ATTENTION ALL GAMERS
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@yuyuyumefairy
ATTENTION ALL GAMERS
Well, well, well. If it isn't the consequences of someone else's actions that I am directly impacted and severely affected by
Maybe the most damming thing about Nolans odyssey is i haven’t seen a single gifset from it
“bits to use in everyday conversations”
yeah, sure, it was the "power of friendship" that defeated you, and not my super cool "mega bone explosions" spell that I worked really hard on, whatever idiot
you have to get this piercing!
Do you like it?
I have it!
Yes!
yes but I wouldn't get it
No
Wouldn't be worth it
Results/other
I need infinite money so I can live within ten minutes of all my friends and loved ones and spoil them all like crazy
This post is ancient and stupid but I still laugh whenever I see it
do you have any bass tips? i can't seem to make it loud or impactful while not completely destroying my mixes
It's all about headroom. You gotta make sure there's enough room in the mix for your bass. In many cases, you might need to make room yourself!
Many non-bass sounds still contain low-end. When you layer many of these sounds on top of each other over an entire mix, you can get enough low-end to weaken or overpower the actual bass element of your track.
As an example, I have this percussion loop. Despite only hearing a snare, tom and hi-hat, there's a lot of low-end information here that I don't want or need. So, I can cut these frequencies with an EQ.
Suddenly I have more room to work a bass into my track. You can imagine if I have many sounds with similar needless-amounts of low-end, I'll be left with very little room for my actual bass. This often occurs on drums and percussion, but CAN happen on more sustained sounds too.
Some caveats: don't get too trigger-happy and cut every non-bass-related sound in your track. Beginners often go overboard with this. Your kicks, the transients of snares and toms, even pads - many of these sounds do rely on a good low-end to sound as punchy or as big/powerful as you might like. It'll be up to you to find compromises in your mix that you're willing to make, focusing on balancing out the important elements of your track, and cutting out the elements that aren't contributing to your overall desired sound. Don't cut everything, just look out for troublesome frequencies. Pretty much every mix is a series of compromises.
they got trans bitches on here named shit like Die
sie haben trans bitches hier, die haben so beschissene Namen wie The
this is insanely racist and I haven't even seen much about this online yet
after Bad Bunny won they added a Latin song category and after Rosé got three nominations the grammys added a k-pop/c-pop/j-pop category they have always been afraid of well-performing artists of color challenging white artists in mainstream categories
the real answer to almost every "does [identity A] belong in [identity B] spaces" question is actually just "these spaces are informal social groups and if you're cool you can hang, don't worry about it"
You can be Homer Simpson at the lesbian bar. It's fine. Don't worry about it.
not without those fire exits I'm not. have fun in your death trap, ladies
When ppl kno about ur depression and they randomly ask “are you okay? How are you doing?” In that special voice
Whats up u depressed bastard
this is preferable honestly
brooding men who cannot communicate their feelings if their life depended on it are only hot when they're fictional. if i have to deal with one in real life i will curse him and pray for his downfall every night before i go to bed
It's because the writer communicates their feelings for them. If people wanna pull that off in real life they need to hire a guy to walk around behind them narrating.
#can i be the guy#ill narrate SO incorrectly#theyll all learn how to talk for themselves just to shut me up (via @cirrus-grey)
i'm loving the implication that this isn't something they hired you for, but something you'd do as some sort of public service.