AnothereView

Art and Photography.

[undr]

[anothereview]

unknown photographer. Trains at Paddington Station. London. 1900s

[marckald]

[anothereview]

Kees Scherer. Paris. 1953-1958

thanks to marckald

[anothereview]

Sabine Weiss, Sortie de Metro, Paris, 1955

[undr]

[anothereview]

Jacques Boulas.  La rue Valette mène au Panthéon et son dôme imposant, Paris, 1957.

[albarrancabrera]

[anothereview]

Albarrán Cabrera. The Mouth of Krishna. #360. Palladium print tea toned.

thanks to yama-bato and albarrán cabrera

[anothereview]

Frank Herfort, Imperial Pomp

[anothereview]

Fred Herzog

[anothereview]

Joel Meyerowitz. from “Cape Light”, 1979

[anothereview]

Kei Nomiyama, behold the magic of the japanese firefly

[anothereview]

Helen Levitt

New York, circa 1945

[undr]

[anothereview]

Fox Photos/Hulton Archive

Rainy Day. Two women, holding raised umbrellas, are silhoutted at the end of an arched passage-way on a rainy day. 1930’s

[anothereview]

Sarah Moon, colors

[anothereview]

Angel Albarrán and Anna Cabrera

"The Mouth of Krishna" #243

[anothereview]

Bernard F. Eilers, Amsterdam 1930′s

[burnedshoes]

[anothereview]

© Marc Erwin Babej, ca. late 2000s, Bounty of the Beach, Burma (Myanmar)

Q: “Bounty of the Beach” is a really amazing picture. The shape of the woman is almost calligraphic. She is slim and bent over, wearing a hat. It’s beyond symbolism. It stands for a way of life and an orientation to the world. It has a transcendent character.

A: You hit the main points right there. The image is related to the picture of the fisherman on Inle Lake. This lady lives in the fishing village and is collecting seashells to craft into jewelry. It was taken around 4:30 PM when the sun was starting to set.

Read the full interview with Marc Erwin Babej here.

thanks to burnedshoes

[undr]

[anothereview]

Jaroslav Kysela, Untitled. 1942

thanks to largerloves

[anothereview]

Erwin Blumenfeld

Untitled, 1940