Stuff That I Draw @artieartart - Tumblr Blog

The other day I was surfing the internet and I found this specialized painting colour wheel, it shows how real paint colours relate to each other.

Outside: the purest/brightest colours.

Inside: naturally muted or earthy colors, like browns and ochres.

The Center: dark neutral tones used for mixing shadows.

The Lines: the lines connect colors that are opposites, if you mix them you neutralize the tone creating clean grays or browns instead of muddy puddles.

I want to share this with you because I think it is really illustrative!

Reference: “Quiller Wheel” by Stephen Quiller

fatmasc

Hey i’m a fashion design student so i have tons and tons of pdfs and docs with basic sewing techniques, pattern how-tos, and resources for fabric and trims. I’ve compiled it all into a shareable folder for anyone who wants to look into sewing and making their own clothing. I’ll be adding to this folder whenever i come across new resources

https://drive.google.com/drive/folders/16uhmMb8kE4P_vOSycr6XSa9zpmDijZSd?usp=sharing

fatmasc

Updated just now with new hand sewing resources (mainly buttonholes) and textbook pdfs on fashion history, fashion illustration, and thinking through designs!

bosstoaster

OP I owe you my life

whatchamacallitz

OP you are the greatest person currently in my life. You beautiful, thoughtful creature.

sosooley

OP i will kiss your legs 3000 times

Thank you

this-girl-loves-images

Technology transparent PNGs

free 2 use

whyenn-reader

General PSA's for begginer alt crafting

- superglue heats up when in contact with fiber, your craft can start smoking or even catch on fire

- you can wash clothing painted with acrylic paint in the washing machine if you turn it inside out and use the lowest temperature

- don't put painted clothes in the dryer.

- you can wash clothes with metal bits in the washing machine but use the handwashing setting, dry the metal bits with a paper towel before hanging them to dry, and know that it WILL be loud

- synthetic dye is needed to dye synthetic fibers and requires a long time simmering in a boiling pot. This WILL stink up the house and you NEVER want to make food in that pot again

- faux leather is vinyl not leather. Get vinyl paint to paint on it

- don't use your teeth as tools, they don't regenerate. Reconstructing enamel costs a small fortune (ask me how I know.)

- when handsewing a lot through thick fabric get thin needles, it will require less force and be less taxing on your wrists. When machine sewing get a higher grade needle (~130 for jean)

- embroidery floss is overpriced and not as strong as it looks. For sewing on heavy stuff get denim thread, it will last forever

- don't feed a 60$ home sewing machine ten layers of denim before you learn how much a servicing fee costs, these things are dellicate

- spray paint is best applied from 30-40cm away, in swift movements. Putting too much or applying from too close will cause drips. You can sand them down and apply a new layer of paint AFTER they dry. Wipe the can nozzle after painting if it's messy, you don't want it to clog and become unusable

- water based markers on fabric will bleed, if not instantly then with time, alcohol markers will fade with time

- most fabric glues are machine washable up to a certain temperature. modgepodge is not waterproof, hitack is handwash only. Check the instructions

- the flatter the surface the easier hot glue will peel off. Faux leather stands no chance, fibers like yarn will hold it best, but is impossible to remove the glue from them in the future

- rivets are a thing that exists, only require a hammer to install and can be used as permanent fabric attachment

- studs, gromets and other metal junk at small fabric stores are laughably overspriced

- acetone (found in nail polish remover) will remove acrylic stains out of furniture, flooring and faux leather, if used in excess can damage the laquer. Can also be used to remove prints and glue off of plastic (do a small test before commiting, might melt the plastic it it's grade is low)

- residue from stickers (and k-tape) can be removed with oil

- acrylic stains cannot be removed out of clothing or carpet so protect your area before painting and don't wear clothes you care about

- if your thread keeps getting tangled or snagging while handsewing try waxing it

- you can lock in screw-in spikes with screw lock glue if you're scared of them falling off because they unscrew

- you can add washers to screw-in spikes if you're scared of them falling through flimsy fabric or too big of a hole

- if you're making anything out of soda cans have a metal file on hand, they are deceptively sharp and will hurt you and rip through fabric you're installing them in

- bleach can be found in mold killing spray (don't touch that shit with bare hands. chemical burn.)

- fabric paints are no different from slightly dilluted acrylic. You can make it yourself by adding a bit of fabric softener to acrylic or honestly even water

- if you are setting anything with an iron use parchment paper or a pressing cloth to pervent your stuff from sticking to your iron and ruining it

- if you want a safety pin somewhere permanently pinch it shut with pliers

- as much as you can, avoid putting glue on clothing, it makes it really hard to change your decisions later on and upcycle the project in the future

- kiss your friends

sassycolortheorist101-blog

some fucking resources for all ur writing fuckin needs

* body language masterlist

* a translator that doesn’t eat ass like google translate does

* a reverse dictionary for when ur brain freezes

* 550 words to say instead of fuckin said

* 638 character traits for when ur brain freezes again

* some more body language help

(hope this helps some ppl)

octoswan

I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!

