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@azebraslife
I just learned that a lot of vintage perfumes and fragrances were intentionally created to blend well with the ever-present smell of cigarettes, and in specific a lot of iconic ones that are super musky and floral and civet-heavy were intended to compliment the smell of fur coats or even "refresh" that new fur coat smell, which is one of the reasons (besides just shifting preferences and trends) that a lot of them smell really, really bad to modern noses.
I bet there's some stunning genius diva out there right now who meticulously coordinates her Victoria's Secret body mists with her vape flavors.
heh. didn't even stand a chance.
did you know that you can increase the quality of your quesadilla by adding seasoning
did you know that you can decrease the quality of your quesadilla by making a tumblr post while it's cooking and burning it
Level of respect a class of teens I have to teach art to have for me when I walk in: 0%
Level of respect after I draw sasuke from memory on the whiteboard: beyond anything you could possibly imagine
the true reason i rarely teach classes is to keep my ego at bay
When I was drunk one night and watching the Jellyfish livestream, I reached out to the Monterey Bay Aquarium with a dumb question about their jellyfish... And they actually emailed me back.
(yes, these are actually my own screenshots, I am in tears laughing)
DO YOUR ANIMAL EXPERTS HAVE TO UNTANGLE THE JELLYFISH
AND THE ANSWER IS FUCKING YES, THE JELLIES GET TANGLED SOMETIMES LMAO
pet peeve is when you look up fashion references from a specific era and you keep getting modern day '[era]-inspired' fashion like NO i want authenticity damn it. i can see your 2020 photo quality and your 2020 hair and your 2020 makeup. youre not fooling me.
hello i'm a historical fashion researcher and i have a lot of experience looking up things! this is a very widely experienced irritation and you're definitely not alone in this, but i am here to share everything i know!
so, ways to get around this:
turn off AI results. they're literally nonsense to us
don't use pinterest because the sources/provenance is often hard to trace
a standard internet search can be okay, but museum collections are the top tier (list of collections below this list)
instead of broad terms like victorian, regency, tudor, renaissance etc. try using the decade you're looking for. if you're not sure of what decade it is but have a vague image in your head, look on the fashion history timeline and just jump around until you find it. but even changing to e.g. 19th century will give better results than victorian
including terms like womenswear/menswear, daywear, formal wear, evening wear, court dress should increase the value of your search too
including "fashion plates" in your search can give you a nice impression of the intended silhouettes of the era. some of these might be a little stylised but will show you what was considered in vogue
for pre-fashion plate eras or things like makeup and styling, you'll have to look at portraiture or manuscripts. these are harder to actually find what you're looking for, but searching museum collections and limiting results to specific date ranges will be your friend
when looking at art, do bear in mind sometimes artists would paint fabric extra flow-y to show off their skills. it might not have been exactly like that in terms of fabric weight or drape. so, a pinch of salt required!
if you find something on image search where the provenance is dubious, reverse image search and you might find a source! i've been able to trace random pinterest images to real sources, but this does take a lot of time and effort and is often not worth the headache
some online resources and museum collections:
fashion history timeline is an invaluable resource if you're trying to get a feel for everything and should be your first port of call. it'll also link to good examples
the met has a vast number of extant examples of clothing, as well as fashion plates
costume institute fashion plates is a subcollection of the met for fashion plates (1800s-1922)
v&a also has many extant garments, fashion plates, and incredible articles on clothing and aesthetics. read the details of the objects because they'll often reveal a lot about the piece
lacma is good for C19th-20th pieces
nypl digital collection for photographs
national portrait gallery or similar for portraiture, or literally any museum in your country that has historical art
national museums scotland can be useful situationally but might be oddly specific
stout style history is a great collection for finding image references for fat people wearing historical clothes. survival bias of a lot of museum pieces tends towards smaller clothing that couldn't be repurposed, but this aims to counter that. it's not sortable, but is still a really nice resource
wikimedia commons is surprisingly handy! and the images, if you should need to link/repost them, are public domain
auction websites sound like a funny one to recommend. some won't have mannequins and some will. just look up historical garment auctions and you'll find some!
anyway, i hope this has been a good place to start for anyone interested! there are probably some i've missed because there are so many museums across the world and i don't know about all of them or can't remember them. but these are the ones i've used the most! (my specialisation/jobs i've had to research for have only really been in western fashion, so my resources reflect that)
Wikipedia has a list of fashion museums. Unfortunately, the page itself is only available in German, but the introductory paragraph is very short and after that, it's organised by country, and then it's a simple list. If you click on a museum's article, the website is usually linked in the overview table.
unrestrained summer fun
I understand that there is discussion of masking by autistic people that is much more honest and in-depth, but so much of the stuff I see sort of leans on the assumption that masking is something one chooses to do in order to appear "normal"
In reality, I think the behavior pattern that we name as "masking" is the natural behavioral and psychological result of being consistently punished for attempting to acknowledge your own reality during formative developmental periods. And I'm not sure that "masking" is a clarifying word to use for this
OK OK OK, someone in the tags said that they don't know the degree to which they are masking, bc they don't know what is normal/expected and therefore have no way of knowing how much they're altering themselves to fit into that expectation (thank you for articulating that!!) and I think that clarified a lot for me about my problems with the framing of masking.
