So soft😍
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@anina-sensei
So soft😍
art cheats
hello i am here today to not lose track of the art cheats i have discovered over the years. what i call art cheat is actually a cool filter/coloring style/way to shade/etc. that singlehandedly makes art like 20 times better
80’s anime style
glitch effect
glow effects
adding colors to grayscale paintings
foreshortening ( coil )
foreshortening ( perspective )
clipping group (lines)
clipping group (colors)
dramatic lighting ( GOOD )
shading metal
lighting faces
that is all for today, do stay tuned as i am always hunting for cool shit like this
Old hag by *veprikov
Being a witch is not the highest paid job in the world.
I JUST WANT HER TO GET HER PRETTY PURPLE HAT AND BE HAPPY
I would kill for a companion piece to this, where she gets her hat..
Im sobbing.
no seriously why hasn’t any replied to this image with a picture of her in the pretty hat c’mon tumblr please
Well it’s not much, but here’s a comic:
Enjoy!
DEAD
Reblog every one of these happy end comics I don’t even care
The fact that it’s Spooky Time again and I’ve not seen this post so had to go back through my archives to find it, is hurtful.
On how Crowley and Aziraphale felt during the kiss (but mainly Crowley here):
Ok so first, the main idea for this huge meta is that a LOT of us noticed how the music from the kiss scene is similar to the nebula one, right?
Second, a lot of us also correctly noticed the parallels between the kiss and how it was to taste food for the first time for Aziraphale: bc of his reactions, the hand on lips, the similar way MS acted both scenes, the little inhale etc. So how was it for Crowley?
Aziraphale's reaction to the kiss is practically a puzzle to solve on its own, so it's fun to analyse it, but basically, in a few words, Aziraphale kissed Crowley and he discovered he was physically starving for him, longing for him, yearning for him, for his kiss, and he had no idea. Just like with the ox. And now he needs to gorge himself in him but he can't. Great amazing heartbreaking chef's kiss someone give MS an Emmy.
But there's already so much amazing meta out there about Aziraphale x Ox ribs x The Kiss that I want to focus on Crowley here, and on the music.
So back to the music. The song in "Before the Beginning" and the song that plays during The Kiss (I Forgive You + Don't Bother) are so similar. They're not *exactly* the same, but they're totally reminiscent of each other. The viewer is immediately reminded of those chords that played in the opening scene. It's no coincidence that the fandom was talking about this fact only minutes after first watching those final fifteen minutes. This is an obvious intentional choice for storytelling reasons (David Arnold is a genius).
I have no expertise whatsoever when it comes to music, so I asked our friend @otsanda to see if that made sense and not only it does and she explained it, but she also uncovered so much more hidden meaning in all of it (musicians are amazing), so check out her meta about the music that not only serves as evidence to what I'm proposing here but it also has so much more juicy information in it 💖.
Back to the point: WHY thought? Why choose a similar song? Why intentionally COMPOSE a similar song for that moment?
Hear me out. WHAT IF, by reminding the audience of the creation of the nebula, they meant to convey to us that, for Crowley, kissing Aziraphale gave him the same feeling that creating his stars did?
THAT'S what the music is telling us. THAT'S why it makes us remember "Before the Beginning". It may sound cheesy, but Crowley may have literally seen stars when he kissed Aziraphale. He couldn't react accordingly (just like Aziraphale couldn't), bc it was an overwhelming and extremely sad moment (the music is also telling us that) for both of them. They knew it was ending . They were both having a moment of huge revelation that was fated to not come to completion. Crowley was right, it was too late.
It makes sense to show Crowley's feelings through the music, bc he was the one who started the kiss, and also he was wearing sunglasses in that scene, it's different from a character like Aziraphale that has all his million expressions for everyone to see at all times. And they've been doing this ever since s1 with the Queen songs that play in his car or in the background.