(save the images to zoom in on the pics)

firelightinferno

Oh, that’s very helpful indeed!

writing-prompt-s

!!!

iphysalian

Small fantasy worldbuilding elements you might want to think about:

A currency that isn’t gold-standard/having gold be as valuable as tin

A currency that runs entirely on a perishable resource, like cocoa beans

A clock that isn’t 24-hours

More or less than four seasons/seasons other than the ones we know

Fantastical weather patterns like irregular cloud formations, iridescent rain

Multiple moons/no moon

Planetary rings

A northern lights effect, but near the equator

Roads that aren’t brown or grey/black, like San Juan’s blue bricks

Jewelry beyond precious gems and metals

Marriage signifiers other than wedding bands

The husband taking the wife's name / newlyweds inventing a new surname upon marriage

No concept of virginity or bastardry

More than 2 genders/no concept of gender

Monotheism, but not creationism

Gods that don’t look like people

Domesticated pets that aren’t re-skinned dogs and cats

Some normalized supernatural element that has nothing to do with the plot

Magical communication that isn’t Fantasy Zoom

“Books” that aren’t bound or scrolls

A nonverbal means of communicating, like sign language

A race of people who are obligate carnivores/ vegetarians/ vegans/ pescatarians (not religious, biological imperative)

I’ve done about half of these myself in one WIP or another and a little detail here or there goes a long way in reminding the audience that this isn’t Kansas anymore.

yagamimi-aka-mimi-deactivated20

Something like this would be so colossally helpful. I'm sick and tired of trying to research specific clothing from any given culture and being met with either racist stereotypical costumes worn by yt people or ai generated garbage nonsense, and trying to be hyper specific with searches yields fuck all. Like I generally just cannot trust the legitimacy of most search results at this point. It's extremely frustrating. If there are good resources for this then they're buried deep under all the other bullshit, and idk where to start looking.

ama-kitkat123

>:)c

May I present to you, nationalclothing.org?

It doesn't have everything, but it's still my first source when researching traditional clothing from other cultures.

penanatomy-studies

There's also this resource on historical fashion: Claire’s Historical Fashion Reference & Resources

zheida

another addition as far as physical media goes there is the encyclopedia of national dress (that i still need to buy myself bc this kind of thing is super important to my sort of fantasy designing) but yes i do agree i wish there was EVEN MORE documentation on this

queermaddscientist

Get yourself a fabric store that will light your fabric on fire for you

No but legit I asked what the fiber content of something was and the guy didn’t know so he cut a chunk off and lit it on fire and felt the ashes and was like. Yeah this is mostly cotton with a lil bit of silk. And that was the moment I knew. This is it. This is the fabric store for me. Also that guy is marriage material. Not for me but damn some person is gonna be so happy with him.

rawringthroughthetwenties

Ok but this is actually one of the easiest ways to tell what something is made of! I did a textiles degree and one day as part of a class we all went outside with a pile of scrap fabric and set fire to the little pieces and recorded how they burned. We were given a chart that looked something like this to tell what each fabric was (it gets a little tricky is it’s a mix of fabrics though). Why did we do this? There is very little regulation in the textiles industry so a lot of materials are mislabelled as something they aren’t and sold for more than they should be, also sometimes people buy fabric second hand or discounted which doesn’t have any label at all. If you have a fabric you are having doubts about, cut a tiny piece off and do the burn test and you should know pretty fast what you are dealing with. Anyways your fabric store should be lighting things on fire because this means that they are actually checking what the fabrics are and aren’t trying to pass cheap stuff off as more expensive than it is.

queermaddscientist

Ooh! I knew it was a standard test but I hadn’t seen a chart as detailed as this thank you!

coochiekrab

Someone asked for another hand tutorial and i once again failed to deliver the tutorial part

coochiekrab

workshopping an issue nobody is having (making gradient maps look nicer)

not-avril

A small guide for people who struggle with this area

rneliflua

There’s also a large grey area between an Offensive Stereotype and “thing that can be misconstrued as a stereotype if one uses a particularly reductive lens of interpretation that the text itself is not endorsing”, and while I believe that creators should hold some level of responsibility to look out for potential unfortunate optics on their work, intentional or not, I also do think that placing the entire onus of trying to anticipate every single bad angle someone somewhere might take when reading the text upon the shoulders of the writers – instead of giving in that there should be also a level of responsibility on the part of the audience not to project whatever biases they might carry onto the text – is the kind of thing that will only end up reducing the range of stories that can be told about marginalized people.

