odonata

if i look back, i am lost
we're not kids anymore.
Aqua Utopia|海の底で記憶を紡ぐ

Love Begins
Three Goblin Art
styofa doing anything
ojovivo

izzy's playlists!
Peter Solarz

#extradirty

Janaina Medeiros
he wasn't even looking at me and he found me
No title available
occasionally subtle
RMH
Game of Thrones Daily
sheepfilms

@theartofmadeline
Alisa U Zemlji Chuda
Today's Document
seen from United States
seen from United States
seen from United States

seen from United States
seen from India
seen from United States
seen from Türkiye

seen from Malaysia
seen from Mexico

seen from United States
seen from United States

seen from Greece
seen from United States

seen from Türkiye
seen from Canada
seen from United States

seen from United States

seen from United States
seen from United States
seen from Canada
@anotherredditmigrant
odonata
Nov (2024)
this guy
design comm for a "cambrian explosion wizard"
the way my hands rest on the keyboard means i accidentally push buttons quite often and in subnautica 2 this means i'm constantly accidentally detaching my submarine from part of its chassis. luckily that chassis has its own hud marker, which you can helpfully rename
A creature I designed for Subnautica 2: the Hycean!
Inspired by pelagic snails like heteropods and siphonophores.
YEAH! I was looking forward to your concept art.
rubber ducky isopod girl
Vintage Story is such a funny game because sometimes you’ll be walking along, gently corralling a lone sheep back to your base to begin the beautiful journey of domestication where it’ll get to enjoy tasty tasty grass for the rest of its days.
And you’ll be walking along this path back to your base that you must have covered on foot at least a few dozen times by now, and the sheep will turn to you, and in the most beautiful angelic voice you’ve ever heard, ask you “Hey did you want to see a locust nest that’s definitely been here the whole time?” And promptly cast itself down a 200 block hole with shiver noises coming out of it.
Just got ending C and D in Nier Automata.
ARE THERE NO HAPPY ENDINGS IN THIS GAME!? EITHER A2 DIES AFTER SAVING NINES AND ORESUMABLY HITTING HIM WITH THE DARTH REVAN SPECIAL AND RESETTING HIS MEMORIES OR THEY BOTH DIE!?
I'm gonna get Ending E next. Will reblog with update
I love this game omfg
Thank the Stars there was a happy ending in ending E.
I wasn't about to sacrifice my whole save file to send support to someone else tho, sorry 042. I'll make another save file for that 😭
Edit: the soundtrack goes FUCKING. HARD.
🎶 'CAUSE WE'RE GONNA SHOUT IT OUT LOUD
EVEN IF THE WORDS SEEM MEANINGLESS
IT'S LIKE IM CARRYING WOOOOOOORRRRLLLD!!!!!!!!!🎶
Hello stranger.
They ran out of food on the way back from the Resonance Archives
Um 🥺not my usual post but do you like my worms 🥺🥺🥺
Giant tubeworms and earthworms are annelids! Annelids make up an entire phylum, Annelida. Flatworms make another phylum, Platyhelminthes. Acorn worms are part of another phylum, Hemichordata.
Fun fact: We vertebrates belong to a phylum called Chordata. As you might guess, it's closely related to Hemichordata. That means acorn worms are far more closely related to us than they are to the other "worms" here!
his ass does NOT have plany off time
Climate system of a flat world under a dome
I posted this originally in r/worldbuilding looking for feedback, so that is why it is formated this way.
I've been thinking about a story and worldbuilding for it. My idea was to have it set in a world with a cosmology similar to ancients views about the world. It is a flat world, inside a dome, surrounded by a primordial ocean.
I am not an expert on climate, and this arrangement is not very realistic to begin with, but I still would like to have it make sense. What are some things that I should have considered?
Position of the sun:
First is, if it goes inside the dome, or on the outside. Having it on the outside of a magical barrier will handwave away the problems of having a continuous fusion explosion inside the atmosphere, however I don’t want to go with this option. It isn’t as cool as being able to reach the sun, or having it cross the magical barrier, letting in a bit of steam, from evaporating the ocean.
In the case of the sun passing inside, it will warm the air around it, not just the ground below, so real world wind patterns might not apply. Most of the warm air would already be around the sun, so I could move less, but since the ground below is still being warmed, wind might arise. The primordial ocean will cool down the air, making it rain the most, not at the equator, but on the sides of it. Eventually it will be deflected downward at the edge, with the remaining moisture freezing out of it as snow or frost on the ground and the sides of the dome.
The wind would also change with the time of day, since the air would be the warmest in drastically different places, compared to the real world. I imagine this would make some very strong winds, and storms.
Seasons on a flat world won’t happen, if the path or the output of the sun doesn’t change. I decided on making the path change, having it always enter and exit the world at the same positions, but traveling north/south of the equator, being above, (and also closer to the ground) different places at different points of the year.
Specific things about the my world:
