Pvati just being expressive
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cherry valley forever

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almost home

⁂
will byers stan first human second

@theartofmadeline

pixel skylines
NASA
Monterey Bay Aquarium
styofa doing anything
Not today Justin
Keni
Game of Thrones Daily
AnasAbdin

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$LAYYYTER
One Nice Bug Per Day

if i look back, i am lost

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@anotokoro
Pvati just being expressive
I will never forgive Sony for how they treated Gravity Rush.
Gravity Rush was amazing! GR 2 was the first game I wanted to platinum
日本語がここまで来たか〜
When the whole party is down but your bard is up
When you it’s down to you and you yell..., ITS GO TIME!!!
Polygon spoke to two of the show’s senior writers, Devon Giehl and Iain Hendry, about creating Amaya and Gren, how it feels to watch the reaction to your work in real time, and what they hope comes next for the series.
Polygon: In a Reddit AMA earlier this week, Aaron mentioned that you spent a lot of time talking to and working with members of the deaf community. What was that process like?
Iain Hendry: We both reached out to deaf and HoH [hard of hearing] organizations, which have great online resources that helped us understand the challenges and the way deaf and HoH people approach the world. And then to get a more personal view, I went to deaf and HoH Facebook groups, so I’d chat with people … It helped us to stay connected and understand their experience as best we could.
So many people had a hand in creating this character, from us writing the lines to people doing the animation and every other part of this process, and a lot of them had a friend or acquaintance that they could talk to. And on the more professional side, we had a huge amount of help from ASL interpreters we worked with directly, Lucy Farley and Darcie Kerr, so when we were doing video references in the scenes where Amaya is doing ASL, we could say, “Does this come across as authentic? Are we going in the right direction with the character?”
Polygon: Some of Amaya’s most intimate moments are untranslated — was that a conscious choice?
Devon Giehl: That was very deliberate. We went back and forth on it, but we decided that when Gren wasn’t speaking for her, she spoke for herself. The scene where she’s at her sister’s grave—we were worried, because it’s a show for children, that we might lose people. But then the animation came back, and she was so emotive, and it’s so beautiful. I think even in the absence of subtitles, it really stands on its own. And she’s a deaf character — we wanted it so that understanding what she’s communicating here is for the deaf audience.
Read the full interview at Polygon.com
Shibuya - Tokyo, Japan
帰りたい( T_T)\(^-^ )
Now I want strawberries
I have a strawberry allergy
sometimes i just sit and think about ways a genie can grant wishes.
Well damn
I ship them.
Good girl with good girl
…and then her snoot stays nice and flattened all day until midnight when it turns back into a pumpkin.
Thanks, @anotokoro!
なるほど効率的な方法(^_^)
Thanks for the explanation!
Got ‘em.
∑(゚Д゚)やられた
フールバージョンお願いします♪( ´▽`)
The REAL reason Zelda hated Link at the beginning of BOTW. We were chatting in Discord and my friend Kida @sarcastic-sketches said this and I HAD to draw it lmao.
Reblogs are appreciated! Commissions are open!
ウラボサ愛
This is Real, Right?
a fan art pic of @silentako-yaki OC Emi. I think she is trying to recruit curiosity filled Clay-chan into her notorious organization...surely for pleasurable reasons lol