you can have religion in one of 2 flavors: “woo hoo aesthetic garnish” and “Sinister State Control in Bad Allegory for Problems in Modern Christianity”
not to mention that this land is simultaneously inhabited by thinly modified northern vikings (Nordic pre-medieval/9th century), travelling mongols (European medieval/13th century) and a wealthy italian merchant family with a house full of oil paintings (Southern European renaissance/15th century). the dance of the day is waltz (refined German 18th century country dance).
My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
One of the pieces of feedback I'd received on the previous revision of Eat God is that the introductory text didn't clearly communicate what the game's big-picture deal is. I'm hoping this rewrite makes it clear!
(Image transcript under the cut.)
Introduction
Eat God is a game about being on the outside. It revolves around the Folk, beings who stand for every small, funny-looking creature in every game that insists small, funny-looking creatures are morally okay to kill, every goblin and kobold and imp, all reimagined here as members of the same impossibly varied, self-created people. Each player will take on the role of one of the Folk, different from any other, and navigate the world from their knee-high perspective.
Of course, player characters in Eat God aren't just any small, goblin-like critters. They're also God-eaters, practitioners of an esoteric discipline – part existential philosophy, part martial art – that comes with both fantastical abilities and big questions: namely, what does it mean to eat God?
Is “God” the systems of oppression we build to keep others down, and eating God means throwing off those chains?
Is “God” the culmination of an error in our understanding of reality, and eating God means finding another way to be?
Or is “God” just a great big tyrant in the sky, and eating God means exactly what you think it means?
As a God-eater, your journey to find out will take you from place to place, with each destination presenting potential answers, usually in the form of someone being ground under someone else's boot. Owing to your limited outsider's perspective, your interventions may not always help, at least not in the ways you intend, but they'll definitely ensure that those who benefit from the status quo are having a bad time.
Or, in less elevated terms, Eat God is a game about a bunch of gender-ambiguous muppety things with bullshit super powers wandering around causing problems on purpose. If you cause enough, you might even accomplish something.
titsay
yousharknotpass
janainaart
romaincrisis
areudirty
