me after a quiet day in: Time for a quiet night in

shark vs the universe

oozey mess

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost

PR's Tumblrdome

pixel skylines
Mike Driver

Jar Jar Binks Fan Club
trying on a metaphor
RMH
d e v o n
Show & Tell

Product Placement
𓃗

roma★
let's talk about Bridgerton tea, my ask is open
Xuebing Du
PUT YOUR BEARD IN MY MOUTH
will byers stan first human second
seen from Guyana
seen from Panama

seen from United States

seen from Czechia
seen from Kuwait
seen from Germany
seen from Bangladesh

seen from United States

seen from United States
seen from France
seen from Malaysia
seen from Venezuela
seen from United Kingdom
seen from Germany
seen from Türkiye
seen from United States
seen from Argentina

seen from United States
seen from Chile
seen from Sweden
@absorbingeverything
me after a quiet day in: Time for a quiet night in
緣份 / Behind the Yellow Line (1984) dir. Taylor Wong
Anyways no weapon forged against me shall prosper and any evil wished upon me shall be reflected back to you tenfold, so jot that down.
Georges Rochegrosse (1859–1938), Le Chevalier aux Fleurs (The Knight of the Flowers) (detail) (1894), oil on canvas, 235.5 x 374 cm, Musée d'Orsay, Paris. Wikimedia Commons.
Mary Armstrong (American, b. 1950, based Boston, MA, USA) - Padua Blue Wave, 2014 Paintings: Wax, Oil on Panel
brain: u gotta be… The Best™
me: ok so we’ll work hard then?
brain: no work… only Best.
By Carlota Guerrero for Numero Berlin
I’ve spent the last two months living and working in a Superbloom and it has been magical.
Southern California | 35mm soaked in laundry detergent
Continua a leggere
National Geographic, November 1979
Dosso Dossi Details
how much for a gram of attention
I could have a cuter room if I wasn’t a goblin who threw all her shit on the floor
Comics I’ve made this month for Its Nice That.
me addressing serious topics: yo that's wild
Adrienne Rich, from Poetry & Prose: Poems, Prose, Reviews and Criticism; “The Knight,” (x)
Dawson City: Frozen Time (Bill Morrison, 2017).
Bill Morrison discusses the making of the film.