let's talk about Bridgerton tea, my ask is open
macklin celebrini has autism
No title available
The Stonewall Inn
Lint Roller? I Barely Know Her

❣ Chile in a Photography ❣
No title available
RMH

Kiana Khansmith
almost home

Product Placement

blake kathryn

Discoholic 🪩

Jar Jar Binks Fan Club
🪼
sheepfilms
occasionally subtle
★

bliss lane
PUT YOUR BEARD IN MY MOUTH

seen from Germany

seen from United States

seen from Portugal
seen from Switzerland

seen from Malaysia

seen from Türkiye

seen from Colombia

seen from United States
seen from Pakistan

seen from Türkiye
seen from Ukraine
seen from Philippines
seen from Venezuela
seen from Canada

seen from Russia

seen from Malaysia
seen from Norway
seen from Italy
seen from Türkiye
seen from Türkiye
@230s
“Love leaped out in front of us like a murderer in an alley leaping out of nowhere, and struck us both at once. As lightning strikes, as a Finnish knife strikes! She, by the way, insisted afterwards that it wasn’t so, that we had, of course, loved each other for a long, long time, without knowing each other, never having seen each other…”
— Mikhail Bulgakov, The Master and Margarita
Kahlil Gibran, from "On Joy and Sorrow"
Telegram (1894) - Luise Max-Ehrler
Landscape at dusk by Ludvig Munthe (1841-1896)
lip injections make everyone's lips look the same nose jobs make everyone's noses look the same this supposed perfected beauty is so boring and limited imperfection is infinite in its forms and all the more lovely for it if the beauty achieved through procedures is so freeing why is it so limited. if i see one more person talk about it as empowering i will scream
First and last shot of Gone Girl (2014)
Directed by David Fincher
Scott Wade paints on dusty cars and he did a stunning job with painting Hylas and the Nymphs by John William Waterhouse.
worried dream
I have decided that nothing is embarrassing and now I'm even crazier than before
Franz Kafka, in a letter to Milena Jesenská, from Letters to Milena.
— Arthur Rimbaud, from Feelings (tr. by Paul Schmidt)
The Swan, No. 1, Hilma af Klint, 1915.