Black LGB Experiences
This research is open access. Anyone can access it easily with a quick search on Google Scholar, at no cost to themselves.
I highly recommend looking up Lisa Bowlegâs research if this is an area of interest for you. Personally, Iâm a huge fan.
Bowleg, L. (2013). âOnce youâve blended the cake, you canât take the parts back to the main ingredientsâ: Black gay and bisexual menâs descriptions and experiences of intersectionality. Sex Roles, 68(11-12), 754-767.
Abstract:Â Although Black gay and bisexual men have written eloquently about the intersections of race, gender, and sexual identity in anthologies such as Brother to Brother and In the Life, empirical studies of intersectionality with men, and Black gay and bisexual men in particular are rare. This qualitative study examined descriptions and experiences of intersectionality in individual interviews with 12 U.S. Black self-identified gay (nâ=â9) and bisexual (n =3) men in Washington, DC. Participants ranged in age from 21 and 44 (Mâ=â36.33) and were predominantly highly educated and middle income. Research questions were: (1) How do participants describe and experience intersections of race, gender, and sexual identity?; (2) How do social processes shape their social identities?; (3) What are their challenges due to intersections of race, gender, and sexual identity?; and (4) What are the perceived benefits of these intersections? Analyses highlighted four key themes: (1) explicit and implicit descriptions of intersectionality; (2) the primacy of identities as Black and/or Black men first; (3) challenges such as negative stereotypes, racial microaggressions in mainstream and White LGB communities, heterosexism in Black communities, and gender role pressures to act âmasculineâ; and (4) perceived benefits such as psychological growth, liberation from traditional gender role or heteronormative expectations, and the freedom that being outsiders or ânever being comfortableâ confers in terms of exploring new opportunities and experiences. These findings imply that intersectionality can be expanded to incorporate the strengths/assets of intersectional identities in addition to oppression based on interlocking social identities.
Bowleg, L. (2008). When Black+ lesbian+ womanâ Black lesbian woman: The methodological challenges of qualitative and quantitative intersectionality research. Sex roles, 59(5-6), 312-325.
Abstract:Â The notion that social identities and social inequality based on ethnicity, sexual orientation, and sex/gender are intersectional rather than additive poses a variety of thorny methodological challenges. Using research with Black lesbians (Bowleg, manuscripts in preparation; Bowleg et al., Journal of Lesbian Studies, 2008; Bowleg et al., Cultural Diversity & Ethnic Minority Psychology 10:229â240, 2004; Bowleg et al., Journal of Lesbian Studies, 7:87â108, 2003) as a foundation, I examine how these challenges shape measurement, analysis, and interpretation. I argue that a key dilemma for intersectionality researchers is that the additive (e.g., Black + Lesbian + Woman) versus intersectional (e.g., Black Lesbian Woman) assumption inherent in measurement and qualitative and quantitative data analyses contradicts the central tenet of intersectionality: social identities and inequality are interdependent for groups such as Black lesbians, not mutually exclusive. In light of this, interpretation becomes one of the most substantial tools in the intersectionality researcherâs methodological toolbox.
The following paper isnât psychology but still goes along with the topic.
Sullivan, L. L. (2000). Chasing Fae: The Watermelon Woman and Black Lesbian Possibility. Callaloo, 23(1), 448-460.
Excerpt:Â Cheryl Dunye's 1996 film, The Watermelon Woman, is a groundbreaking, and rulebreaking, film. The first feature film made by a black lesbian filmmaker (McAlister), the film employs both deconstructive and realist techniques to examine the way that identity in contemporary U.S. culture is shaped by multiple forces, primarily race, gender, and sexual orientation. Encouraging viewers to consider the unstable, complex, and often contradictory nature of identity, the film is humorous yet politically engaging. In this paper, I consider the ways that the film works simultaneously to represent and to decenter the identity and history of a figure most invisible in the textual production of the dominant culture--the black lesbian.















