do the kids today even know about azlyrics? the calming lavender?
Lint Roller? I Barely Know Her
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tannertan36
One Nice Bug Per Day
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"I'm Dorothy Gale from Kansas"

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Claire Keane
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@4-thehopeofitall
do the kids today even know about azlyrics? the calming lavender?
no, YOU have to do it scared. IM going to fruitlessly wait for the perfect moment forever
Hey just stumbled here looking for advice. How do you write better descriptions of characters? Mine seem too plain and have little to no details except for the cliche, “X had blue eyes that resembles the sky/sea.”
Guide: Describing Character Appearance and Clothing
DO: provide just enough detail to give the reader a sense of the character’s appearance.DON’T: go overboard with too many details or take up a lot of the reader’s time describing what a character looks like.
DO: focus on a few important traits and anything that serves as clues to who or what the character is and what their life is like.
DON’T: make a big deal out of traits that aren’t important to the story… like don’t mention that the character has freckles in every description. A few mentions throughout the story is more than adequate.
DO: describe clothing to give a general sense of the character’s normal attire, or when the character dresses differently than they usually do, such as during a special occasion.
DON’T: describe every single outfit the character wears unless those outfits are relevant to the action of the story in some way, such as a spy wearing disguises.
DO: establish a general sense of the character’s physique and appearance and remind reader of those characteristics occasionally.
DON’T: fixate on the character’s physical attributes in every description. Your reader can only tolerate so many descriptions of luscious buns and bugling muscles…
DO: choose a few traits of minor characters to give them dimension.
DON’T: go into too much detail about characters who aren’t that important.
Other Tips…
Choose a Focal Point
When describing a character’s appearance, choose a focal point and work up or down from there. For example, you may describe them from head to toe, or from toe to head. Try not to skip around. If you’re describing their face, start with their hair and work your way down to their mouth, or start at the mouth and work your way up to their hair. This doesn’t mean you have to describe every detail from head to toe, but whatever details you do choose, go in order.
Describing Race and Ethnicity
It’s fine to say that a character is Black, white, Latinx, Native American, First Nations, Middle Eastern, Asian (East Asian, South Asian… see below for more), or Pacific Islander. However, if you know where your character or their ancestors are from specifically (ie: China, Bangladesh, Venezuela, Lebanon), say that.Asia: East Asian (China, Mongolia, North Korea, South Korea, Japan, Hong Kong, Taiwan, Macau), South Asian (Sri Lanka, Bangladesh, India, Afghanistan, Pakistan, Bhutan, Nepal, the Maldives), Southeast Asian (Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand, Timor Lester, Vietnam, Christmas Island, Cocos Islands)You can also describe skin color and tone, as well as other characteristics like eyes and hair, and that’s especially important if your character is of multi-racial or unknown racial origin, or if you’re writing fantasy where Earth races don’t exist. @writingwithcolor has wonderful guides on how to do this correctly.
If you describe the race and skin tone of the People of Color in your story, you should also describe the race and skin tone of the white characters in your story. Please avoid comparisons to food and beverage, and please don’t use “tan” to describe the skin of a Person of Color unless they are sporting a suntan. You can get creative just by using basic skin colors like brown and pink. For example, her skin was dark brown with a warm red undertone. Or, her skin was pale pink with a lemony undertone.
Describing Clothing
Just like with physical appearance, when describing clothing you want to choose a focal point and work up or down. Think about the garments they’re wearing (pants, shirt, coat) and accessories (hat, jewelry, shoes). Be sure to choose clothing that’s relevant to your character and era/setting. You can find out about appropriate clothing by Googling the time and place your story is set plus the word clothing:
“Clothing in Victorian England”“Clothing in 1960s New York”“9th century Viking clothing”
Be sure to avoid cheap Halloween costume sites/pictures as references and instead look for articles/guides to clothing or shops providing clothing for historical reenactments.
Things to consider:
- style (ie: swing dress, bell bottoms, blouse, etc.)
- collar/neckline (v-neck, scoop neck, peter pan collar, etc.)- sleeve style (sleeveless, spaghetti straps, cap sleeve, etc.)- dress length (cocktail dress, tea length, evening gown, etc.)- dress shape (A-line, mermaid, empire waist, sheath, etc.)
- shoes and shoe style (sneakers, boots, loafers, Mary Janes, etc.)
- accessories (jewelry, sunglasses, hats, scarves, bags, gloves, etc.)
- formal wear and accessories (tuxedo, vest, cummerbund, gloves, etc.)
- outerwear (sweaters, jackets, and coats)
- fabric (wool, polyester, chiffon, spandex, tweed, etc.)
