From what was supposed to be the Helmut Newton part of FMP
photo taken by me at the exhibition in Spain
Stranger Things
todays bird
Aqua Utopia|海の底で記憶を紡ぐ
Today's Document
almost home
trying on a metaphor
NASA
No title available
The Bowery Presents

★
Misplaced Lens Cap

Product Placement
official daine visual archive
No title available
Jules of Nature

Love Begins

@theartofmadeline
2025 on Tumblr: Trends That Defined the Year
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium

seen from United States

seen from Malaysia

seen from United Kingdom
seen from United States
seen from Bangladesh

seen from Malaysia
seen from United States

seen from United Kingdom

seen from Netherlands
seen from Canada
seen from Moldova
seen from United States

seen from Türkiye
seen from United States

seen from Singapore
seen from Türkiye
seen from Poland
seen from Malaysia
seen from Australia

seen from United States
@year3marianabruschy
From what was supposed to be the Helmut Newton part of FMP
photo taken by me at the exhibition in Spain
FMP FINAL
production reflection
Creating a three-minute animation is hard to – capturing a fleeting spark of creativity and distilling it into a concentrated burst of expression. Reflecting on the creative journey behind such a project is a voyage through the highs and lows of the human experience, a testament to the resilience of the creative spirit in the face of adversity.
But as any filmmaker knows, the path from concept to completion is rarely smooth sailing. Along the way, I encountered our fair share of setbacks, each one posing a new challenge. One of the most devastating setbacks came in the form of lost work – hours of painstaking animation disappearing into the digital abyss with no hope of recovery. It was a gut-wrenching blow, one that threatened to derail the entire project.
But rather than succumb to despair, I chose to embrace the setback as an opportunity for growth. With no time to redo the lost work, I had to think on my feet and find creative solutions, devised a plan to supplement the remaining footage with a fast-paced five-minute animation that would replace the original one. It was a bold move, but one born out of a deep love for the project and a burning desire to see it through to the end.
After countless hours of brainstorming I never managed to decide on a name for my project and it remains untitled so I guess that is its title, “untitled”.
Of course, the journey was not without its challenges. Health issues, time constraints, and the ever-specter of self-doubt all threatened to derail our progress at various points along the way. But through it all, I persevered and managed to submit it or at least or of what I intended at the due deadline. It was very unfortunate that part of my work deleted itself today and I’m very angry as it was a part I was very excited about, paying tribute to Helmut Newton 60s fashion photographer.
Exhibition layout design - live project
PORTFOLIO - SLIDESHOW
(Missing showreel)
POSTER
My film remains untiltled
PREPRODUCTION - Scene Breakdowns
PREPRODUCTION REFLECTION:
Creating this short film has been an exhilarating rollercoaster of creativity, experimentation, and self-discovery. It all began with a spark of inspiration—a desire to explore the abstract nuances of personal growth and identity through the lens of animation. As I started the research process, I found myself drawn to a diverse array of influences, each contributing its unique flavor to the collection of ideas.
Drawing inspiration from my favourite film DreamWorks' "Spirit" and the vibrant energy of London's cityscape, I embarked on a journey of visual exploration. Photographer Helmut Newton's striking imagery and the bold aesthetic of pop art provided further fuel for my creative fire. From these diverse sources, a moodboard began to take shape—a visual collage of colors, textures, and themes that would inform the tone and style of the film.
Concept designs developed, each one a reflection of the broad blend of influences that shaped the project. Pop culture references, from "The Simpsons" to iconic imagery from exhibitions in attended during the past couple of years.
But as the storyboard took form, I found myself dealing with uncertainty and indecision. Ideas clashed, new inspirations came up, and the narrative shifted direction multiple times. The initial vision evolved organically, morphing and transforming with each new revelation. What began as a simple concept grew into something far more complex—a reflection of the creative process itself.
Throughout the development process, I faced struggles and challenges that tested my resolve. Uncertainties about character design, particularly in portraying the protagonist at different stages of life, posed a significant hurdle. Questions arose about the deeper meaning behind her appearance—did she truly know herself, or was her identity a fluid construct shaped by perception and imagination?
Despite these challenges, I decided to embrace the creative process, allowing myself to be guided by intuition and inspiration. The storyboard underwent countless revisions, each one refining and honing the narrative until it felt true to the vision I wanted to convey.
Poster plan
PORTFOLIO WEBSITE
(Still needs more things to be added and edited but this is it so far)
Portfolio website link (still in development):
https://goose-poodle-a9sj.squarespace.com/config/
PITCH BRIEF (pdf)
(Updated version)
UPDATED STORYBOARD - preproduction
ANIMATIC/ ANIMATION TEST - preproduction
Still a lot of work to do
COLOURS - preproduction
Work in progress animatic part 2 (production/concept designs)
Research/ Inspiration:
The scene featuring horses in my FMP pays homage to my favourite animated film, "Spirit: Stallion of the Cimarron." Additionally, my project has subtle hints and inspiration from various times and events in my life such as exhibitions I’ve visited, movies I’ve watched, photographers I admire, etc.
BUTTERFLIES - preproduction
Butterflies concept designs and moving tests