THE B-SIDE BUMPER BACKTRACK 2017 - PART TWO
Whoever you talk to, and whatever they're into, the consensus seems to be that 2017 has been an incredible year for the East Anglian DIY music scene. For Part Two of our Festive Retrospective Extravaganza, we spoke to yet more promoters, writers, DJs and artists from around the region about their favourite albums, tracks, gigs and moments from the last 12 months, including Fightmilk, The Interesting Times Gang, Kyanos, Graceland, Desperate Journalist, Sophie Mahon, Kulk, Clown Smash Everything, F.O.X and more...
The Tyler Durden of Fightmilk club.
www.fightmilkisaband.bandcamp.com
Album of the Year: ‘Juniverbrecher’ by The Indelicates. It’s spooky, furious, and you can dance to it. In other words, an ideal album.
Track of the Year: ‘Prom’ by SZA. You can just put it on repeat for about an hour and not get bored of it. Lovely.
Gig of the Year: I’ve got two: Julien Baker at (London’s) Union Chapel, for my favourite super sad telecaster porn or Tundra at The Hunter Club (In Bury St Edmunds), which was the most fucking amazing thing I’ve ever seen in my life. You could make beer-glitter angels on the venue floor after the set.
Moment of the Year: Princess Nokia throwing soup at a racist. More throwing soup at racists in 2018, please. Turns out it’s a very versatile food. Tip for 2018: This is the year you go to the dentist, pal.
Leader of The Interesting Times Gang.
www.facebook.com/interestingtimesgang
Albums of the Year: ‘Superman’ by Wednesday Campanella. Also, ‘A Deeper Understanding’ by The War On Drugs and 'Every Valley' by Public Service Broadcasting.
Tracks of the Year: ‘How Do You Sleep?’ by LCD Soundsystem.
Moments of the Year: Not sure if I have any. To be brutally honest, my absolute favourite album I’ve listened to this year is ‘Power Windows’ by Rush. But it was released in 1985.
AKA Seth, Sam, Zach and Fintan: a four-headed psych beast who answer as one.
www.kyanosbaby.bandcamp.com
Albums of the Year: ‘Flower Boy’ by Tyler the Creator; ‘The Ooz’ by King Krule; ‘Sketches of Brunswick East’ by King Gizzard and the Lizard Wizard with Mild High Club; ‘Drunk’ by Thundercat.
Tracks of the Year: ‘Rolling Stone’ by King Gizzard and the Lizard Wizard with Mild High Club; ‘For the First Time’ by Mac Demarco; ‘Call Me Up’ by Homeshake; ’Moment I Feared’ by Snoop Dogg.
Gigs of the Year: Homeshake; Chic; Yung Lean; Jamiroquai; King Krule.
Moments of the Year: Being mentioned in NME. First headline gig in London. The release of (debut EP) ‘Elevator to Japan’.
Tips for 2018: Treat 'em clean, keep it mean and have a sweet dream.
Ipswich Smokehouse’s Freakverbrator.
www.freakverbration.blogspot.co.uk
Albums of the Year: Alvvays - ‘Antisocialites’; Slowdive - ‘Slowdive’; Cigarettes After Sex - ‘Cigarettes After Sex’; Frankie Rose - ‘Cage Tropical’; Fever Dream - ‘Squid’; Thurston Moore - ‘Rock n Roll Concussion’; The Gluts - ‘Estasi’; Kamikaze Girls - ‘Seaform’; Anne Hart - ‘Impossible Accomplice’; Idles - ‘Brutalism’.
Tracks of the Year: No Vacation - ‘Mind Fields’; Hazel English - ‘Fix’; Softer Still - ‘Company’; Major Leagues - ‘Good Love’; Lowtide - ‘Alibi’; Desperate Journalist - ‘Hollow’; METZ - ‘Cellophane’; Diet Cig - ‘Tummy Acre’; Is Bliss - ‘Into A Dream’.
