we justifiably give Biden a lot of shit but I think "at least 3" is the funniest possible response to some right wing dipshit asking you how many genders there are
wait it gets better
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Not today Justin
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@anxiousbodhi
we justifiably give Biden a lot of shit but I think "at least 3" is the funniest possible response to some right wing dipshit asking you how many genders there are
wait it gets better
Conclave (2024) dir. Edward Berger
ok I endured it. now what!!!!!!!!!
1:23:04. With every decision, they have pulled this reactor back, like a slingshot, further than anyone has ever pulled. Now the test begins. The pumps are shut down, and they’ve let go. The pumps stop moving water through the reactor. Uranium fuel is now unchecked by fresh coolant, unchecked by control rods. The balance immediately swings in the opposite direction. In less than a second, reactivity increases. Inside the core, the remaining water is quickly converting to steam. A void is being created. There is no fresh water to replace it. Steam increases reactivity, increases heat, increases steam, increases reactivity. The remaining xenon decays away. The power is rising. There is nothing left to stop it. [...] 1:23:45. Explosion. In the instant the lid is thrown off the reactor, oxygen rushes in. It combines with hydrogen and superheated graphite. The chain of disaster is now complete.
The Gardener’s House at the Palace of Versailles, France
She literally does not give a damn what that old fool is yelling about
the lion does not concern herself with papa
Making sure my Zoom camera is tilted at a Dutch angle to indicate to my coworkers my psychological madness
THE GREEN KNIGHT / faceless 2021 • dir. David Lowery
It's bad to kill. Guns kill. And you don't have to be a gun. You are what you choose to be. You choose. Choose.
THE IRON GIANT (1999) dir. Brad Bird
22 YEARS AGO ON DECEMBER 18, 1998 - DREAMWORKS ANIMATION RELEASED “THE PRINCE OF EGYPT”
Because DreamWorks was concerned about theological accuracy, they decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help the film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.
The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.
Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.
THE PRINCE OF EGYPT (1998)
st hildegard of bingen and one of her visions
The paradox is built in and fairly obvious: we seek the reserved, the mysterious, the infinite as at once breaking, speaking through presence and as already withdrawn. But if we think that we have found it, that we have stripped away its veils and seen its secrets, then we have not, in fact, found the reserved or mysterious at all; we have, instead, destroyed it. To seek the mystery, then, must be not only to wonder, but to continue to seek to wonder, to seek to continue to wonder. And that must mean to seek both questions and answers, because the desire to find answers is no small part of what it is to wonder or ask questions in the first place. The answers have the character of never being quite enough, never quite perfect, and this is both our frustration and our delight.
Karmen MacKendrick, Divine Enticement: Theological Seductions
“Theology demands passion, anguish, doubt: if these are not present, there is no true engagement with the living God but only a fascination with or interest in the idea of God.”
— Kenneth Leech, We Preach Christ Crucified
Jesus Ministered to by Angels (1894)
— by James Tissot
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