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i don't tag suggestive text. i do my best to tag chain posts (#rb bait)/triggers/nudity
🩵 avery cochrane 🩵
Peter Solarz
KIROKAZE

JVL
Cosmic Funnies

Origami Around
RMH
we're not kids anymore.

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todays bird
h

roma★
Mike Driver

blake kathryn
Cosimo Galluzzi
Sweet Seals For You, Always
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will byers stan first human second
NASA
occasionally subtle

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@agnes-nielsens
multifandom/personal. header & pfp from this post
i don't tag suggestive text. i do my best to tag chain posts (#rb bait)/triggers/nudity
Oh boy, a complex character who's a woman! I love messy characters who hurt everyone around them and continue the cycles that hurt them!! Can't wait to share this joy with fellow fans– why's everyone calling her a bitch
does anyone have $1k and a parasocial relationship with me that may tempt them to send it to me
I think the "pre" and "post" parts in "preposterous" should cancel each other out but everyone else seems to find my idea completely erous
Every single day this month has been like Okay sure. Okay sure what the hell. Okay sure. I guess
what they don’t tell you is you have to be so so careful when you listen to music because sometimes ☝️ it will reflect your experiences
*stares at my powerful reblog covered hands* what have i done?
maybe it is the whole audiences preferring some dirt in the sandwich thing but i always preferred dave malloy's pierre even though josh groban's voice is objectively leagues better. maybe bc it's the first version i heard but i don't know i like imperfection
now that you mention it, it’s dawned on me suddenly and for no obvious reason that i can’t go on living as i am
before you post, consider:
is it FUNNY BUT ONLY TO YOU AND A FEW SELECT MUTUALS?
is it USELESS?
is it a COMPLAINT?
will it KILL YOUR FUTURE CAREER?
if any of the above are true, hit that POST button!
fucking the text man for texts one of society's most influential works
just a work of pure art
i just tried to use 2030 as an example of some distant far off year of the future.
>4 years
˚ʚ♡ɞ˚
flanagan's crimes are many and varied but at this point his insistence on taking material explicitly critical of family structures (sometimes including portrayal of intense abuse) and adapting it into stories about The Beauty Of The Nuclear Family is all but indistinguishable from an entirely conservative project