Currently reading Farenheit 451 because despite this book coming out in the 50s, I had no idea it was dystopian fiction until three days ago.
The bush of being homeschooled continues to bear its rancid, FOMO having ass berries.
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One Nice Bug Per Day
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official daine visual archive
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Andulka
Keni

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@augiepwrites
Currently reading Farenheit 451 because despite this book coming out in the 50s, I had no idea it was dystopian fiction until three days ago.
The bush of being homeschooled continues to bear its rancid, FOMO having ass berries.
I could use some help with my podcast. Know any good voice actors?
Not Safe For Work - Mature Content
Still looking for voices for my horror anthology podcast!
Who I'm looking for:
I'm here in search of three special voices to bring my stories to life. I need three main characters with energy, spunk, and the ability to frighten and unsettle an audience. Are you up for the challenge?
AMBER (Black, female adult | Tenacious and prepared to set boundaries to protect her peace)
One of the main characters of the season one storyline. Amber was rejected by her hunting group and went off to find her own way. When she finds Janet, things only get more confusing.
BERT (Male adult | Friendly and trusting to a fault)
This short story follows Bert, a homeless man who comes across a mysterious envelope. When he attempts to return it, Bert is given the opportunity to turn his life around, but the consequences may be dire.
NARRATOR (Male adult | A man with an unsettling aura)
This short story follows a man as he tells the tale of a rescued pet and how he risks it all to keep her close.
The call is open through July 17th!
I could use some help with my podcast. Know any good voice actors?
Not Safe For Work - Mature Content
Spent some time with bestie today
Hmmm...why would I be spending my evening reading a short story collection I wrote (almost) 10 years ago? It's probably nothing, don't worry about it. 👀
Working on a new short story!
I'm finally coming out of the crochet haze from prepping for craft fairs I've been in since about October. Now I have some time to write and I'm really going to dig my heels in. I have some lofty goals for the summer, but I think I can swing it!
The thing is, in order to have a healthy and robust fandom, a piece of media NEEDS to leave some questions unanswered. Some relations unshipped. Some plot holes unfilled. Some backstories unwritten. Some lore unexplained. You need possibilities that will keep people up at night. The beautiful thing about an empty lot in a neighborhood is what people make in it
writing is easy actually. all you have to do is tell people what happened
For what it's worth you should make audiodrama because you love audiodrama.
You spend enough time in this medium you're bound to encounter a guy with a bizarre sense of impatience for the creative process and frankly, contempt for audiodrama itself. He's making a podcast because he really wants to make a movie, not to secure & prove the IP, but because he doesn't know how to make a movie or sell a script. Or it was supposed to be a book (but he could never get past chapter 5), a comic strip (but he can't draw and won't learn), a ttrpg campaign (but he doesn't want to DM), or a stage play (that he doesn't know how to produce or sell). But audiodrama? Well that's easier than all those other things! He can do that himself! People listen to those things! He'll make that and then he can make the real art later on its foundation!
And listen. Audiodrama is a relatively accessible medium to get into. A whole bunch of us can point to a time listening to Night Vale or Wolf 359 or The Bright Sessions when we said "Hang on, I can do this too" and then got inspired to make our own podcast. But this guy isn't inspired. He's vaguely aware the medium exists and wants to use it as a stepping stone to a medium he considers legitimate and man. When you make an audiodrama that is supposed to be a movie. You wind up with a weirdly stripped down movie that doesn't cater to any of audio's strengths.
Make audiodrama because you love audiodrama. Not because you think it's easier than the thing you actually want to make. I promise your art will be better for it.
Currently reading: Will these characters ever fuck or am I trapped in a slow burn forever
yeah actually we removed the big bad wolf from the little red riding hood story because portraying violence against minors is really messed up. yeah. yeah also the wolf narrative was really predatory and had had some icky grooming vibes and a fable meant for literal children shouldn’t have implied p*do shit and grape so now little red riding hood goes into the woods and nothing happens and she goes to grandma’s house. don’t worry our kids will still stick to the path and know not to follow to wolves implicitly because we told them to and children should always do as their told. just like little red riding hood does now.
I literally played The Wolf in the musical Into The Woods in college and one woman started saying weird shit about me because she thought I was playing the role "a little too well"
Luckily, the director was sane, and when he heard about that he pulled her aside and was like "girl he's supposed to play the role well. That's the fucking point"
And meanwhile, the girl who was playing Little Red was actually glad, even relieved, when she saw I was cast as The Wolf, because we knew each other and she felt safe with me and trusted that I wouldn't use the scene as an excuse to actually creep on her
All that to say, there really are people out there who will read Little Red Riding Hood, or even sign up to participate in an adaptation of the story, and go "ummm The Wolf is kind of problematic"
"He's fucking supposed to be. You're rooting for the girl!"
how i sleep knowing i write shitty fiction but at least don’t use chatgpt
last line hit like a mack truck
ink: diamine oxblood
gentle reminder that you’re still a writer even if you haven’t written in days. or weeks. or months. or if you take a long break and don’t write in years.
desperately gonna need someone to invent a way to beam words out of my brain directly into my document because the amount of times the written scene just simply does not hit the same way it did in my head is diabolical