what if i want my life to be a long conversation with you. what then
KIROKAZE
untitled

#extradirty
No title available
Show & Tell
art blog(derogatory)

Origami Around

tannertan36
let's talk about Bridgerton tea, my ask is open

ellievsbear

PR's Tumblrdome
No title available
Cookie Run:Kingdom Official!
cherry valley forever
Monterey Bay Aquarium
Keni

No title available
Misplaced Lens Cap
Sweet Seals For You, Always

Game Changer & Make Some Noise

seen from Malaysia

seen from United States

seen from Greece

seen from Norway
seen from Angola
seen from Venezuela

seen from Norway
seen from Bulgaria
seen from Russia

seen from United States

seen from United States
seen from United States

seen from Türkiye
seen from Brazil
seen from Sweden

seen from Japan

seen from Algeria

seen from United States

seen from United States

seen from Germany
@ageresequitur
what if i want my life to be a long conversation with you. what then
stop drinking beer with the deer and come have a cider with the spiderrrr
if you told vin diesel fast and the furious you were gay he'd be like "Some people like driving stick…some people like driving automatic…what matters is you cross the finish line.." and then he'd rev up a dodge challenger and drive through a building and kill 16 people
he literally did in the fourth one when he's asked if he likes cars more than women
If you asked if he was cool with trans people, he'd probably say "sometimes, aftermarket parts are the only way to get the vehicle you really want. Everyone should have the right to hot rod."
i love the part of making art where you feel like you need to go missing
i have been informed by literally every french speaker on earth that “une pipe” is slang for blowjob
"Grace Ryland is Rocky's dog" is such a funny fucking dynamic when you think about it
Eridians are further behind than humans technologically right? They dont have computers, relativity, quantum mechanics, etc. In fact, Eridians probably dont even know about the Big Bang because their atmosphere would filter out most of the cosmic microwave background radiation we use to detect it. On a human timeline, theyre anywhere between like early-mid 20th century. Rocky's basically a cosmonaut.
So the human civilization is pretty advanced from Rocky's perspective. Rationally he understands this. On a conceptual level he knows this to be true.
But at the same time... imagine youre one of the first ever cosmonauts to make it into space. Then you meet a 10 year old alien dog who cant do 2+2 without pulling out its calculator. It forgets everything constantly and has to keep notes everywhere, like it basically lives in Memento (2000). Also if it doesnt nap constantly it gets even stupider. And you somehow has to reconcile this with the fact that this dog has a better understanding of physics than your entire civilization does. Like the dog knows how the universe started.
This isnt better from Grace's perspective btw. Eridians never developed computers, so all their ship systems are steered using basically the manual labor of 24 Eridians. Also theres no radiation shielding on their ship. Actually im pretty sure half the reason why Rocky is always busy fixing shit is because the radiation keeps frying all the onboard electronics, so hes always building and fixing and replacing components
Like imagine being a modern day sailor navigating the Pacific with GPS and strong hulls to protect against the raging ocean. And from portside you see like an honest to god viking ship. Except its made of some high tech carbon fiber material. But like, its still very definitely a viking ship. You can clearly see there's 24 oars along the hull where sailors are supposed to use to manually row their ship. Also the ship is leaking and theres like one little dude on board whos skittering around patching the holes constantly. Also this little dude is blind and doesnt know about water. Thats how insane Eridians look being an interstellar species without computers or radiation shielding.
Both of them thinks the other one is the completely ridiculous and absurd one and theyre both totally amazed at how far the other has come in spite of it
Grace think fondly of his scar if you even care.
the beautiful suitors (i will not call them huzz) love your sense of predictive care until they realize it comes built in with the guilt complex
2026
FUCK HARD
FUCK FAST
FUCK BADLY
NEVER USE GENERATIVE AI
CREATE JOY
MUSIC ALWAYS
PSPSPSPS AT KITTIES ON THE STREET
YUMMY SOUP
go see the doctor about that thing
BE TRANSGENDER
KISS YOUR FRIENDS
EAT CHEESE
NEVER KILL YOURSELF
THRIVE
hi heres the entire twilight movie as a stamp
https://www.reddit.com/r/StainedGlass/s/Hd21WAV5PE
obsessed wjth this
A Victorian puzzle purse for a special someone's birthday 💌 ✨
See it unfolding here
Ohh I get it now. The beauty of the machine is given inherently by its human creators.welp let’s fuck this thing to pieces
i am the forest and i am the fire and i am a witness watching it. i stand in a valley watching it. and you are not there at all...
yeah i get it now mitski
Lydia and her Mother at Tea, Mary Cassatt, c. 1880, Cleveland Museum of Art: Prints
Cassatt made bourgeois domesticity and the activities of her friends and family the primary subjects of her art. Here, she depicted her mother and sister partaking in the ritual of drinking tea. Seven years older than Cassatt, Lydia frequently modeled for her sister, and the two were familiar figures around Paris, visiting the Louvre, attending openings of art exhibitions, and joining small gatherings of friends in the art and literary circles of the 1870s. The sisters remained unmarried, and as convention prescribed, lived within the protected environment of the family home. This is an impression of the first state of Lydia and her Mother at Tea, Cassatt’s first conception of the scene. In subsequent states, Cassatt darkened the composition with aquatint, largely masking her initial design with passages of tone and texture. Size: Sheet: 27.5 x 36 cm (10 13/16 x 14 3/16 in.); Platemark: 17.9 x 27.9 cm (7 1/16 x 11 in.) Medium: softground etching and aquatint printed in brown
https://clevelandart.org/art/2008.5
Trisha Brown Compass 2006 Softground etching with relief roll 25-½ x 22 inches
Graphicstudio collaborated with Trisha Brown to produce Compass; Untitled (Set One); Untitled (Set Two); and Untitled (Set Three), a series of soft ground and surfaced-rolled etchings in an edition of 35 each. To create each print, the artist used her feet to make impressions of a variety of movements onto an evenly coated soft ground plate. The plate was subsequently etched, inked, surface-rolled in light beige and printed in one run. With subtle movements and delicate traces of imprints of the artist’s feet, each work has an improvisational visual quality that recalls abstract dance choreography.