Gigs of the Year: Part Chimp at Cambridge Portland Arms, 13th April; London DIY Pop Fest 2017, 28th-30th April; Desperate Journalist at Bury St Edmunds Hunter Club, 17th June; Kamikaze Girls at Ipswich Smokehouse, 23rd June; Indietracks 2017, 28th-30th July; Liverpool International Festival of Psychedelia, 22nd September; Pinkshinyultrablast at London Hackney Oslo, 20th October; Cambridge Indie Pop all-dayer at The Blue Moon, 18th November; Amusement Parks On Fire at London Borderline, 25th November.
Moments of the Year: Covering festivals like DIY Popfest, Indietracks and Liverpool Psych Fest. Interviewing bands I love such as pinkshinyultrablast, and getting myself an AAA pass. Putting on gigs at The Smokehouse. Getting back into blogging.
Tips for 2018: Keep on plugging away with what you’re doing. Get into covering gigs and festivals. Create your own blog or do your own radio show about your own interests.
Graceland sticksmith and PRS Foundation guru.
www.soundcloud.com/graceland_band
Albums of the Year:
1. Nubya Garcia - ‘Nubya’s 5ive’
2. Hannah Peel - ‘Mary Casio: Journey to Cassiopeia’
3. Lana Del Rey - ‘Lust for Life’
4. Princess Nokia - ‘1992 Deluxe’
5. The Big Moon - ‘Love In The 4th Dimension’
Tracks of the Year:
1. Flohio - ‘SE16’
2. Superorganism - ‘Something For Your Mind’
3. Charli XCX - ‘Boys’
4. Sink Ya Teeth - ‘If You See Me’
5. Goat Girl - ‘Crow Cries’
Gigs of the Year: Mykki Blanco - Meltdown at Southbank Centre; Hannah Peel and Mary Epworth at Norwich Arts Centre.
Moments of the Year:Ray Blk speech at Women in Music Awards and (documentary) ‘The Ballad of Shirley Collins’.
Tips for 2018: Flohio; Soeur; Bonzai; IDER; Maya Law.
Bringer of rock thunder to Cambridge 105fm and KLFM; Operations Manager at Cambridge Live.
www.cambridge105.co.uk/shows/neil-jones
Album of the Year: Wayward Sons – ‘Ghost Of Yet To Come’.
Tracks of the Year: ‘Play’ by Marmozets.
Gigs of the Year: Subterranean Festival at Cambridge Corn Exchange; Marillion at the Royal Albert Hall; Iron Maiden at Nottingham Arena.
Moments of the Year: On a personal level, launching the new Subterranean one-day festival at Cambridge Corn Exchange, which is back for 2018; a (partially) reformed Guns ’n’ Roses playing the UK; and Prophets of Rage slaying Download.
Tips for 2018: Milk Teeth’s 2017 EPs showed a promise that should be delivered upon in 2018, and Cambridge bands Hollowstar and False Hearts are great bands with a bright future.
Our man in Norwich.
www.outlineonline.co.uk
Albums of the Year: In order: Peter Perret - ‘How The West Was Won’; Madonnatron - ‘Madonnatron’; Jay Ducker - ‘Country Sober’; Mogwai - ‘Every Country’s Sun’; Amadou & Mariam - LA CONFUSION’; Wooden Arms - ‘Trick Of The Light’; British Sea Power - ‘Let The Dancers Inherit The Party’; Wire - ‘Silver / Lead’; The Jesus & Mary Chain - ‘Damage And Joy’; Ho99o9 - ‘United States of Horror’. (I’ve not included compilations. If I had, ‘This Was The Sound of Sugar Town’, ‘This Is The Sound Of Sugar Town Volume 2’ and ‘The Best of Chris T-T’ would have been in there.)
Tracks of the Year: In order: Zero UK - ‘Things You Love’; Gaffa Tape Sandy - ‘Beehive’; Ho99o9 - ‘United States of Horror’; Janet Street Slaughter - ‘The Sensitive Side of Bill Sykes’; Mega Emotion - ‘Sick Burn’; Charlotte Gainsbourg - ‘Deadly Valentine’; Jim Jones & The Righteous Mind - ‘Something’s Gonna Get Its Hands On You’; Madonnatron - ‘Mother’s Funeral’; Marc Almond - ‘Something Bad On My Mind’; Peter Perret - ‘Troika’.
