charles xavier and erik lehnsherr // james mcavoy and michael fassbender
my heart and soul; my otp

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@xmenitionexpedition
charles xavier and erik lehnsherr // james mcavoy and michael fassbender
my heart and soul; my otp
Still thinking about how Grace was always treated as disposable. Kicked out of his passion field for his honesty—underpaid as a (very good) teacher, to the point he can’t afford a car—left alone in a room full of argon with a sample that might kill him, while all the indispensable guys who put him there stood on the other side of the glass and watched. Shoved screaming into a mission that would kill him. And then, then this bonkers little alien who just met him gladly trades years off his life (via extended return mission) to save him. Runs burning through deadly air to keep him from dying. Chooses finally to weave their lives together forever and recreate Grace’s best dreams of Earth to make him happy. No wonder Grace told Rocky he doesn’t have to get him a gift, he’s given him everything. To one little spider guy, Grace is irreplaceable. That’s love.
hottest fucking thing one can read, really (x)
here’s some project hail mary studies i did recently in heavypaint
made a thing.
grace rocky save stars
"i never could say no to you" is one of my favourite phrases in the entire english language because it's so casually cruel. even when it's spoken fondly or lightheartedly there's this dismissive implication of blame to it, like twisting a knife. whatever happens next is on your hands. i want you to know that i betrayed and destroyed myself for you.
HAPPY IDES OF MARCH Y'ALL!!
And again…this is a joke. However, if you think historical reenactments & teaching children about history is somehow threatening, maybe you’re the problem. 🔪🔪🔪
people have this tendency to believe that fandom discourse exists because people in fandoms are Stupid Nerdy Losers, but in fact fandom discourse exists because anytime you get a group of more than 100 people together, they will start creating interpersonal bullshit. fandom is not special in this regard
There is sports discourse. There is yarn discourse. There is food discourse. There is academic discourse (dear sweet god is there academic discourse). If there are people out there collecting brass buttons specifically from 1921, they are going to have discourse about which buttons are trash and whether Person A cheated person B. To be human is to engage in pointless wankery sometimes.
I think fandom analysis on the whole would be a lot more fun and interesting if it took the sort of attitude a great many of my lit professors did, and the idea was to look at the text, see what you think it's saying, or even COULD be saying, and let's fuck around with that idea. I got four years of hearing insane takes on stuff and I was extremely fortunate to go a school with small enough class sizes and a dedicated enough faculty that in many respects, wild theorizing was encouraged.
One of my professors was straight up like "I don't want you reading papers about this book until we finish it!" and we had writing things for the first 20 minutes of every class because he wanted to know what WE thought, not what we had become convinced was THE thing to think.
When I was in my second year of college, I spiraled out into this whole "Jane Eyre is a lesbian!" thing, and my professor (not the same guy as above but delightfully insane in her own right) was like, "Wow, I've never heard this from anyone," and instead of being like, "um this is not what has been agreed upon by everyone else" went "Tell me more." Now, as a forty year old woman who has never stopped engaging with stories on both an enjoyment and academic level, the paper I would write with age and distance would be more "Homosociality, desire, and the domesticated male in Jane Eyre" or something like that, nineteen year old me was a little reductive and simple, but same vibes.
But my professor did not think I was right, she thought I was being INTERESTING, and so she encouraged me and championed me to write that paper and I actually presented it at the student division of a conference! The cool thing about that was, that when I was defending it, I was having to think about it, but it was in the spirit of collaboration, it felt like. No one was trying to 'win' the conversation.
Doc, what the fuck are you--I saw a really interesting thing this morning, someone talking about Shrek, of all things, and how they thought it was about how you cannot turn an ogre into a man, but he can make you become an ogre. And I immediately went, "Wow! Okay, interesting, not how I read that at all, TELL ME MORE." It was really jarring for me, then, to see pretty much every comment be like, 'uh you are wrong and also stupid." Sure, maybe that's not the intention of the work, but I don't for one goddamn motherfucking second think Charlie Bronte was sitting down going "I am going to write a woman so gay..." nor do I think the read of her as same sex-attracted is the end all be all of interpretations. It's mine, for sure! But like...talking about stories is supposed to be fun and it's supposed to be about possibility.
