ASHLEY LAURENCE as Kirsty Cotton in Hellraiser (1987)
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@all-horror-all-the-time
ASHLEY LAURENCE as Kirsty Cotton in Hellraiser (1987)
Four tickets to the Barbie movie please
âïž CHATTERER âïž
Hand embroidery on cotton, based off the cenobite from Hellraiser.
Buy prints
i think more of you need to embrace the fact that a character can be a favorite BECAUSE they are a freakish loathsome hateful black-hearted despicable creature, NOT in spite of it
the grotesque and the erotic are twins and they are holding hands
they are twins and they are holding hands and they are standing there looking at you from the end of the hallway
SO IT STARTS OFF AS THIS âELDRITCH MONSTER OF THE WEEKâ BUT YOU SLOWLY START TO REGISTER FAMILIAR NAMES AND THEMES AND THEN THERES THESE FUCKING WORMS AND IT TURNS OUT THERE WAS A HUGE AND DETAILED PLOT ALL ALONG
its so funny when ppl shit on horror franchises for lack of continuity as if thats what those franchises are built on why does it matter how jason came back be happy hes alive and well. he went to space.Â
I designed some mock tarot cards based around my favourite horror characters for halloween! Just for fun; not intended for use :)
Hellraiser (2022) dir. David Bruckner
*telling cheesy jokes on a vaudeville stage when hellraiser style hooks suddenly shoot from offstage and embed themselves in my skin and iâm torn offstage bloody and screaming*
they were gay af for this i must admit
Yâall callin everything gay now huh. One literally hated the other đ
you have no idea what youâre talking about. cary elwes literally said their characters were in love at sawconđ
uh ... what's sawcon....
sawcon this cock
Date of origin: 24th May 2021
thereâs a parallel between nope and get out that i love. at the end of get out, after chris has fatally injured rose and is about to actually get out, a cop car pulls up. it turns out itâs rod, but youâre reminded that, even though rose and her family are dead, the racism they capitalized on is alive and well
similarly, at the end of nope, when jeanjacket finally dies and em gets the picture, the shot widens to show the media rushing forward - ready to make a spectacle of all that has just happened, likely to exploit em and ojâs story the same way their great great great grandfather was exploited. this is overshadowed by the reveal that OJ is alive, just like the cop car was overshadowed by rodâs presence - but these symbols remind the viewer that the social evil which created the monster/the villain is still around.
the cop car and the shot of the news media are intentionally placed after the monster/villain is defeated. the effect is that the real world systematic violence viewers have been desensitized to is made newly terrifying by jordan peeleâs narrative. and thatâs how you make a âspectacleâ out of violence/pain that is not itself exploitative
With October just around the corner, NASA has released its latest Galaxy of Horrors posters. Presented in the style of vintage horror movie advertisements. As fun and creative as all three posters are, they're based on real phenomena. đ
Can you hear this exoplanet screaming?
As HD 80606 b approaches its star from an extreme, elliptical orbit, it suffers star-grazing torture that causes howling, supersonic winds and shockwave storms across the planet. Its torturous journey boils its atmosphere to a hellish 2,000 degrees Fahrenheit every 111 days, roasting both its light and dark sides. HD 80606b will never escape this scorching nightmare.
This bone-chilling force will leave you shivering alone in terror!
An unseen power is prowling throughout the cosmos, driving the universe to expand at a quickening rate. This relentless pressure, called dark energy, is nothing like dark matter, that mysterious material only revealed by its gravitational pull. Dark energy offers a bigger fright: pushing galaxies farther apart over trillions of years, leaving the universe to an inescapable, freezing death in the pitch black expanse of outer space.â
Cygnus X-1 Presents:
Itâs Dinner Time and Youâre The Meal!
Lurking in our galaxy, approximately 6,000 light-years from Earth, is a monster named CygnusX-1. This black hole, which has about 14.8 times the mass of our Sun, will stretch and squeeze anything it captures in its immense gravity. Cygnus X-1 is waiting, snacking on its neighboring star. Donât get too close, or youâll become its next meal!
This chillingly haunted galaxy mysteriously stopped making stars only a few billion years after the Big Bang! It became a cosmic cemetery, illuminated by the red glow of decaying stars. Dare to enter, and you might encounter the frightening corpses of exoplanets or the final death throes of once-mighty stars.
Something strange and mysterious creeps throughout the cosmos. Scientists call it dark matter. It is scattered in an intricate web that forms the skeleton of our universe. Dark matter is invisible, only revealing its presence by pushing and pulling on objects we can see. NASAâs Roman Space Telescope will investigate its secrets. What will be revealed?
In the depths of the universe, the cores of two collapsed stars violently merge to release a burst of the deadliest and most powerful form of light, known as gamma rays. These beams of doom are unleashed upon their unfortunate surroundings, shining a million trillion times brighter than the Sun for up to 30 terrifying seconds. No spaceship will shield you from the blinding destruction of the gamma ray ghouls!
These doomed worlds were among the first and creepiest to be discovered as they orbit an undead star known as a pulsar. Pulsar planets like Poltergeist and its neighboring worlds, Phobetor and Draugr, are consumed with constant radiation from the starâs core. Nothing but the undead can subsist in this most inhospitable corner of the galaxy.
This far-off blue planet may look like a friendly haven â but donât be deceived! Weather here is deadly. The planetâs cobalt blue color comes from a hazy, blow-torched atmosphere containing clouds laced with glass. Howling winds send the storming glass sideways at 5,400 mph (2km/s), whipping all in a sickening spiral. Itâs death by a million cuts on this slasher planet!
@weaver-z
these are the same type of guy but opposite
Panel (1701â1725) France or England Silk, gilt-metal strip, and gilt-metal-strip-wrapped silk (filĂ© and frisĂ©), plain weave with supplementary patterning wefts and brocading wefts and weft-float faced interlacing of secondary binding warps and some supplementary brocading wefts            Â
@cattyfabzâ