A japanese-american Beth Harmon would be pidgeonholed as another nerdy asian stock character. Baby Driver with a black lead would be accused of perpetuating stereotypes about black youth and crime. Phantom Of The Opera with a female Phantom would be accused of playing into the predatory lesbian stereotype. Romeo & Juliet with a gay couple would be accused of pulling the bury your gays trope – and no, you can’t just rewrite it into having a happy ending, the final tragedy of the tale is the rock onto which the entire central thesis statement of the play stands on. Remove that one element and you change the whole point of the story from a “look at what senseless hatred does to our youth” cautionary tale to a “love conquers all” inspiration piece, and it may not be the story the author wants to tell.

Sometimes, in order for a given story to function (and keep in mind, by function I don’t mean just logistically, but also thematically) it is necessary that your protagonist has specific personality traits that will play out in significant ways in the story. Or that they come from a specific background that will be an important element to the narrative. Or that they go through a particular experience that will consist on crucial plot point. All those narrative tools and building blocks are considered to be completely harmless and neutral when telling stories about straight/white people but, when applied to marginalized characters, it can be difficult to navigate them as, depending on the type of story you might want to tell, you may be steering dangerously close to falling into Unfortunate Implications™. And trying to find alternatives as to avoid falling into potentially iffy subtext is not always easy, as, depending on how central the “problematic” element to your plot, it could alter the very foundation of the story you’re trying to tell beyond recognition. See the point above about Romeo & Juliet.

Like, I once saw a woman a gringa obviously accuse the movie Knives Out of racism because the one latina character in the otherwise consistently white and wealthy cast is the nurse, when everyone who watched the movie with their eyes and not their ass can see that the entire tension of the plot hinges upon not only the power imbalance between Martha and the Thrombeys, but also on her isolation as the one latina immigrant navigating a world of white rich people. I’ve seen people paint Rosa Diaz as an example of the Hothead Latina stereotype, when Rosa was originally written as a white woman (named Megan) and only turned latina later when Stephanie Beatriz was cast – and it’s not like they could write out Rosa’s anger issues to avoid bad optics when it is such a defining trait of her character. I’ve seen people say Mulholland Drive is a lesbophobic movie when its story couldn’t even exist in first place if the fatally toxic lesbian relationship that moves the plot was healthy, or if it was straight.

That’s not to say we can’t ever question the larger patterns in stories about certain demographics, or not draw lines between artistic liberty and social responsibility, and much less that I know where such lines should be drawn. I made this post precisely to raise a discussion, not to silence people. But one thing I think it’s important to keep in mind in such discussions is that stereotypes, after all, are all about oversimplification. It is more productive, I believe, to evaluate the quality of the representation in any given piece of fiction by looking first into how much its minority characters are a) deep, complex, well-rounded, b) treated with care by the narrative, with plenty of focus and insight into their inner life, and c) a character in their own right that can carry their own storyline and doesn’t just exist to prop up other character’s stories. And only then, yes, look into their particular characterization, but without ever overlooking aspects such as the context and how nuanced such characterization is handled. Much like we’ve moved on from the simplistic mindset that a good female character is necessarily one that punches good otherwise she’s useless, I really do believe that it is time for us to move on from the the idea that there’s a one-size-fits-all model of good representation and start looking into the core of representation issues (meaning: how painfully flat it is, not to mention scarce) rather than the window dressing.

I know I am starting to sound like a broken record here, but it feels that being a latina author writing about latine characters is a losing game, when there’s extra pressure on minority authors to avoid ~problematic~ optics in their work on the basis of the “you should know better” argument. And this “lower common denominator” approach to representation, that bars people from exploring otherwise interesting and meaningful concepts in stories because the most narrow minded people in the audience will get their biases confirmed, in many ways, sounds like a new form of respectability politics. Why, if it was gringos that created and imposed those stereotypes onto my ethnicity, why it should be my responsibility as a latina creator to dispel such stereotypes by curbing my artistic expression? Instead of asking of them to take responsibility for the lenses and biases they bring onto the text? Why is it too much to ask from people to wrap their minds about the ridiculously basic concept that no story they consume about a marginalized person should be taken as a blanket representation of their entire community?

It’s ridiculous. Gringos at some point came up with the idea that latinos are all naturally inclined to crime, so now I, a latina who loves heist movies, can’t write a latino character who’s a cool car thief. Gentiles created antisemitic propaganda claiming that the jews are all blood drinking monsters, so now jewish authors who love vampires can’t write jewish vampires. Straights made up the idea that lesbian relationships tend to be unhealthy, so now sapphics who are into Brontë-ish gothic romance don’t get to read this type of story with lesbian protagonists. I want to scream.