Gigs of the Year: Almost every gig I have been to this year has had at least one excellent act on the bill so picking highlights is tougher than ever but here goes (in date order): Ho99o9, Norwich Waterfront, January; Nightingales and Graceland, Norwich Arts Centre, February; Horse Party and Claws, Bury St Edmunds Hunter Club, April; Melt Banana, Mega Emotion and Algae Bloom, Norwich Arts Centre, June; Magoo, Norwich Arts Centre, July; Dowling Poole and Last Great Dreamers, London Borderline, September; Gaffa Tape Sandy, Norwich Arts Centre, October; Bad Apples, Norwich Owl Sanctuary November; Wonk Unit, Owl Sanctuary, November; Icicle Works, Norwich Arts Centre, November. Honourable mentions also to British Sea Power, Subhumans, Wire, The Lovely Eggs, Rainbow Girls, Hot Raisin, Tubes and the four Quireboys/Last Great Dreamers dates I managed to get to.
Moments of the Year: Driving, crewing and doing merch for Last Great Dreamers when they supported Quireboys in Aberdeen, Glasgow, Newcastle and London; chatting to Alex from Wonk Unit before their Owl Sanctuary gig about addiction and being sober - anyone else would have been dull as chuff but Alex was his usual entertaining, engaging self (haven't paid any attention to him, though); meeting the various members of The Tubes - albeit briefly – after their show at the Waterfront.
Tips for 2018: Charlotte Carpenter, Bryde and Tibetan Night Terrors should break through to some mainstream success. The next She Makes War LP and Last Great Dreamers’ LP number four will be absolute belters. I have not seen New Scientists yet but everyone I know who has seen them says they are destined for big things. Ooh, and I’ve had sneak previews of the next Lovely Eggs and Hookworms albums, and they are crackers.
BBC Introducing in Suffolk’s other lovely chap.
www.bbc.co.uk/radiosuffolk
Albums of the Year: Dingus Khan - ‘Dunce Kap’. The wait had been too long, but I’ll let them off for that. Sadly, it’s so far only been available at two gigs, but a full release early in the new year [our spies tell us it’ll be out in April - Espionage Ed.] should be celebrated.
Tracks of the Year: Bessie Turner, ‘Words You Say’ – just wow. It never gets boring. And Gaffa Tape Sandy’s ‘Water Bottle’ and ‘Beehive’. It’s really hard to be a stand out indie band but Gaffa Tape Sandy have managed to do just that.
Moments of the Year: My memory is terrible, so I may well be overlooking things, but earlier this week I went to Maida Vale with Bessie Turner and spent the day being stunned by her talent and how much she’s achieved this year. She only released her debut single in April but went on to play at Latitude and has become a firm favourite of Jo Whiley’s. It’s refreshing to see that good things can happen to artists who are doing everything on their own terms, without the reliance of industry connections or a large pile of cash.
Tips for 2018: Hopefully the momentum behind Bessie Turner and Gaffa Tape Sandy will result in further nice things for them both. I’ll also be eagerly awaiting new music from Leaone, Amy Milner and Radio Orwell, who are now a very good live band.
R*E*P*E*A*T Records’ lone honcho. Does his lists a little differently.
