Just a romantic moment between them🫶
Or not
(I based it on that one kung fu panda show meme iykyk)
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@a-black-pegasus
Just a romantic moment between them🫶
Or not
(I based it on that one kung fu panda show meme iykyk)
the most chaotic married couple
Fey Remus: Hey Janus!
Werewolf Janus: Hm?
Fey Remus: Look what I have! *lobs a stick between his hands* Wanna play fetch with me?
Werewolf Janus: I'm not a dog, Remus.
Fey Remus: Hm, doubtful. Because see here *pulls his arm back* GO FETCH! *yeets the stick as hard as he can*
Werewolf Janus *body jerks to chase the stick before he fights the instinct down*: NO!
Fey Remus: Awe come on! Don't you want to be a good boy?! Be a good boy and fetch that stick for me? Please we all know you want to be a good boy!
Werewolf Janus *extremely flustered*: ARGH! SHUT UP! FINE! I'M GETTING YOUR STUPID FUCKING STICK!
Fey Remus: WOHO! MY GOOD BOY!
Werewolf Janus: FUCK YOU!
i am begging you all to stop treating this site like instagram if you dont want it to be content free by next year
actually i'm reblogging this again with commentary, fuck it.
There's people in the notes talking about "not basing your worth off numbers", and like. that isn't what this post is about. It's not a threat, either, it's a comment on how this site works, at a mechanical level.
Likes are worthless. Let me say that again.
Likes. Are. Worthless.
They don't do anything. They're a bookmark. They were never part of how tumblr works - in the early days we didn't even have a like button, and the site still more or less acts as though we don't. They're personal bookmarks and the only people who "get" anything from them are you (you bookmark the post) and the OP (maybe a very slight serotonin boost), but they don't keep the post in circulation, they don't keep it alive.
Without reblogs, a post will be dead in the water within an hour. No matter how good it is, no matter how many hours of painstaking love and attention its creator put into it, it will be dead within an hour and never seen again. It gets pushed down the dashboard and nobody aside from the followers who were online when it was posted will see it. And there's a huge difference in engagement on posts that get even one lucky reblog from someone with wider reach - that one reblog shows your post to five, ten, fifteen other people, and if one of those people also reblogs it, and so on and so forth, that's how posts stay alive and in circulation. It's like a contagion, but we're sharing creativity instead of disease.
And that matters. That "lifespan" of the post matters, artists and writers give up on this site and go to sites where posts have longer lifespans because it sucks to spend hours of your life, maybe even days, to get two notes and some fucking pocket lint for your efforts. We create for ourselves, but we share because we want people to see it, because that engagement offers positive feedback and encouragement to continue. But more than that, if every post (whether art, fic, gifset, whatever) is dying within an hour or a day of being posted, that means it's not making it onto your dashboard. And if it's not on your dashboard, you won't see it. This kills the site, after a while. You stop seeing the posts, because nobody is putting them on your dashboard, because this site doesn't have an algorithm like twitter and insta's and it shouldn't, it's the last bastion of chronological timelines.
Forgive my giant fucking rant I am so tired right now and full of the plague but like stop acting like artists and writers are just being whiny little babies, or "threatening" to withhold our fucking work (you're not entitled to it! it's ours! if we get nothing out of sharing it we're well within our rights to keep it private!) when we say this site will dry up without reblogs. We're just stating facts.
also I’ve seen some people in the tags say ‘oh there have always been more likes on posts’ no there haven’t ????
these are posts from 2013, look at the ratio
not to sound like a nursing home resident but back then people know that the point of this site was to reblog things and share them, not to bury them away among your other 23k liked posts
GT July - Exhausted
massage day!
My man was really gonna let a fucking BEAR into his house for the views and the BEAR had to be the sensible one here
I honestly always find the term ‘spinster’ as referring to an elderly, never-married woman as funny because you know what?
Wool was a huge industry in Europe in the middle ages. It was hugely in demand, particularly broadcloth, and was a valuable trade good. A great deal of wool was owned by monasteries and landed gentry who owned the land.
And, well, the only way to spin wool into yarn to make broadcloth was by hand.
This was viewed as a feminine occupation, and below the dignity of the monks and male gentry that largely ran the trade.
So what did they do?
They hired women to spin it. And, turns out, this was a stable job that paid very well. Well enough that it was one of the few viable economic options considered ‘respectable’ outside of marriage for a woman. A spinster could earn quite a tidy salary for her art, and maintain full control over her own money, no husband required.
So, naturally, women who had little interest in marriage or men? Grabbed this opportunity with both hands and ran with it. Of course, most people didn’t get this, because All Women Want Is Husbands, Right?
So when people say ‘spinster’ as in ‘spinster aunt’, they are TRYING to conjure up an image of a little old lady who is lonely and bitter.
But what I HEAR are the smiles and laughter of a million women as they earned their own money in their own homes and controlled their own fortunes and lived life on their own terms, and damn what society expected of them.
Just wanted to add that the suffix -ster was originally specifically feminine, a means of denoting a lady known by her profession. Spinster = female spinner, baxter = female baker, webster = female weaver (webber), brewster = female brewer. If one of the ladies named Alys in your village was known for selling her excellent weaving, you might call her Alys Webster (to differentiate her from, say, Alys Littel who was rather short, and Alys Bywater who lived near the pond).
