Tea and Biscuits

I just dump cute and sometimes gory things on this blog...but mainly cats -Poppy/21/UK

[gatorgnaw]

your vicious kin

(click for hq)

[b0mhat]

[superchat]

the wolf ඞ 2

[superchat]

there is so much fucking hate in this world

[bastardofficial]

died and came back as a cowboy i call that reintarnation

[jumpingjacktrash]

issekai-yay, motherfucker

[cinemamind]

My concepts for an imagined Fatal Frame sequel, but if it was given the revival treatment similar to Resident Evil and Silent Hill.

 Simply titled “Project Zero”

[pantsu-ripper-deactivated202208]

[kingjackalope]

Don’t mind me, just desperately in love with Tomohi’s illustrations for the new editions of the Higurashi novel adaptions. 

[thecollectibles]

Art by rt0no

[disneytva]

‘The Owl House’: It’s a Hoot!

You would never think that the dark art of 15th century Dutch artist Hieronymus Bosch would serve as the inspiration for a children’s cartoon. Well, thanks to Dana Terrace and her wild imagination, the strange creatures conjured by the European painter have found their way in the new Disney Channel series The Owl House. The show, which debuts in January, and is already in production of its second season, follows the adventures of a young teenage girl named Luz who decides to pursue her dreams of becoming a witch after she stumbles into a strange realm, inhabited by feisty witch Eda and her tiny warrior friend King.

Terrace, a former director on DuckTales and storyboard artist on Gravity Falls, recalls starting to collect her notes and images and putting together her pitch for the story back in 2015. Then, she finally began pitching her story about a young girl who becomes a witch’s apprentice only a few months after she started directing DuckTales.

Keep reading

[thecollectibles]

Forest God part 1 by Oleg Vdovenko

[deitycyla]

Preparing for trouble ✨

✦Twitter

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[yamujiburo]

this is everything

[theartofanimation]

Aric Athesis  -  https://twitter.com/AricAthesis

[theartofanimation]

Perci Chen  -  http://percichen.tumblr.com  -  https://twitter.com/percichen  -  https://www.instagram.com/percichen

[beebeedibapbeediboop]

Medusa and her gargoyle gf

[mai-col]

Sooo, the school’s just put online the CG exercises we’ve been working on since january. “Sisters” is the one @marionoir, @mylenecominotti, @manon-serda and I worked on. (and here’s some research I did at some point between Manon’s storyboard and Marion’s awesome final colorscript.)

[lord-octodarth]

Clock Tower 3 Scissorman Concept Art

[24ozsteak]

thinking about that WoW epidemic

[24ozsteak]

[swampgallows]

i was telling my dad, ever the skeptic, about corrupted blood back in March at the start of lockdown, and how the cdc studied it. how it can be used as a model for what to do and how people might act in the event of an unpredicted pandemic, and how people were playing out the same behavior during covid.

he said “so they fixed it, right? how did they fix it in the game?” and i told him the truth: they didn’t. they couldn’t control it. they had to reset the servers and roll them back to the time before the ZG encounter.

a CNN article recently referenced another “viral” event in world of warcraft: leeroy jenkins facepulling as a metaphor for the expedited reopening of businesses. what it fails to mention however is how the video ends. everyone who charges in with leeroy dies. he wipes the raid.

it really feels like that meme where it’s like “wow, cool video game reference!” and the point soaring over their head says THE DAMAGE WAS IRREVERSIBLE. THE THREAT SPREAD TOO RAPIDLY AND EVERYONE DIED.