www.repeatfanzine.bandcamp.com
Loves:
Idles – ‘Brutalism’
Bury St Edmunds #RockCity (and Sugar Town records)
International Blue
Tories eating themselves
Superglu at Washing Machine
You Flexi Things SIAH and Saltfen, Beverley Kills and The Baby Seals
Relevant Records
The Graffiti on Gilbert Rd – JC for PM / I “heart” Catalonia‘
Flawed Is Beautiful’ – These Animal Men / S*M*A*S*H DVD
Desperate Journalist – ‘Grow Up’
Introducing ten year old punks on stage (Sound Wave)
Vinyl
Joanna Gruesome
Hardcore Hobbies
Strongbow
Gaffa Tape Sandy green vinyl
The A14
The Batts’ debut EP
Finally seeing The Skids live, 40 years on at Cambridge Junction
Jeremy Corbyn – kids singing for him at gigs, millions voting for him at the polls, Tories running from him, despite the shit spreaders
Badges
Badgers
My new and lovely red 'entry level' turntable
Damage and Joy
Janet Street Slaughter
Vanilla Coffee
Leon Britton (the footballer not the politician)
S*M*A*S*H at The Portland Arms
Spiders
God's Favourite Band
Swansea Bay
The Virtues at Washing Machine
Goldblume
Hates:
Lists
Football Lads Alliance
Retweets of Fascists by fingers on buttons
The job you hate but are too scared to pack in
Hedge Funds wrecking our clubs
The A14
Punctures
POP STARS and anyone else without an opinion
Fancy cider
Punk rock nostalgia
Originality
Handwriting
B-Side news editor; Washing Machine operator.
www.washingmachinebse.co.uk
Albums of the Year: The Baby Seals - ‘The Baby Seals’; Gaffa Tape Sandy - ‘Spring Killing’; Slowdive - ‘Slowdive’; Underworld - ‘Beaucoup Fish’ (re-mastered); Janet Street Slaughter - ‘Janet Street Slaughter’.
Tracks of the Year: Fightmilk - ‘Pity Party’; Gaffa Tape Sandy - ‘Beehive’; Songhoy Blues - ‘Bamako’; Charlotte Gainsbourg - ‘Deadly Valentine’; Bicep - ‘Glue’; Blue Mean Eyes - ‘Escapade’; Desperate Journalist - ‘Hollow’; Goat Girl - ‘Cracker Drool’.
Gigs of the Year: Desperate Journalist at the John Peel Centre, Stowmarket, February; SuperGlu at Bury Fringe Festival, May; Ryan Jordan at The Rehearsal Rooms, Bury St Edmunds, November; Gaffa Tape Sandy at The Hunter Club, Bury St Edmunds, December.
Moments of the Year: Playing 'What I'd Do' at [former band] Horse Party's final gig, at The Hunter Club in April - still not sure how I managed not to weep the tears of horrible sadness.
Tips for 2018: I’m really excited about Sun Scream, The Glitter Shop and Lemondaze. If Slowcoaches release a new album, I will be so so happy. Also: Grimes.
Green Mind’s perennial thrill-monger.
www.greenmind.co.uk
Album of the Year: Waxahatchee – ‘Out In The Storm’. Lyrically superb demolition of an abusive relationship coupled with some of the best indie rock I’ve ever heard. So many hooks.
Tracks of the Year: The whole of ‘Out In The Storm’.
Gigs of the Year: Too many to mention, but here’s a short list:
Melt Banana at London Highbury Garage – always earshredding and just incredibly fun.
The Jesus & Mary Chain at Cambridge Junction – one of mine and a show I’m incredibly proud of. Bucket list band, coupled with an “all killer, no filler” set list. Nearly exploded when the really chiming bit in ‘Some Candy Talking’ kicked in.
Waxahatchee at End Of The Road – horrible rain all day, but they managed to cut through the rain and were essential.
Car Seat Headrest at End Of The Road – “KILLER WHAAAAALE, KILLER WHAAAALLE!”
Idles – superb live band, but I put them on twice while I was dealing with a recurrent brain condition, so never saw a whole set due to being tired all the time. I need to rectify this in 2018.
Fickle Friends at Junction 2 – straight up pop band with no pretensions. Seeing 350 kids having a brilliant and unpretentious time made this jaded old bastard smile.
Tips for 2018: Idles are clearly going to be the band of 2018. There are so many tedious trench coat wearing post-punk revivalists and Idles just destroy all of them, by being wittier, cleverer and funnier and having their own ideas.
Desperate Journalist mover, shaker and bass-wielding groove-maker.
www.desperatejournalist.co.uk
Albums of the Year: Peter Perrett - ‘How The West Was Won’; LCD Soundsystem - ‘American Dream’; Dexy - ‘Tear It Down’; IDLES - ‘Brutalism’; Moon Duo - ‘Occult Architechture Vol. 1’.