From this point, it is about my setting specifically, not related to flat earth climate.
It is a post apocalyptic world with magic and technology intertwined. Society used to be advanced, but the release of harmful gases has caused the firmament of the sky to weaken, and leak salt water all over the land. This caused a collapse of the biosphere and agriculture, forcing people to grow crops and live inside sealed greenhouses. The world didn’t become completely barren, as salt tolerant plants and animals could easily colonise inland, after the downpour has weakened to periodical drizzle.
Society:
There are many people groups around the world, scavenging the ruins of the old world. Most of them live in disconnected villages and towns, rarely forming confederations. An exception to this is an empire, growing on the northern plains, conquering, enslaving and integrating others.
Society in the northern half of the world is centered around their cargo cult. The leaders of settlements are “priests” who have knowledge of the operation on ancient machinery, and religious rituals. Sometimes, the position of priest and civil leaders separate. In this case, the priest retains the roles related to their knowledge mentioned above, while the civil leader keeps order, upholds laws, and leads the militia.
In larger settlements, like the empire, there are multiple positions of priest, which specialise in different areas, having expertise comparable to pre-apocalyptic scientists. In the empire, exists a class of high priests, who are administrators of the imperial bureaucracy. They oversee departments related to their expertise. The priests of the empire act as a civil authority, with a hierarchy parallel to the military. They both answer to the king, but not each other, regularly causing infinity and uncertainty due to conflicting chains of command.
The king of the empire is an absolute monarch, with titles as long and over the top as ancient monarchs.
Distinct areas:
Central mountain: In the middle of the world is a mountain, whose peak reaches far into the sky. It is covered in ruins, more ancient than the rest of the world.
Eastern and western lands: Where the sun's path crosses the firmament, it scorches the land below. It also bathes them in hot rain, because when it crosses the firmament, it lets in water, which boils due to the heat of the sun. It then rains down on a landscape, where only extremophiles can live.
Poles: The lands farthest from the suns path are always frozen. So cold in fact, that the moisture of the air freezes into a wall of ice, covering the foot of the firmament.
Mainland
Technology:
Magic and technology (mostly the latter) work together in an interesting way. People use old technology like fusion powered hovercraft and microchip manufacturing machinery, but also hunt and scavenge with low level technology. They fight with spears and railguns, on foot, riding animals, or while speeding on hovercraft.
Most advanced machinery and their cities are usually powered by small fusion cores. They take in air, or water, and fuse it until they get iron, which they have to remove with specialized machinery. These cores are magical in origin, and can only be created, by taking off small chunks of a larger core, and growing them. Old technology is usually copied, without understanding, which has the side effect of keeping a backdoor to controlling the machine through the core. (plot relevant)
Cosmology:
The world exists surrounded by the primordial ocean, which is kept out of the world by the firmament, the magical barrier of the sky. It is connected to the oceans inside of the world, through caves, in the foundation.
Two large celestial objects are found in the world. The sun, which warms the world, and keeps eldritch horrors away, that would consume the world, and the moon, which orbits outside of the firmament. The stars are giant beings, swimming mostly in unison. There are stars that don’t swim with the rest, but on complex paths (planet analogs). These are brighter and larger beings that are closer to deities. They involve themselves with mortals, preventing them from destroying themselves.
Story: I started building this world as a setting for a story I might write down. The short version is, that a couple near the polar regions can’t conceive, but a wandering star gives them a daughter of her own to raise. They hide it from others and the child, but her supernatural powers start manifesting. By this time the mother died, so the father takes the child on a journey under the pretense of finding a teacher for her. They run bandits, the empire, and the wandering star, until the daughter inevitably finds out her true origin, and joins her mother.
TLDR.: If the sun is inside the dome above a flat earth, and the dome is cold, the equator is dry, but north and south of it is wet. The winds are strong and follow the path of the sun. After that is more specific worldbuilding for my setting.
i am The Chef in my vintage story server, and last night someone burst into my kitchen seconds away from dying from hunger but i accidentally gave them the empty jar in my inventory instead of the one with food in it, so from their perspective i pushed an empty bowl into their hands then watched them starve to death on my floor like
i am being grima wormtongue'd into causing chaos.....
Til the tide reveals us again