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From last weekend with @felicitafelicitafelicita 💕 The show runs through March 9!

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Happy holidays from ASU Art Museum xx

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Red Bull girls x Sofía Córdova 💘

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Sofía Córdova’s exhibition Where Thieves Go After Death closes out the fall season at Project Space. New shows in 2018!

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“Home Mask Relations” is now on view at Florida Atlantic University. Artist Isabel Berglund created the individual knit pieces for this installation in a series of community workshops around the U.S., some of which were held right here at ASU Art Museum as part of our Artist Residency program.

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Sergio de La Torre ‘s “This is not in Spanish” features a neon sign of the same title in Mandarin, along with an architectural model of a building that housed Chinese immigrants in Tijuana and 3 experimental videos. The work is part of “Soul Mining” (on view through Dec. 30) at ASU Art Museum.

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Have you seen the sign? "Actual Source: Call Now" opens in 1 week (First Friday) at Project Space.

https://asuevents.asu.edu/content/actual-source-call-now

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For our latest exhibition Pipe Brothers: Tom and James Franco, Tom Franco and his brother, actor James Franco, worked with Firehouse Art Collective and the staff at Mission Clay to produce nine 750-pound clay pipes, which will be on display at the ASU Art Museum Ceramics Research Center beginning this Saturday!

Photo by Alex Diana – Metric Cosmetics (at Mission Clay Art and Industry)

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George Auguste, Maypole Dance. Oil on Masonite. Collection of Arizona State University Art Museum.

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Andy Warhol, Mother Goose, 1981. Polacolor 2. Collection of Arizona State University Art Museum.

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Diego Rivera, Niña Parada, 1937. Oil on Canvas. Collection of Arizona State University Art Museum.

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Jarbas Lopes, Ciclovaérea, 2006. Oisier or natural fiber vine over bicycle. Collection of Arizona State University Art Museum.

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Maya Freelon Asante, Down on War, 2009. Offset Lithography. Collection of Arizona State University Art Museum.

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David Gilhooly, Double Dip Chocolate Frog Ice Cream Cone, 1979. Whiteware. Collection of Arizona State University Art Museum.

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Leonard Lehrer, Persian Rose, 1987. Lithograph, color, on paper. Collection of Arizona State University Art Museum.

“My work has seen a lengthy cyclical evolution of ideas and intent, from Bonnard-like summer afternoons in the garden to the clustering of many thoughts and experience into a variety of mediums, including my most recent journey into the world of high tech processes. Among the forces directly impacting my work are the paintings of Pontormo, the gardens and domed ceilings of the Alhambra, the movie "Last Year at Marienbad" and the writings of Jorges Luis Borges; the simultaneity of experience, i.e., that past, present and future all exist at the same moment – at this very moment – is at the very core of my understanding. Through my images I try to comprehend the very nature of my experience. I attempt to address the magic of the arts, the unexpected, the sense of discovery that the adventure of my life has provided for me. From the wonderment of the paradise garden to efforts in addressing great loss, I find that the arts embrace everything. It is pure privilege to be part of this most remarkable language system.” 

— Leonard Lehrer

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Jonathon Keats, Century Camera (Kodak Flash Brownie), 2015. Vintage camera and hardware. Collection of Arizona State University Art Museum.

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Ronau William Woiceske, Summer Moon. Intaglio, etching, on paper. Collection of Arizona State University Art Museum.