Tracks of the Year: Makthaverskan - ‘In My Dreams’; FEWS - ‘LaGuardia’; Sheer Mag - ‘Just Can't Get Enough’; Ride - ‘Charm Assault’; British Sea Power - ‘Bad Bohemian’.
Gigs of the Year: LCD Soundsystem at Alexandra Palace; Paul Draper at Scala; Ezra Furman at The Barbican; Peter Perrett at The Electric Ballroom; Moonlandingz at The 100 Club.
Moments of the Year: Desperate Journalist playing Scala. Releasing, and eventually selling out of, our album ‘Grow Up’ on vinyl. When the General Election exit poll results came in and half the country (and media) had egg on their faces.
Tips for 2018: Calva Louise, Gaffa Tape Sandy, Bad Nerves, White Trash.
Your new BF.
www.soundcloud.com/sophie-mahon
Albums of the Year: One which deserves a mention is an instrumental album by one of my bucket list session musicians. Admittedly I don’t normally go for instrumental albums but ‘Trigger’ by Jacob ‘Quist’ Quistgaard is fun and good for when you don’t know what lyrics you need to hear. An album I only discovered this year after reading Nile Rodger’s autobiography is his solo album ‘Adventures In The Land Of The Good Groove’. Yes, it was made in 1983, but it’s Nile experimenting at his peak. David Bowie liked it so I think it deserves a mention.
Tracks of the Year: These questions are much harder to answer than I thought! I’m quite fond of Tears For Fears recent single ‘I Love You But I’m Lost’, very catchy chorus; you’ll wake up at two in the morning with it on your brain. Bryan Ferry’s jazz reworking of his songs for the German TV series ‘Babylon Berlin’ are beautiful (a continuation from his album The Jazz Age’ if you’re interested), particularly ‘Bittersweet’, which he recorded new vocals for too. The song becomes ten times darker, melancholy and weary; I had to listen to it on repeat for at least an hour. Lastly an old track, which I discovered recently, is Etta James’s cover of ‘It’s Alright’ by Curtis Mayfield. The snare is like machine gun fire; give it a listen, that’s all I’ll say.
Gigs of the Year: Chic at The BBC, ABC with Kid Creole and The Coconuts as support and Bryan Ferry at Hampton Court. So much I could say about these, but all it boils down to is that they’re legends for a reason, which is why I will always try to see them whenever possible.For my own gigs, playing The Hunter Club for the first time was awesome - such a great crowd and the first time I have seen strangers dancing to my music, which has always been my aim so it felt great. The second would be playing the Inbetweeners Stage at Latitude - while neither the stage nor the audience were massive, just to be part of something so big was incredible.Actually another band to mention was Divine Comedy, they were at Latitude and I went to watch because they were the only band on that day that I vaguely knew. Best decision I ever made, Neil Hannon is eccentrically English [Actually he’s Irish, but you wouldn’t know it from his singing voice - Lineage Ed.], his lyrics are witty and clever and the performance was so light hearted it made a nice change. I didn’t stop listening to his music for about two months afterwards.
Moments of the Year: Releasing my first single ‘2BF’ and it getting played on BBC Introducing in Suffolk, bit daunting but the feedback on the whole has been pretty positive, thanks to everyone who liked it.Tony Hadley leaving Spandau Ballet; I am still upset.
Tips for 2018: Start as you mean to go on; I live by this and it seems to be working so far. Also just do what makes you happy, the music, image, brand and performance will naturally be more genuine and original, plus you feel happy too. Finally, invest in a bigger car - there is, I find, only so much you can fit in a Ford KA. Or go acoustic; it’ll fit in nicely.