So my point is: the same song being used there makes me wonder if kissing Aziraphale finally gave him what he lost. His purpose. What Aziraphale was trying to give back to him by taking him back to heaven. There's no need for Heaven. Just kiss him, Aziraphale, and there he'll find the stars you want to give back to him. There you will one day see that smile on his face you saw Before The Beginning. Neil Gaiman and David Arnold I am in your walls 😭
This is what may lead us to see this happiness in Crowley again (not the action of kissing itself, of course, but what it represents to their relationship, them being together, them being an Us).
As @otsanda said: from the music we can interpret that that moment was a Revelation for them. Almost a religious experience. Crowley found his purpose again. What he'd been missing the whole season (or even his whole life since the Fall, but we've seen him especially depressed this season).
I'm not even getting into the poetry of how one can interpret the parallel to the angel's reaction to the kiss as carnal, and the demon's as religious; that would be another whole essay but let's just agree that it's incredibly beautiful. (Let me be clear that I mean here Aziraphale's reaction is carnal specifically for Crowley, and Crowley's is religious specifically for Aziraphale, not religious as in "worshipping god")
"Do you ever wonder what's the point?" Crowley asked in s2e1. The point, for him, is Aziraphale (if you've seen The Good Place you know what I mean). I hope he figured this out with that kiss, even as heartbreaking as it was. Even if it was a (temporary) separation kiss. (I hope Aziraphale figures this out with time too, that he's more than enough to make Crowley happy, that Crowley doesn't need Heaven, or stars, that Crowley needs him.)
Maybe that's why Crowley didn't leave and kept waiting outside until the very last moment.
Aziraphale and Crowley both bit the apple at the end of s2. There's no turning back from that Knowledge now.
Edit: I just have to add here this brilliant colour analysis of the nebula scene by @halemerry. And it's pointed out that during the nebula formation there's a moment when it looks like two people embracing. And the fact that a similar song is used in the actual Kiss scene I just... I have no words
THIS IS WORSE THAN IF THEY SHOWED ME ED CRYING
HE STOLE THE CAKE TOPPERS AND MADE!!!! THE BRIDE!!!!! HIMSELF!!!!
💯🙏💛🟨👍
Worst part about this is I've only ever used that yellow square emoji once and it was just to see how it looked. This isn't who I am. However, in retrospect, I suppose it is
Reading through the notes is a surreal experience please keep adding more to fuel my effervescent consumption of non descriptive emojis
❤️🌷🌳🐸🌸
I found this official suggestion form for Funko POPs.
I’d love to suggest Good Omens ones (other than the 3 options from season 1 that already exist) but would buying official merch (such as POPs) support you and the show cast/crew or only Amazon?
I'm sure we'd get something somewhere along the way. Mostly it would just help get another season.
HELP MAKE GOOD OMENS SEASON 3 (AND ALSO FUNKOS!) :)🥳❤ 🐍😊
Example :)
You know what to do do it with style :)❤.
Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality
I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.
Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,
We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.
I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.
Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)
That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.
Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.
But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.
And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.
I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)
But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.
Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).
Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.
(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)
At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.
“We could make a difference.” We could save everyone.
Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.
Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.
But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.
Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)
Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.
Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”
____
In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.
Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.
Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.
And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.
And he’s still going to do that. But it hurts him that he has to do that alone.
HOW TO RATE THE SHOW ON AMAZON PRIME - AND HELP MAKE S3
Go to the Amazon page for S2 (not the primevideo one)
2. Click on Details
3. Click on Rate this video
4. Give a good review if you want to help to make S3
I'm not really getting the Aziraphale hate because even without all the pressures of religious brainwashing etc etc we've literally just seen through his eyes:
- Crowley radiating joy at the sheer wonder of the universe only to be crushed by orders from up high
- Those orders being the ONLY reason Crowley fell. Aziraphale knows (and has always known) that Crowley fell simply because no one wanted to listen to his ideas.