That one post got me thinking about how we are, in fandom often all looking at this same text, and there's immense pressure to have a 'right' interpretation--I was at the nexus of so many Sailor Moon fandom wars, and while I got into a few tussles, I was also stupid to do that. This characters are not real, and I was shutting down POSSIBILITY. And even after I was like, 'Wow, I don't think this is actually a very fun way to do stuff" it turns out you can't magically give everyone the same revelation you have simultaneously. Which is upsetting. And I see these same patterns repeat over and over and over again.
In my old age, I'm less interested in he "He would not say that" and more interested in "Cool, tell me why he would say that?"
Don't misunderstand me, there are points of view and ideas on different texts where I'm like, "Hm. I don't care to engage with that." Remember that the window we're looking out of is as important as what we're looking at, and will DOUBTLESS change the appearance. But the whole reason we have each other is to try and find other windows! It's not actually to find someone who is the next pane of glass in your same window. I miss that environment, where you could trust that everyone coming to the table was engaging with the same ground rules and that there was an expectation of, detachment doesn't quite get to the heart of what I'm talking about, but we were expected not to take the text or the analysis of it personally, even when it was hard. And sometimes it was. But I think it led to me having--for example it's crazy to me to have one 'right read' on any given text. I had a SUPER FUCKING ANIMATED conversation with a fellow lit nerd about whether or not GdT's Frankenstein was emotionally faithful to the text (which is not the same as being literally faithful nor the same as being good)and it was so fun, EVEN THOUGH we were coming at it completely opposed. But it was so fucking fun.
I wish I could do that with anime and cartoons, but you can't. People take Shrek personally. So I'll never have that same fun.
ANYWAY SORRY I AM DRINKING COFFEE AND MY DAUGHTER ISN'T HERE I HAVE TOO MUCH FREE TIME.
my partner and i have become fixated on this stupid comment left by a conspiracy theorist on instagram and we can't stop saying it and i just know i'm gonna slip up and say it to a normal person
you can't come to my birthday party? aw dang, (remembers it's bad to guilt trip people) this doesn't matter to me at all (remembers to demonstrate that i am affected by you to affirm your positive presence in my life) but while you're away i will die (remembers not to guilt trip again) unpreventably. unrelated to you. don't worry about it. (remembers to express care through actions and not just words) you're in the will.
shocked I haven't seen anyone else mention it bc this detail was bugging me the entire movie, but "l'éveil appel" doesn't mean "Eve's apple."
it means "wake up call."
Omg YES and
right after they smash it Jud gets a wake up call. Like a literal one! The phone call.
Road to Damascus moment
nobody in that church mentioning a goddamn thing about the lack of Mary the blessed virgin the woman among women ANYWHERE in the church or the sermons is so telling.
Our Lady of Perpetual Fortitude in name only. The bedrock being a story of a woman scorned and villainizing her. the church technically being saved by a woman killing a man who perpetuated this hate for an innocent girl. All the women in the story becoming free from the misogyny of the church by leaving one way or another. Jud renaming it to Our Lady of Perpetual Grace both in memorium of the poor girl and a push for forgiveness and open arms and not a battle-ready mindset. Kindness being a traditionally feminine associated trait and Wicks rejecting it. Benoit learning to accept it near the end.
Grace of course meaning grace. Vera meaning faith. Simone meaning to listen. Martha meaning the lady of the house. Our Lady of Grace. Martha being the lady of the house, formerly Perpetual Fortitude, now Perpetual Grace. Learning to forgive instead of dying with the hatred in her heart. Rian Johnson i am in your walls.
one thing that works about the benoit blanc movies as a franchise that has tanked other franchises for me (aside from the stupendous acting, clever screenplays with meaningful commentary, and sheer passion for filmmaking done by people at the top of their game) is that the movies aren't connected at all. yes i want 12 more of them. no there cannot be one single mention of any plot point of any of the other ones in any of them (and thankfully there never will be). there's no fatigue of having to keep up with 20 characters' storylines, or remember anything that has happened previously. it's a blank slate every time. plus! they all admirably possess the same distinct style (thank you, rian johnson!) but at the same time are vastly different between them, in sets, costumes, types of characters, interactions between them, etc. so refreshing