Anonbea on Tumblr @anonbea - Tumblr Blog

i've been phasing the phrase 'google it' out of my vocabulary and going back to 'look it up'. fuck you youve lost your generic trademark privileges

juiche

I love treating my blorbos like dress up ken and barbie dolls 😌🎀

anonbeadraws

Illustration commission for @knowheretoxandar of Archimedes, Niri and Lelune doing a bit of Light practise in the Lavender fields ✨🌸✨ ✨commission info in source link below✨

foodffs

Potato Pancakes

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why-i-love-comics

Marvel Swimsuit Special: Brand New Beach Day #1 - "Pool Beasts" (2026)

written by Rainbow Rowell art by Phil Noto

pmamtraveller

Eclipse Table Lamp, from 1960s Brazil.

saturnisfilledwithbees

“Put him on his knees give him something to believe in” has the exact same energy and depth of meaning as anything Hozier puts out on the regular but since it’s sung by Megan Thee Stallion no one takes it seriously. In this essay I will-

saturnisfilledwithbees

To flesh this out a little bit more: both Megan Thee Stallion and Hozier write and sing really sexual songs, but they’re different in that Hozier’s music is typically “let me worship you” while Megan’s is usually “I’m worshipping myself,” which makes all the difference because it’s an acceptance of power rather than the giving of it. He’s the sinner, she’s the saint. However, taking their difference in genres out of it, people don’t usually seem to take Megan Thee Stallion’s music seriously in comparison to Hozier because a) her lyrics are more overtly and blatantly sexual and b)she’s claiming her sexuality for herself, and that scares a lot of people. The secret, no-one-wants-to-talk-about reason is that she’s a confident black woman, which terrifies people way than sex does. In conclusion, Hozier and Megan Thee Stallion are two sides of the same poetic, sexual coin, but people just don’t want to admit it. Which is WHY a collaboration between Hozier and Megan would be so powerful that it would change the timeline as we know it yes I will elaborate

anonbeadraws

character sheet commission for Cas of Alyssa Ashcroft from RE Outbreak! Love that 90's hair

com info

amphibianshaped

apparatus

depsidase

augustdementhe

This is Dr. Sarah Stein Lubrano, and though I couldn't find the video that makes up this post, you can read/hear more from her here at her website:

on everything from emotional intelligence to instructional design, from autonomy at work to polyamory, cognitive dissonance to the role of f

de-activated-offical

I need to do this. (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't do it) (Doesn't d

charliemack

anonbeadraws

Today's warm up: For Paavu, this rite of passage was a lonely one, but it was exhilarating.

velvetcloak

misamaru

zoejayw

Hello everyone! after a couple of months of work on this beast of a thing, the first draft of my promised writeup on understanding composition is finally ready! This badboy is almost 15,000 words, and over 150 pages long. In these images, you can see a couple of examples of the kind of subject matter I’ll be covering, but it’s very comprehensive.

This is currently available on my Patreon starting at just $2!

I think what I offer is a pretty unique take on composition, and it’s geared to be understood without a lot of consideration for the more finnicky technical elements of drawing, so if that’s part of art you have trouble with you might find some answers in my approach. Using my own art and examples from various disciplines and eras, I break down how to understand why a composition does - or doesn’t - work, all building to a toolset that lets you have control over your own compositions with precision and intent.

A sincere thank you to anyone who takes the time to look at it, and at the end of the day, always remember one fundamental rule of art: