NO 😂
Stranger Things
dirt enthusiast
todays bird
YOU ARE THE REASON
he wasn't even looking at me and he found me
Peter Solarz

Love Begins

祝日 / Permanent Vacation
No title available

#extradirty

@theartofmadeline

roma★

Discoholic 🪩

Origami Around
Misplaced Lens Cap
occasionally subtle

No title available

blake kathryn

Kaledo Art
ojovivo
seen from United States

seen from United States
seen from Japan
seen from Italy

seen from United States
seen from Canada
seen from United States
seen from United States
seen from Russia

seen from Singapore

seen from Türkiye

seen from United States

seen from Finland

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@author-ashlynn-james
NO 😂
writer: this is one of my male characters! he cares about his guy friends and loves them deeply.
tumblr: oh! so he’s gay!
writer: uh…no, he’s attracted to women.
tumblr: ….so he’s bi!
writer: uhh…no…….he loves his guy friends but he’s not romantically/sexually attracted to them.
tumblr: ….so you’re homophobic.
writer:
Healthy male friendships are almost as rare in mainstream fiction as gay male relationships, and maybe more rare in fanfiction. Let men be wonderful friends without pushing a romantic relationship, just like men and women should be able to be wonderful friends without the pressure of a romantic relationship.
*AGGRESSIVELY SLAMS REBLOG UNTIL I DIE*
This is literally the reason men are so terrified of being open about loving each other platonically, because they don’t want people to assume they’re gay just because they can be supportive of their fucking friends
I literally got anon hate about my response to this post, and I just want to say that I’m sorry…
for not reblogging it sooner.
Psyche bitch, this is a good post.
PREACH
This is like a direct response to half of Tumblr.
Not all relationships have to be romantic. Being close to someone doesn’t mean you are in love with them. Platonic friendships can be just as strong and wonderful as romantic ones.
^^^^^^^^^^^^^^
Every time I see this on my dash I get more annoyed.
Do you not see that this right here: “This is literally the reason men are so terrified of being open about loving each other platonically, because they don’t want people to assume they’re gay just because they can be supportive of their fucking friends” is aggressively homophobic?
Do you not understand that fandom shipping has very little to do with the real life politics involved in toxic masculinity? Do you not understand that toxic masculinity is related to but not actually joined to homophobia?
Do you not understand that “I don’t want people to think I’m gay so I won’t do things” is homophobia?
And as for this: “Healthy male friendships are almost as rare in mainstream fiction as gay male relationships” I can list 10 male friendships off the top of my head right now which are not only unaffected by the mean fandom shippers who think they should do sex things in fanfiction but also exist in mainstream fiction.
This post fucks me off.
Reblogging for previous comment.
How to Write a Synopsis
Back when I was doing my MA program, I typed up a guide to writing query letters. It’s the post from this blog that I’m most proud of: a thorough step-by-step guide that combines days and weeks of research, and dozens of sources, into a neatly packaged 1,800-word post.
And I have to admit, I didn’t write it for tumblr. I needed to write a query letter myself for a publishing class, and my post was little more than compiled homework notes, saved as a Tumblr post for posterity.
I’ve actually had pieces of this in my drafts for years, but now I actually have to write a synopsis and I’m piling up the research, so I thought it was finally time for the sister to my query post to be published here.
But first…
What is a synopsis?
A synopsis is a 1-2 page summary of the events that transpire in a book, either proposed or already written. It’s used to give people who haven’t read your book a quick overview, so they know the story that’s being told in the book without having to read it.
When is a synopsis necessary?
Some literary agents request synopses along with query letters. More often, they’re used slightly later on in a writer’s career, when they have an agent or an editor and they need to submit a proposal for a new idea or project. A synopsis can also be used later on, in situations that don’t involve the author. For instance, when an editor pitches the book to the marketing and publicity team, who may not have time to read every book they’re working on. Unlike a query letter, the book doesn’t necessarily have to be written when you’re submitting its synopsis.
Basic Style
The job of a synopsis is to lay out the story with little fuss and no frills. They let the person you’re pitching know what they’re going to find in that giant stack of pages on their desk or in that obscenely long Word document (or else in the Word doc they’ll eventually receive).
Most professional synopses follow these rules:
They’re told in third person
They’re told in present tense
Characters’ names are CAPSLOCKED at first mention.
They are double spaced.
