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cranberry-branflakes

which heart did you get when you liked this post?

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Remaining time: 3 days 16 hours

when reblogging, please add the pride tags I've included! if not, anybody liking your reblog will only see regular tumblr hearts :)

#pride month #pride #lesbian #gay #pansexual #asexual #aromantic #trans #nonbinary #lgbtq+

scoobyrue

mind if a white boy gets a little professional

animentality

mawofthemagnetar

What do you mean “chat” is now referring to ChatGPT and not twitch chat? What? What? What the fuck? No?

When I address chat I am speaking to a presumed Greek chorus of real human people shitposting on their lunch break, not a machine that devours lakes to covert electricity into slop.

wytrykusarchives

The Milt Kahl Head Swaggle (Source: Cartoon Brew)

spootywabbit

I love it when you can pick up an animator’s quirks.

kaseylgifford

I’ve read in old interviews with Milt Khal’s fellow animators that he did the swaggle to purposefully show off. Moving the head in 3-d space is an exceptionally hard thing to do but Khal upped the level of difficulty to a place many animators wouldn’t go. Not only are they all doing the swaggle you’ll notice they are all TALKING while they are doing it. This is back in the days where you had to use a timing sheet to pace your animation and a head swaggle doesn’t work if its too slow or too fast so he had to figure out the right speed so it looked natural while the character finishes what they have to say while not interfering with the distinct mouth shapes. Not only did Khal do it without any shifting weight problems or timing issues he would often do it while moving the rest of the body. This isn’t his signature move just because he was good at it.This is his signature move because he was one of the only people skilled enough to DO IT AT ALL.

Milt Khal was a MASTER.

riverthunder

God, I can’t express to you how fucking DELIGHTED I become whenever they Milt Khal Head Swaggle Post graces my dash with its presence again.

penwiper

So a couple days ago, some folks braved my long-dormant social media accounts to make sure I’d seen this tweet:

And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.

So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing. They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it. It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing. And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. NOT beginner friendly, is what I’m saying.

Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one. They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered. I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.

I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three. And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.

And it changed the face of costuming. People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.

So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart. This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.

(Oh, and for anyone wondering: yes, I’m over 40 now, and yes, I’m still making costumes. And that armor is still in great shape after 17 years in a hot attic!)

armoredsuperheavy

In 2018 I developed a method to bind fanfiction into hardback books. Like penwiper, I was also literally working in my kitchen by myself and trying things out. This solo work was a meditative experience that allowed me to think deeply about the implications of what I was creating and what my ethics and philosophy should be. I got around to the idea that the knowledge I was building should be spread far and wide, so that together, many of us fans could bind all the wonderful fics that made our lives better in a million tiny ways, and wherever possible, create a copy to give to the authors themselves. In 2019 I wrote How to Make a Book From An AO3 Page, a free manual for how to format and bind fanfic, as a gift to fandom as a whole. It took off during the 2020 lockdown and has been going strong ever since.

Now, through the efforts of so many wonderful people, Renegade Bookbinding Guild has developed out of the Discord server I originally created just to answer questions about paper, fonts, printers and such. I figured there would be no more than 15 people joining. We have surpassed 3000.

I hope in another 20 years time my little tutorial still be kicking along out here, my bad photography and potty mouth sitting forever at the foundational level of an exploding practice of radical generosity and community, preserving the best of fanfiction from the ravages of time and digital threats and censorship, and giving authors the best thank you I know how to give.

ArmoredSuperHeavy, March 2026

headspace-hotel

i need to get into fanbinding tbh

confirmance

*Mutual reblogs something you posted*

Me: They still like me. Thank God.

kazoosandfannypacks

reblog this post to let the mutual you reblogged this from know that you still like them

ilikesallydonovan

Never far apart, part 3/57.

At this point in their lives the lads have yet to understand that they can walk through doors one after another.

watermelonstick

Raisin lover should have worn less big jackets and more tight t-shirt

#the professionals ci5 #the professionals #ray doyle #william bodie

arnoldlister

Just rewatched Demons and Angels, and I can never not be fascinated by Rimmer’s low self and the insight it gives into his (predictably) messed-up psyche.

“These are our higher selves. They are the people we could have become if all the negative aspects of our characters were removed.”

Kryten says this about their higher selves, and we’re shown the opposite is true for the low selves: they’re the people they could have become with the positives removed.

So why is Rimmer violent, sadistic, kinky, and open about wanting Lister sexually? He manifests as stereotypes - the leather, piercings, whips and chains, stockings, fishnets, the feathers and spikes. He’s lewd and revealing, overt and even a little camp. Deep down, Rimmer views all those things as negatives of his personality - defects, desires to be repressed. This is who he could be if he didn’t push it all sensibly and respectably down. This is part of him, explicitly, canonically. He exists, with a H that can’t even go on straight.

Rimmer lumps his repressed homosexuality in with the other perversions until they’re all one and the same, his attraction to Lister at an even level to wanting to hurt him. Indistinguishable. He whips Lister whilst voicing his plan to have him; the attraction itself is a violent thought and hypothetical act. His queerness is his deep, festering corruption.

And it’s no doubt a symptom of his upbringing and environment with abusive parents and Io’s general attitude, but it’s still so sad that Rimmer views himself as so wrong. His low self is just an amalgamation of all his internalised homophobia aimed squarely at himself.