Four rooms. Four prisons of prisms.
One may find themselves the subject, the objectification for a broadcast spectacle; the limbless, seductive cancer of a child’s spinal cord. Seething through the former yet present stages, the following four piece mental setting becomes a claustrophobic platform you may lack too well, perhaps confront in static heart pulses. It’s a reaction, a rejection and continual demand with a spinning sense of freedom of lack of control.
Retreating to the cave, someone must surely question the silence of stillborn sleep of our burning centre; subliminal...