Because that method of trying to "unmask" will always fail, bc it hinges on the assumption that there is a core underlying Self that is being Covered Up with the mask.
In reality, one does not have a chance to develop a true "self" due to the circumstances of their development. this is broadly true for almost all humans (SHOW ME AN UNALTERED TRUE HUMAN SELF,) because of the heavily social nature of how our selfhood intersects with other people's perception of us, but in some people it is much more marked and detrimental than others. What I think is the issue at hand is not the Self, but rather the internal experience. The Self is a construction we build to understand ourselves as beings, and it is heavily informed by our understanding of our own experiencs. understanding of those experiences is the actual issue. Being able to identify and name the effects that moving thru the world have on you. And teasing out how those acknowledgements of one's internal experience have been punished out of us.
The "recovering from burnout as a high masking person" post does use this framework, but I think that referring to people whose sense of their own internal reality has been so warped and shattered that they have to completely learn from scratch as "high masking" is just not intuitive and that it communicates what is being discussed... Poorly. I understand that that is the language that is used by the community broadly rn, and I don't object to individual instances of its use, but I do think that we would be better served in these conversations by framing it differently than "masking"
I also see people framing even the most basic social skills (things like "tolerating mild discomfort" and "avoiding offensive phrasing of desires") as masking. At a certain point I think we have to be aware that there is a degree of curtailing one's personal self expression inherent in existing within a society, and that autistic people are not the only people who have to be aware of societal norms and contort selves to exist within them as part of experiencing that society. The difference is of course in the degree of contortion required to fit neatly into the society, not the phenomenon of having to contort in the first place.
It bugs me! And I think it creates unnecessary friction among communities of people first discovering autism and is susceptible to a weird kind of reverse curb cut effect where unmasking (== "stretching out and de-contorting from the society in which you live into a more comfortable shape") is set aside as something Just For Autistics, as if there aren't lots of groups of people whose existence is policed and shaped and bonsai-trimmed into painfully stunted or twisted shapes. Which, of course there are, and not all of them are groups where a mental health framework is remotely appropriate (e.g. constraints on the acceptable behavior of black people especially in gendered contexts), so why are we framing so much advocacy this way?
YESSSSSS
so many ppl are tagging this "ik not autistic but-" or "i havent been diagnosed but-" and then describing the exact thing i am talking about. which i think illustrates in real time why the framing of this as "autistic masking" is not serving a lot of people well. its bonsai kitten shit. its cptsd shit
Chinese hanfu in water ink style
oyster
Chuck Jones is the best counterexample to “the curtains are just blue” because you would not believe the amount of thought and art theory he put into his silly little cartoons
I need to dig out my Chuck Jones books but one time he was talking about the Wile E Coyote gag where he runs off a cliff and continues running for a little bit before noticing there’s no ground underneath him and then turns to the camera and holds up a sign saying “Help!” before plummeting and Jones said the reason Coyote does that instead of immediately trying to get back to the cliff edge is bc Coyote embodies anxiety and in that particular moment represents the fear and worry about the judgement of others over and above the desire for self-preservation.
Like, if someone was told that interpretation without knowing any better they’d think it came from some pretentious academic or whatever but nope! It’s literally the creator like those are the thoughts he had in his head when he was creating the cartoons
the Nine Rules of the Roadrunner cartoons always sticks with me. Rule 3 especially
Imagine if a like 8 foot tall guy that looked kinda like an alien species just kinda showed up at the house you rent a room in and crashed on the couch and at first everyone hated him but you kinda just accepted this weird massive kinda-human alien species thing as a part of your group even though he's like twice the size of everyone else there
Cuz that's literally happening to sea lions in San Francisco right now
So there's two species of sea lion in North America: the California sea lion, ranging along California (including Baja) but not ranging into the north coast or into oregon
And the Stellar's sea lion, which are WAY bigger and live in Washington, British Columbia, and Alaska
A male Stellars sea lion showed up in SF like a month ago and just kinda. Didn't know what to do, and joined a colony of California sea lions, and is just kinda chilling there now.
Weird vagrant species happen from time to time, but this is just a particularly funny instance of a highly social species getting very lost, and just trying to blend in with its closest nearby relatives
Item: Gator of Holding
that’s a whole man.
you can't leave off the photo the sawmill worker took of the kiwi