They tend to avoid descriptions longer than this sentence.
They focus on the central conflict and the protagonist’s emotional journey
They spoil the ending
They should be 500 words or less. (That is 1 page single-spaced, 2 pages double-spaced.)
HOW TO WRITE YOUR SYNOPSIS
The plot
Writing your synopsis, you have one goal: to tell a 50,000-100,000 word story in 500 words. It can be a little difficult to do this right. A great way to do this is to identify the key turning points in your protagonist’s story.
Do you remember those little plot roller coasters you’d make in elementary school? They’d usually be pointy witch’s-hat shaped things labeled with the terms: “beginning, rising action, climax, falling action, and resolution.”
Those turning points are the events you should be including in your synopsis.This is the structure you want to emphasize to your reader. You want to make abundantly clear that your story works like a story, that the events of your book have a beginning, a middle, and an end, that there’s an intriguing beginning, an exciting climax, a satisfying conclusion. You don’t want to just list out the events of your novel, but highlight the function of those events. X moment is important because it’s the inciting incident, the moment that takes the protagonist from their normal life and throws them into the story.
There are tons of great story roadmaps out there, that go into more specific story elements. The Hero’s Journey is the most famous example of a detailed, and mostly universal, story structure. There’s also the three-act structure that’s famous among screenwriters.
Find a structure that fits your story the best and use that to identify the events of your story that need to make it into your synopsis. I’ll link to different sources at the bottom of this post that will give you variations of story structure.
If you can correlate key scenes in your novel to the descriptions of these plot points, you’ll find an easy roadmap to navigating the many events of outlining your novel.
Your protagonist’s journey
Your protagonist is the heart of your story, and should be the heart of the synopsis, too. The protagonist’s emotional journey may not string all of these plot points together, but it’s going to be what makes them matter to the reader. The human element of your story has to be represented in your synopsis.
There’s no room for long descriptions, so you’ll have to be smart about finding a few terms that not only tell your reader who the character is, but what their story will be. For instance, if your story is about someone trying to get their critically-panned paintings in the Museum of Modern Art by breaking into the museum and installing the pieces themselves, you may want to introduce them with a sentence that begins like so: “When IGNATIUS, an ambitious and untalented struggling artist, discovers his work is rejected from yet another gallery…”
In addition to these descriptive terms, you should spell out what your protagonist wants (or wants desperately to avoid) and their stake in the events of the story.
Along the way, tell us how these key aspects of their persons change due to the events of the story, or else how they influence the events of the story. Tell us about how after raving reviews for his DIY MoMA exhibit came in, Iggy realized that though he still liked painting, his talents actually lay in performance art. Untalented to talented, struggling to successful, all because his ambition pushed him to try new and daring things.
Tips:
As in query letters, you only name the most important characters and locations outright. If you’re writing a synopsis for Harry Potter, you’ll want to use Harry’s name in the query, but most other people and places can be referred to by their function in the novel. Ex: Aunt Petunia and Uncle Vernon can be “his cruel relatives.” Hermione and Ron can be “his friends.” Even Hogwarts can be a “school for people with magical abilities.” This makes it easier for a reader to understand what’s going on in your story. Too many names in such a small amount of space can be overwhelming.
All telling, no showing. This is one piece of writing where you’ll want to tell, instead of show. You need to get to your point as quickly, as clearly, and concisely as possible; this isn’t the place for creative storytelling.
Oftentimes, synopses are given along with other materials, such as pitch letters and sample pages. While a synopsis should be captivating in-so-far that it’s well told, and it should maybe be a little stylish, being captivating and stylish aren’t its main goals. Additional materials like sample pages and pitches have more room for creative flourishes and can do a better job of selling the story, while the synopsis focuses on telling it.
Your synopsis should show that you know how to tell a story. While a synopsis doesn’t sell a story like a query, it should still illustrate the fact that you have an interesting, unique and well-structured plot. When finished, your reader should be able to think to themselves “that’s a good story. I want to read that.”
