmers, artists, scientists, and ordinary people who see their work as their vocation.
Give me faith rooted in love instead of fear.
Not every Christian character’s happy ending has to be walking away from God. Sometimes it’s finally meeting the God they were searching for all along.
Maybe that's what makes Ezra her friend, Bat thought. He likes the parts of her that everyone else thinks are weird.
A Boy Called Bat by Elana K Arnold
An unclear result is still a valid finding.
[Noun or pronoun of your choice]: Cacophonous destruction, yet also sublime possibility
questions for fic writers
a collection of questions i, as a writer, would love to be asked !!!
1. What fic of yours would you recommend to someone who had never read any of your work? (In other words, what do you think is the best introduction to your fics?)
2. Go to your AO3 “Works” page, to the sidebar with all the filters, and click the drop-down arrow for “Additional Tags.” What are your top 3-5 most used tags? Do you think they accurately represent your writing habits?
3. What are some tropes or details that you think are very characteristic of your fics?
4. What detail in [insert fic] are you really proud of?
5. What do you wish someone would ask you about [insert fic]? Answer it now!
6. What’s one fact about the universe of [insert fic] that you didn’t get a chance to mention in the fic itself?
7. Any worldbuilding you’re particularly proud of?
8. What song would make a great fic (to either write or read)?
9. How do you find new fic to read?
10. How do you decide what to write?
11. Are you partial to a certain character/pairing or are you more equal-opportunity? If you are partial to any character/pairing, why do you think that is?
12. Are there any tropes you used to dislike but have grown on you?
13. Are there any tropes you used to like but don’t anymore?
14. Are there any tropes you would only read if written by a trusted friend or writer?
15. What’s your favorite AU that you’ve written?
16. What’s an AU you would love to read (or have read and loved)?
17. What highly specific AU do you want to read or write even though you might be the only person to appreciate it?
18. If you wrote a sequel to [insert fic], what would it involve?
19. If you wrote a spin-off of [insert fic], what would it involve?
20. If you wrote a prequel to [insert fic], what would it involve?
21. If you wrote a “missing scene” in [insert fic], what would it be?
22. Who is your favorite character in [insert fic] and why?
23. What’s a trope, AU, or concept you’ve never written, but would like to?
24. Are there any easter eggs in [insert fic], and if so, what are they?
25. What other websites or resources do you use most often when you write?
26. Would you rather write a fic that had no dialogue or one that was only dialogue?
27. How long did it take to write [insert fic]? Describe the process.
28. Does anyone read your fics before you post them? If so, who?
29. What songs would be (or are) on a playlist for [insert fic]? Explain your choices if you want!
30. Have you ever written something that was out of your comfort zone? If so, what was it, and how did it affect your approach to writing fic thereafter?
31. What’s your ideal fic length to write?
32. What’s your ideal fic length to read?
33. If you write chaptered fics, what’s your ideal chapter length to write? Is it different from your ideal chapter length to read?
34. What aspects of your writing are inspired by/taken from your real life?
35. What aspects of your writing are completely unlike your real life?
36. Do you visualize what you read/write?
37. Promote one of your own “deep cut” fics (an underrated one, or one that never got as much traction as you think it deserves!). What do you like about it?
38. Did any of your fics get surprisingly popular (whatever that means to you)? Which ones? Why do you think they were so successful?
39. Is any aspect of your writing process inspired by other writers or people? If so, who?
40. Do you tend to reread fics or are you a one-and-done kind of person?
41. Link a fic that made you think, “Wow, I want to write like that.”
42. Have you ever received a comment that particularly stood out to you for whatever reason?
43. If you take/write prompts: what’s your favorite prompt fic that you’ve written?
44. If you take/write prompts: do you prefer dialogue or scenario/narrative prompts?
45. What’s something you’ve improved on since you started writing fic?
46. Do you prefer writing on your phone or on a computer (or something else)? Do you think where you write affects the way you write?
47. If [insert fic] was a pair of shoes, what kind would it be? Describe the shoes.
48. What’s the last fic you read? Do you recommend it?
49. What are you currently working on? Share a few lines if you’re up for it!
50. Answer any question of your choice, or talk about anything you want to talk about!
They're not meant to be identical; they're meant to complement one another. Differences make things beautiful as a whole.
The Last Cuentista by Donna Barba Higuera
There's a level of cognitive dissonance to being a writer who has technically written a novel but who isn't published yet. I still get imposter syndrome all the time but let me tell you, there is something really awesome about being able to quiet self doubt by saying "shut up. I've literally written a book."
"Name the different kinds of people," said Miss Lupescu. "Now."
Bod thought for a moment. "The living," he said. "Er. The dead." He stopped. Then, "...Cats?" he offered, uncertainly.
The Graveyard Book by Neil Gaiman