Looking for Inspiration
There are many resources online for both historical and modern clothing. For historical clothing, you can look for web sites about the period or for blogs and shops dedicated to historical reenactment. For modern clothing, you can look at the web sites of your favorite brands or stores, or you can go to Google Image Search and type in a general descriptor, like, “short black party dress” and find one you like, then read the description for the material, cut, and other descriptive clues. You can also try general searches like, “Man in a business suit” or “woman in a cocktail gown” if you’re not quite sure where to start.ETA:
Oops! There were a few errors and typos that I’ve fixed. Updated 8/1/19
100 small details for kisses
whispering ''kiss me'' to your lover
wrapping your arms around your lover's neck
kisses that travel from your lover's nose to their lips
breaking the kiss but instantly pressing your lips back together
intertwining your fingers
kisses that start out gentle but grows more passionate
forehead against forehead
running your fingers through your lover's hair
unbuttoning your lover's shirt, pressed against the wall
surprise kisses, in which your lover weren't prepared for it but responds immediately
a kiss in which, ''we're late for work but let's be later''
kisses shared under a waterfall
pulling your lover closer by the waistband
kissing under the stars
messy kisses, destroying furniture trying to reach the bed
a kiss that isn't meant to happen but it does anyway
sliding your hands down your lover's chest
grabbing your lover by the collar
''if we get caught kissing we're dead but let's risk it''
hand kisses
exploring each other's lips
smiling in-between kisses
now-or-never kisses
caressing your lover's cheek
good night kisses
''i was supposed to take a shower alone but sure, jump right in''
brushing your lips together, lingering for a moment
an accidental kiss between two exes
kisses in which, we've already said goodbye but can't help stealing another one
this might be our last kiss ever so let's make it last
kitchen counter make-outs
jumping into your lover's arms
soft kisses while cuddling in bed
i missed you kisses
a kiss that leave you breathless
stopping a kiss when it gets too heated
a kiss on the cheek turns into a kiss on the lips
trailing kisses from your lover's lips to their neck
''everything is going to be okay'' kisses
kisses that start of passionate but grows more delicate
pulling away from a kiss to look at each other, then smiling as you dive in for another kiss
a kiss to celebrate an engagement
wrapping your legs around your lover's body as they lift you
a goodbye kiss, but neither of you can quite let go
''we shouldn't do this'' but they do so, anyway
a swirling reunion kiss
''i've had a terrible day at work so just kiss me''
a kiss that lasts longer than it should
tending to your lover's wound, placing a kiss on top of their head, grateful they're still alive
a goodbye kiss to say, i don't love you as much as you love me, and i'm setting you free
spinning your lover into a kiss on the dance floor
kisses in which, i can't believe this is real, but i love you so much
tucking a strand of hair behind your lover's ear
tracing your lips against the corner of your lover's mouth
light kisses scattered across your lover's face down to their collar bone
pulling your lover into your lap, making them straddle your hips
bushing your lips against your lover's, wanting to savior the moment
playful kisses, such as, ‘‘i’m not going to kiss you.’‘ ‘‘why?’‘ ‘‘because if i do, i don’t think we’re getting out of bed today.’‘
kissing your lover's wound after having bandaged them up
mistletoe kisses
surprising your lover from behind, smacking a kiss on their cheek
caressing your lover's cheek
trying to concentrate on a task, but your lover's kissing your neck, making your head spin
looking deep into your lover's eyes, before dropping your gaze to their lips
shushing your lover as they try to kiss you, telling them that tonight is all about them, not you
a kiss only meant to last a moment, but when your lips meet, you can't pull away from each other
leaning into your lover's touch, their fingers tracing down your stomach, their body pressed against yours
a tender kiss on your lover's chest
kissing your lover so gently, worried that if you pull away for just a second, they might disappear
an accidental kiss that confuses you both, but only a moment pass before you crash your lips back against each other's
lingering forehead against forehead, consumed by each other to the point of barely having strength enough to breathe
accidentally bumping noses
kissing your lover's forehead, then bending down to meet their lips
a kiss to forgive each other for an argument
standing on your tip-toes, frustrated that you can't reach your lover's lips
unrequited love that is now requited, feelings revealed with a kiss to prove it
legs wrapped around your lover's body
pushing your lover towards the bed, laying them down gently
throwing your lover over your shoulder, carrying them over to bed
crashing your lips together during an argument
kisses in which, we just broke up, but i want to kiss you one last time
whispering ''i love you'' in-between kisses
your lover pinning your arms above your head, telling you to stay quiet
trying to deny your feelings, and attraction to your lover, but you're hiding behind your lover's door with your lover on the other side, until attraction gets the best of you, and you swing it open, jumping into your lover's arms
smiling in-between kisses
reunion kisses stemming from i thought you were dead
not being able to focus on anything during a conversation because you're too busy staring at your lover's lips
kisses in which ‘i’ll kiss you right now to prove i don’t feel anything for you.’‘ but kissing each other, they prove the exact opposite
crying during a kiss, your tears mixing with your lover's
your lover pulling away from a kiss to ask you to marry them
telling your lover you want all of them tonight
grabbing hold of your lover's collar, begging them to kiss you
sliding your hands down your lover's chest, unzipping their zipper
untying your lover's tie, using it to pull your lover into a kiss
not being able to unbutton your lover's shirt because their kisses are everywhere
kissing your lover's tears away
passionately making-out against a wall
“let’s just kiss to see what it’s like,” then pulling away, lingering, going in for the second kiss
hungry kisses and ripped apart clothes
''it's always been you'' kisses
“Every Pokemon is someone’s favourite” I’m making a spreadsheet to see if this is true. Reblog with your favourite Pokemon in the tags.