- 6000 of Crowley clearly aching to do good in defiance of his own nature
- Crowley admitting how desperately lonely that defiance is for him
- Crowley being BETTER than Aziraphale at morality and making Aziraphale better as a result
- Evidence that no one is ever going to be chill with Angel/Demon relationships unless they are too powerful to be stopped and/or willing to vanish
- That they are never going to escape the monitoring of heaven/hell (they literally were *stalked* by both sides the entire season) so they can't just live unnoticed among humans
- Even during their last few years of 'freedom' Crowley has still been desperately unhappy. He's at the 'what's the point of it all???' stage BEFORE anything bad happens in S2. For all he talks about the preciousness of their life, Crowley is radiating misery during his freedom whereas Aziraphale actually seems happy.
Like why WOULDN'T Aziraphale see this offer as the perfect solution? Crowley can get what he always wanted - to do good without anyone stopping him, with Aziraphale helping. It can be exactly like the nebula scene forever - only this time Aziraphale can just bask in Crowley's joy.
From his pov he is sacrificing his own life on Earth for THAT.
Oof we are in the last 20% of a very angsty slow burn, kiddos.
Too many people acting like the end of GO2 is the end of the whole story and not the end of Act 2 of 3. In a time where it's very hard to find a storyteller you can trust to write things well and give characters a good payoff, Neil Gaiman is worth his weight in gold. Can we just ... wait and see?
Not saying we can't be sad about it (I am DEVASTATED, but I love the angst) but it feels like the line has blurred between the story being sad and the story being some kind of personal attack.
Hiya. Ummm. Everyone is different and is processing it differently. You say you love angst. Not everyone does. For some of who whose real life sucks and consider Good Omens our comfort thing and were not expecting the angst ending is very difficult to put the logical aspect of it not being the ending into heart that is currently broken by it the 'temportal' ending and knowing that the story will continue.
It is okay to put these feelings into texts on our blog, into art, into fix it fics. It is not okay to send any ugly messages to Neil or other co-creators.
I respect all the opinions of people that love every minute of it, or that can move more quickly than me, or that need to process it differently and I expect that they will respect my opinion and accept that the ending of S2 is difficult for me (even though logically I know that is not the end).
"He is not a very good demon. He's good at sort of snarl and the swagger and pretending that he's terribly cynical, but actually his problem is that he's a bit too...too much heart, really." - DAVID TENNANT
Okay so for what it’s worth
Neil Gaiman has said that season 2 is not the story he and Terry had plotted out 20 years ago, season 2 is the bridge that needed to be there to fill in the gaps between season 1 and season 3
So in other words. Season 2 is a bridge season. Season 3 is the season with actual meat in it
So we better work hard to get that season 3. I swear to god Amazon. Pay your fucking writers
HOW TO HELP MAKE GOOD OMENS SEASON 3
(it needs to be greenlit by Amazon)
rewatch S2 over and over (from start to end, have it playing in the background, it especially counts in the first 14/28 days)
introduce new people to Good Omens, have them watching S1+S2
write to Amazon that you want S3 and for them to negotiate with writers and actors on strike
Please tell me that a season 3 of Good Omens is confirmed. I beg of you Mr. Gaiman.
It won't be confirmed unless enough people watch Season 2 to make Amazon happy. And it's strike season, which makes everything harder.
But obviously Season 3 is all planned and plotted and, if I get to make it, will take the story and the people in it we care about to a satisfying end. If I wasn't on strike I'd be writing it currently. Our set is still standing in a studio in Bathgate and we would all love to get back there and finish the story in the way Terry and I plotted, long ago.
And obviously, if we were not all planning to do Season 3, the BBC would not be paying the enormous amounts it costs to rent a studio and keep a huge set standing. But it's up to Amazon.
THE MEANING OF THE END OF GOOD OMENS SEASON 2 (SPOILERS UNDER CUT)
I binge-watched this entire new season and immediately unleashed every thought I had about the ending of the show alongside MANY others who were experiencing a lot of feelings. After we all calmed down, we started talking and analyzing- and I think we found something way bigger than we saw on screen at the end of this season. And what this might mean for Aziraphale and Crowley going forward into (FINGERS CROSSED) a wonderful 3rd season.