And at the end of the day it all boils down to how people see marginalized characters as Representation™ first and narrative tools created to tell good stories later, if at all. White/straight characters get to be evaluated on how entertaining and tridimensional they are, whereas minority characters get to be evaluated on how well they’d fit into an after school special. Fuck this shit.

losttimpactt

A new viewpoint on antlers reveals the evolutionary history of deer (Cervidae, Mammalia)

fullview recommended!

something i've wanted to do for a while now. i've scoured the internet for something like this and can't find anything that compares all the different types of antlers together. except one recent study on their evolution, which is also very interesting on its own! i simplified it to provide a visual reference, while still trying to be scientifically accurate. some things differ between this and trophy scoring terminology like where the beam is and whatnot, so if something looks weird that's why.

small additional note, this study and others provide a lot of evidence that eld's deer should be in their own genus as it doesn't appear similar enough to barasingha and schomburgk's deer. however this doesn't seem to be adapted anywhere yet, so they're still in Rucervus for this guide.

🔴 KO-FI

⚫ COMMISSION INFO

adorkastock

Free Group Pose References for Artists

From AdorkaStock.com ♥

ckret2

some of the best writing advice I’ve ever received: always put the punch line at the end of the sentence.

it doesn’t have to be a “punch line” as in the end of a joke. It could be the part that punches you in the gut. The most exciting, juicy, shocking info goes at the end of the sentence. Two different examples that show the difference it makes:

doing it wrong:

She saw her brother’s dead body when she caught the smell of something rotting, thought it was coming from the fridge, and followed it into the kitchen.

doing it right:

Catching the smell of something rotten wafting from the kitchen—probably from the fridge, she thought—she followed the smell into the kitchen, and saw her brother’s dead body.

Periods are where you stop to process the sentence. Put the dead body at the start of the sentence and by the time you reach the end of the sentence, you’ve piled a whole kitchen and a weird fridge smell on top of it, and THEN you have to process the body, and it’s buried so much it barely has an impact. Put the dead body at the end, and it’s like an emotional exclamation point. Everything’s normal and then BAM, her brother’s dead.

This rule doesn’t just apply to sentences: structuring lists or paragraphs like this, by putting the important info at the end, increases their punch too. It’s why in tropes like Arson, Murder, and Jaywalking or Bread, Eggs, Milk, Squick, the odd item out comes at the end of the list.

Subverting this rule can also be used to manipulate reader’s emotional reactions or tell them how shocking they SHOULD find a piece of information in the context of a story. For example, a more conventional sentence that follows this rule:

She opened the pantry door, looking for a jar of grape jelly, but the view of the shelves was blocked by a ghost.

Oh! There’s a ghost! That’s shocking! Probably the character in our sentence doesn’t even care about the jelly anymore because the spirit of a dead person has suddenly appeared inside her pantry, and that’s obviously a much higher priority. But, subvert the rule:

She opened the pantry door, found a ghost blocking her view of the shelves, and couldn’t see past it to where the grape jelly was supposed to be.

Because the ghost is in the middle of the sentence, it’s presented like it’s a mere shelf-blocking pest, and thus less important than the REAL goal of this sentence: the grape jelly. The ghost is diminished, and now you get the impression that the character is probably not too surprised by ghosts in her pantry. Maybe it lives there. Maybe she sees a dozen ghosts a day. In any case, it’s not a big deal. Even though both sentences convey the exact same information, they set up the reader to regard the presence of ghosts very differently in this story.

alabaster-moon

@megamindfandombookclub

linipik

Exercises for all the homies who want to have a long career drawing.

The true problem with being an artist and drawing all day (as I wanted my whole life) is that human backs are not designed to hold that position, so it is very common for artists and designers to have really stiff shoulder blades, creating a chain of muscle strain towards the arm AND the back… and a lot of pain.

These are some physical exercises for artists and honestly anyone who works at a desk.

(all credit to my physiotherapist)

zillyblog

Can confirm these are great strengthening exercises for most people!

Friendly reminder though that if at any point something stings/burns or you feel your muscles tightening up into a spasm, please stop! Your nerves could be really irritated if you’re in poor condition, and that pain is your body saying “hey, you’re making things worse!”.

If this happens, dial it back. Do it just a few times a day. Maybe each rep is only a few to start with. Maybe lower your arms only halfway down before resting. Your goal is to push yourself a bit out of your comfort zone (mild aching and soreness is fine), but not to the point of triggering the pain > spasm > injury > pain loop. For reference, after years of ignoring my pain–I had to do little baby slides with my hands up the wall just once, twice a day, for a few weeks. Sometimes your issue isn’t weak muscles, it’s tight muscles, and stretching or nerve gliding is actually what you need. (Slow, gentle movements will help your muscles relax too!)

When in doubt, try and see an occupational therapist specifically! They can help in identifying what’s weak muscle, tight muscle, nerve compression, etc. and those all require a bit different treatment.

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