Your first draft will be too long. Your first draft of a synopsis will always be at least a page or two longer than it should be. Identify the sentences and paragraphs where you explain why a thing happens and ax them. Identify sentences where you repeat yourself and ax them. Identify descriptors that aren’t vital to understanding of the story and ax them. Once you make your first painful cuts and see that the story still makes sense without those things, you’ll start to get a better understanding of what can and cannot be taken out of your synopsis.
Bibliography:
6 Steps for Writing a Book Synopsis
How to Write a 1 Page Synopsis
The Hero’s Journey
Learn How to Write a Synopsis Like a Pro
How to Write a Novel Synopsis
The Secrets of Story Structure
Three Awesome Plot Structures for Building Bestsellers
7 Ways Write Plot Outline
Synopsis for “Bill and Ted’s Excellent Adventure”
How to Plan Your Novel Using a 3 Act Structure - ex. “The Hunger Games”
Story Structure by Plot Point for “Raiders of the Lost Ark”
New ask game for writers
1. Favorite place to write. 2. Favorite part of writing. 3. Least favorite part of writing. 4. Do you have writing habits or rituals? 5. Books or authors that influenced your style the most. 6. Favorite character you ever created. 7. Favorite author. 8. Favorite trope to write. 9. Least favorite trope to write. 10. Pick a writer to co-write a book with and tell us what you’d write about. 11. Describe your writing process from scratch to finish. 12. How do you deal with self-doubts? 13. How do you deal with writers block? 14. What’s the most research you ever put into a book? 15. Where does your inspiration come from? 16. Where do you take your motivation from? 17. On avarage, how much writing do you get done in a day? 18. What’s your revision or rewriting process like? 19. First line of a WIP you’re working on. 20. Post a snippet of a WIP you’re working on. 21. Post the last sentence you wrote in one of your WIP’s. 22. How many drafts do you need until you’re satisfied and a project is ultimately done for you? 23. Single or multi POV, and why? 24. Poetry or prose, and why? 25. Linear or non-linear, and why? 26. Standalone or series, and why? 27. Do you share rough drafts or do you wait until it’s all polished? 28. And who do you share them with? 29. Who do you write for? 30. Favorite line you’ve ever written. 31. Hardest character to write. 32. Easiest character to write. 33. Do you listen to music when you’re writing? 34. Handwritten notes or typed notes? 35. Tell some backstory details about one of your characters in your story ________. 36. A spoiler for story _________. 37. Most inspirational quote you’ve ever read or heard that’s still important to you. 38. Have you shared your outline of your story ________ with someone? If so, what did they think of it? 39. Do you base your characters of real people or not? If so, tell us about one. 40. Original Fiction or Fanfiction, and why? 41. How many stories do you work on at one time? 42. How do you figure out your characters looks, personality, etc. 43. Are you an avid reader? 44. Best piece of feedback you’ve ever gotten. 45. Worst piece of feedback you’ve ever gotten. 46. What would your story _______ look like as a tv show or movie? 47. Do you start with characters or plot when working on a new story? 48. Favorite genre to write in. 49. What do you find the hardest to write in a story, the beginning, the middle or the end? 50. Weirdest story idea you’ve ever had. 51. Describe the aesthetic of your story _______ in 5 sentences or words. 52. How did writing change you? 53. What does writing mean to you? 54. Any writing advice you want to share?
please send me any of these
How Long Your Stories Should Be (And What Publishers Want)
First of all, thank you so much for over 8,000 followers!!
Short Story
-Under 500 Words is described as flash fiction. It’s one scene
-Between 1,000 and 8,000 Words is a short story
-Between 5,000 and 10,000 Words is as long as a short story should ever be
Novella
-A story between 10,000 and 40,000 Words
Novel
-Anything over 40,000 Words is considered a novel, but 50,000 should be the minimum amount of words you should have (If you’re trying to get published)
-Most novels are between 60,000 and 100,000 Words
-Publishers generally don’t like more than 110,000 words, unless you’re already established
Adult fiction
-Between 80,000 and 100,000 Words
Science and Fantasy
-Generally Between 90,000 and 120,000. Not abnormal to reach the 150,000 range. (It takes time to build a whole new world)
Romance Novels
-Between 50,000 and 100,000
Crime, Mysteries and Thrillers
-Between 70,000 and 90,000
Young Adult
-Between 50,000 and 80,000
Children’s Novel
-Between 25,000 to 50,000
May you find exactly what you want at the thrift shop, in your price range, next time you’re there.
can’t pass up this kinda karma
and in your size
Reblog if it is alright if I come to your blog and anonymously confess something to you.
Something amazing will happen to you in May 2019.
Yes, give me this energy✨
No such thing as rebloggin this too many times
Lemme hop on this frequency 💃🏾💃🏾💃🏾