Here’s the spreadsheet in-progress
i was thinking about how a lot of horror stories set in one location get the “why don’t they just leave” criticism, but in real life it isn’t usually that simple. even really mild reasons characters might have for not leaving or for going back to the scary place can make total sense sometimes. and i thought about OJ’s “i got mouths to feed” thing, about taking care of the horses.
but then i was like “well OJ didn’t JUST care about the horses, it was also about not wanting Jean Jacket to win. but yeah he cares a lot about the horses, it makes sense. and he’s not the type to make big heroic speeches anyway, he’s not showy like that.”
and then i realized something cool about OJ as a character. OJ not being showy, not caring about spectacle, is what sets him apart from everybody else in the movie. others see the spectacle, he sees the people and animals caught up in it. in his first scene the others want to hurry and film, but he sees the horse is stressed; if they’d listened to him and backed off, it wouldn’t have kicked. he tried to save the motorcyclist who was just yelling at him to get the camera before being eaten. he’s the kind of person who wasn’t around on the Gordy set, who knew when to stop pushing and listen before something bad happened.
He was the only one who realized not to look in Jean Jacket’s eye. He didn’t give in and look up at the spectacle in the sky. He kept his eyes low, and because of that he saw the ones on the ground who were suffering and wanted to help. He SAW the horses, he cared for them and he risked his life to save Lucky. He SAW his sister when their dad broke a promise to her for fame and money.
Emerald was the one who got the “money shot” of Jean Jacket and defeated it. i think that was important and good for her to do. Defeating this thing that had caused her so much pain, that had killed her father, her friends and maybe her brother. And in doing so she captured proof of what she and her friends went through, made sure that suffering wasn’t all for nothing. OJ helped it happen, he was behind the scenes staring down Jean Jacket while she escaped. But Emerald was in the spotlight at the end. She won.
But with all this in mind, I think it’s really beautiful that the final shot of the movie, the REAL money shot, wasn’t Jean Jacket. It wasn’t anything all that weird or spectacular. On the contrary, it was deeply familiar.
It was OJ, on a horse.
Where’s the YA protagonist teen girl and her two boyfriends that are supposed to save us from this mess anyways
The dystopia books lied. The teen throuples aren’t coming to save us.
Save me teen dystopia love triangle
Teen dystopia love triangle save me
crying so hard night now. he is cute is that not enough to let him compete
TO THE PATRONS OF THIS THEATER, I APOLOGIZE FOR INTERRUPTING YOUR SCREENING OF INLAND EMPIRE BUT I DO NEED YOUR HELP WITH SOMETHING. THERE IS A MAN IN ROW E SEAT 7 WHO HAS BEEN GOOGLING "INLAND EMPIRE EXPLAINED" ON HIS PHONE WITH FULL BRIGHTNESS ON, DISTURBING OTHER VIEWERS IN HIS VICINITY. HE HAS NO LOVE FOR FILM AND JUDGING BY WHAT HE HAS GOOGLED HE THINKS THAT ALL MOVIES ARE PUZZLES THAT HE HAS TO SOLVE LIKE THIS IS LOST OR SOME SHIT. I UNDERSTAND THIS IS AN UNUSUAL REQUEST, BUT I WANT YOU TO REMOVE THIS MAN FROM THE THEATER AND POSSIBLY KILL HIM. WHEN HE IS GONE, YOUR SCREENING WILL RESUME. YOUR PAL, DAVID LYNCH
happy all my mornings are mondays stuck in an endless february to all those who celebrate
Eyvind Earle - "Path in the Snow"
The censored version of super graphic ultra modern girl that plays at my workplace is actually superior because they censor the word “fugly” so Chappell just goes “He was wearing these……. Jeans.” and it sounds way more devastating
I had a dream that Joe Biden kept trying to sneak back into the white house to become the president again and he had a variety of silly disguises like in one he was wearing a big moustache and top hat and introduced himself as Job Iden and tried to sell trump snake oil and trump was super interested until his moustache fell off and then JD vance was like "wait a minute.. that's joe biden!!" amd he was like "welp, gotta run, see ya later jack!" and then all the evil white house staff were shaking their heads cus joe biden almost sneaked into the white house and the newest aid was there and she was like "That was a close call, Mr President" and his new aide was actually kamala harris wearing a big cartoon wig and they were all too distracted by joe biden to notice
so don't get too comfortable.
high resolution free to download [ here ]
die die die