This fascinates me for many reasons, but especially in the case of modern families with last names like Baxter or Webster or Brewster. What formidable and well-known ancestresses managed to pass on those very gendered names to all their descendants, when last names were changing from personal “nicknames” into indicators of lineage among the middle and lower classes? There’s a forgotten story of a fascinating woman behind every one of those family lines.
i was with my mother’s family and they were talking to me about my religious studies major. my great aunt asked me what the definition of hell was, and i responded “well i suppose it depends on who you ask.” and nearly all the protestants in the group decided that hell was “the absence of god” which i suppose is a fair answer, albeit not a universal one. my cousin’s wife was playing with her 3-year-old daughter and she says “well mommy says that hell is a mcdonald’s playplace” asdfghjhgfd
this 3-year-old girl is so fucking hilarious. her mothers have signed her up for a toddler yoga class, and so she has adopted a very unique language. this child also has an imaginary friend named “mom” which is, in her mind, the boss of her two mothers. for example, my cousin’s wife explained to me how her daughter got mad at them one time. the little girl situated herself in the corner of her crib, pretended to type on a cell phone and said “im writing an email to mom right now and telling her how bad you two are. namaste.”
the family’s Big Theory about “Mom” is that both my cousin and her wife are referred to as “Mommy” and “Mama.” The nickname “Mom” is not used in the house because it would just be confusing. However, when interacting with the world, people tell their daughter that they will “tell her mom” if she is doing something wrong. so this child automatically assumes there is this greater “Mom” figure that is responsible for distributing universal justice.
To be fair to the toddler, that’s pretty much how religions get started.
Our Mom, who art gonna hear about this,
Num Num Cat TikTok Chain
Damn y'all
I maintain that Hey There Delilah by Plain White Tees is a 450% better song if it’s about a guy who’s lost custody of his daughter
Literally every lyric has so much more Energies if it’s sung to a child I’m gonna die on this hill. “Hey there, Delilah /Don’t you worry about the distance /I’m right there if you get lonely /Give this song another listen” and “Hey there, Delilah/ I know times are gettin’ hard /But just believe me, girl / Someday I’ll pay the bills with this guitar / We’ll have it good /We’ll have the life we knew we would / My word is good” like? He’s trying to get his daughter back? Idk if she’s with the other parent or in foster care or what but it’s So Much I have a lot of feelings about this. The repeated promises, “I’d walk to you if I had no other way” and “I’m right there when you get lonely” when, like, obviously, he’s not, and he’s just sort of desperately hoping that she still understands that he loves her, and that she doesn’t feel abandoned. And then, “Delilah, I can promise you /That by the time that we get through / The world will never ever be the same /And you’re to blame” that’s so fucking sweet? That’s such a sweet thing to say to your daughter. Romance is over. Noncustodial parental love songs are where it’s at.
This is what “death of the author” means. We know that’s not what the song was written about, but what if it was? What if we explored the lyrics as though the speaker was a heartbroken father missing his daughter? It changes EVERYTHING. And it’s so good.
Anyway, OP you are wonderful and I love you.
Have always thought that “Hey there Delilah / you be good, and don’t you miss me” is a little creepy and infantilizing if sung to a romantic partner.
But if it’s a father, and he’s saying goodbye to the daughter he never gets to see, and he’s trying so hard to put on a brave face for her, then “You be good, and don’t you miss me” is shattering.
that reminds me of a couple years ago when my dumbass stupid bee post was going around and someone was trying to argue w me abt how unethical beekeeping for honey was so i was like “ahaha what? i don’t beekeep for the honey i throw that nasty goop out! i eat the bees. crunchy” and i thought they were going to try and kill me in real life
You’ve been sentenced to 400 years for multiple murders. It’s been 399 years and your jailers are starting to get nervous.
I was twenty… twenty-five, I think?… when I was sentenced. Four hundred years was a length of time I couldn’t even imagine. It was a length of time I don’t think anyone could imagine, even the judge. It was just a big showy number that let everyone know I’d never see the light of day again. The mages who cast the spells were dramatic about it, practically shouting the part about ‘until death claims you, or four hundred years hath passed, forsooth, thou shalt be imprisoned here’. They don’t waste that kind of magic on most prisoners, but I was special.
The Slayer, they called me then. The Monster of Sentan. I’d killed nineteen people… I remember that number because I was so furious that they stopped me so close to my goal of twenty-one. And I didn’t just kill ordinary people, no, but the Chosen of the Gods. The Great and Good. They were terrified of me. So they locked me away, to die forgotten.
It had been a little less than a hundred years when the king died without heir, and a civil war tore the country apart. When the fighting was all over, the losers were dragged down to the deepest cells under the castle, and the new king and his soldiers stopped and stared at me. “Who… who is this?” he asked, frowning. “Some victim of the usurper?”
People like cooks and jailers and scrubbers don’t change as easily as kings. The same man who’d been bringing me my meals since there was still brown in his hair and beard shuffled forward, hunched and grey now. “No, yer majesty,” he said humbly. “That be a special prisoner, from before the old king died.”
“Special? Special how?” He frowned, moving closer to my cell. “The old king died more than ten years ago. This woman must have been a child then. What could she have done to - “
“Don’t get too close, yer majesty,” the old man said sharply. “That’s the Monster of Sentan… an’ she bites.”
That was true. I do bite.
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what song are they singing together??
A commission I did for @/ thegreatc.thulhu on instagram!! They’re still open, so check out my commission sheet if you’re interested!
I think my dark undereye circles are adding to the aesthetic actually.