Something AMAZINGLY GOOD!
Me, at my character whom I created, whose dialogues I write, whose actions I decide, whose development and personality are completely under my control: Why are you such a bitch
Traditional and Self-publishing Pros and Cons
Traditional pros:
Money Advances
don’t necessarily have to do your own marketing (but you should, anyways)
A team of professionals working with you
Literary agents
Little to no cost
Distributing it in bookstores is easier
Traditional cons
Smaller royalty rates
Loss of creative control
Slow publishing process
Complicated contracts. Regarding this, always, always read the contract before signing anything
The possibility to be scammed. This is why you need to read the contract before signing
Self-publishing pros:
Creative control
Quicker publication process
Every decision is yours
Good royalty rates
A hand picked publishing team
You choose the deadline
Quicker publishing process
Keeping the rights to your book
Self-publishing cons
You have to do all the marketing
You have to pay for cover design and editors
Fewer sales
Finding a team
No advances
The stigma
so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god
okay so i just got my dream job??? a week after applying to it?? and now i’m thinking….maybe this is the good luck post
Me: I wanna be published Me @ me: Then you gotta edit Me:
And that’s the most frustrating thing about depression. It isn’t always something you can fight back against with hope. It isn’t even something — it’s nothing. And you can’t combat nothing. You can’t fill it up. You can’t cover it. It’s just there, pulling the meaning out of everything. That being the case, all the hopeful, proactive solutions start to sound completely insane in contrast to the scope of the problem. It would be like having a bunch of dead fish, but no one around you will acknowledge that the fish are dead. Instead, they offer to help you look for the fish or try to help you figure out why they disappeared. (x)
This is actually a really good way to explain it, I think.
I WILL NEVER NOT REBLOG THIS
I’ve seen this reblogged without the original caption before and boy was i confused
Wait, this version of the post misses out what I think is the most important bit of the paragraph “The problem might not even have a solution. But you aren’t necessarily looking for solutions. You’re maybe just looking for someone to say “sorry about how dead your fish are” or “wow, those are super dead. I still like you, though.”“
^^^^^
I highly recommend you follow the person I reblogged this from.
A Writing Cheat Sheet: for linking actions with emotions.
As always, click for HD.
YouTube Channels for Writers
The Closer Look: While this channel is primarily dedicated to the story telling in movies that doesn’t mean you can’t translate a lot of these story telling mechanics into writing. The video in the link covers how to make a compelling villain with one of my favorite villains of the DC Universe, so give them a look.
Extra Credits: Just like the last entry, this one doesn’t have much to do with writing novels or fiction. Rather, Extra Credits covers game design a lot of the time. But they also cover how to write the stories for those games and offer some interesting insight. Couple this with their other segments Extra Sci Fi and Extra History, and you have the makings of an amazing tool kit for writers of any medium.
Overly Sarcastic Productions: There is not enough praise I can throw at this channel. Anything from Trope Talk to Miscellaneous Myths and even Classics Summarized is able offer something to even the most seasoned writer. Just like Extra Credits too, they also cover a bunch of historical stuff too. Which, as a history buff myself, is always a plus.
Tale Foundry: By now, i’m sure you’ve gotten the theme. All of these channels are amazing, but this one is more writing focused then the rest thus far. The channel dedicates itself to taking a closer look at genera and sub-genera and the big players therein. It gives the audience a chance to take a look at these things under the microscope for an easier means of dissection for their own work.
Hello Future Me: I found this channel when I was scrolling through YouTube randomly and found their video on Writing a Hard Magic System and it gave me plenty of food for thought on the fantasy novel I was working on. They go on to cover a Soft Magic System which was able to really draw the line in black and white as to the difference between the two. From there, the channel has been able to offer a few good videos on matters of writing fiction and one that comes with a recommendation for me.
PlagueOfGripes: This one, you’ll need to take with a grain of salt as the host is a little rough around the edges. While he primarily covers art streams and other shenanigans like that, he did a three part video essay on writing that had quite a bit to teach. I personally found his cynical nature to be charming and funny, but if that isn’t your thing, maybe pass him by just this once.
All the links to the channels are located in their respective titles.