THOM LONGDIN & JADE ASHLEIGH SQUIRES
Together, they are Kulk.
www.kulk.bandcamp.com
Albums of the Year: One of our albums of the year is Ty Segall’s self titled album. We discovered Ty through the band Fuzz (who encouraged the purchase of the Fuzz War guitar pedal, which has been a huge impact on our sound). We bought the album as it was engineered by Steve Albini and has a classic rock and roll/garage fuzz feel. Well worth a listen, especially ‘Break A Guitar’. Our other album of the year would be Courtney Barnett and Kurt Vile’s ‘Lotta Sea Lice’, this is their first collaboration of hopefully many. This is on the lighter side of our listening, but is poetic and beautifully bluesy. Highlights of this album include ‘Over Everything’ and ‘Untogether’ .
Tracks of the Year: Our first track of the year is ‘Tasteless’ by Shame. We first discovered Shame supporting Slaves; their sound is best described as indie but in a punk way, the music is heavy and the lyrics are angry but not distorted. If you like ‘Tasteless’ you will love ‘Gold Hole’ and ‘Concrete’. We are also huge fans of Sunflower Bean, so naturally their new single ‘I Was A Fool’ would be on this list. This song is a homage to classic rock with still a hint of psychedelia from their previous album sound. We look forward to this new album next year and seeing them live again.
Gigs of the Year: Our best gig of 2017, which could possibly be the best gig of our lives so far, would have to be in Brixton on Hallowe’en this year: Melvins and Red Kross. Melvins are an inspiration to our music and it was amazing to see them live, with an even heavier sound than on record. For us, the highlight was ‘The Bit’. They’re a must-see for any heavy music fan. The Wytches at Norwich Waterfront studio was another best gig of 2017: the psychedelic riffs and heavy drums with the grit of Christian Bell’s vocals makes for an amazing live show. Their cover of Misfits ‘Cough/Cool’ (from their home recordings) live was particularly exciting. Their support acts - We’ll Be Detectives and The Weirds - created a great sense of what was to come.
Moments of the Year: One of our best moments was our first gig, at The Smokehouse Ipswich, which we organised with our friends Con Party and Jessie Ingate. The night was terrifying but it was amazing to play amongst friends for the first time.
We were also amazed after being asked by John Peel’s wife, Sheila, to play on BBC Radio Suffolk for the unveiling of John’s BBC Music Day Blue Plaque award - it was a huge opportunity and we really enjoyed every moment.
One of our biggest achievements this year would be the amount of awareness and money raised for the mental health charity Mind, through a gig we organised at The Smokehouse and an online campaign supported by the East Anglian Daily Times, in tribute to our friend Cameron Ray. It was co-organised with Cameron’s friend and celebrated his life through the connection we had with him through music. This moment sadly came from tragedy but it was everyone coming together that made it special.
Finally, re-recording our first single with Jamie Robertson has been a massive highlight of the year, the whole process has been great and Jamie has really helped us create something that sounds like it should. When we met Jamie for drinks to discuss the recording it was high on the list that it sounded like “you are in the room with us and can’t get out”, and he has done us proud. It’s very likely that we’ll be able to release it early 2018.
Tips for 2018: We’ve decided to direct our tips at people who want to start bands and want to start gigging:
1. If you want a start a band but there’s only you and a mate who plays bass, go for it and jam together. Basically, start a band with what you’ve got not what you want. Even if you’re not Grade 8, if it sounds good to you it will to others.
2. One of the best tips we can give if you want to start gigging is to support local artists and go to gigs. Enjoy local music and it won’t be so scary to become part of it. Support the scene and it will support you. Speak to people and don’t be afraid to send promoters your stuff.
3. The most important tip of all is keep playing, even if you only have three songs. You want to be able to play them backwards with your eyes closed. Make the most of the one song support at your local pub, no gig is beneath you.
Drum punisher, Clown Smash Everything/Janet Street Slaughter.
www.clownsmasheverything.com
Albums of the Year: My album of the year is Slowdive's self-titled comeback, followed closely by ‘Stubborn Persistent Illusions’ by Do Make Say Think and Von Spar's 'Garzweiler' EP.
Tracks of the Year: My tracks of the year are 'Anthem For No State (Pts 1-3)' by Godspeed You! Black Emperor, 'No Longer Making Time' by Slowdive, and a special mention to the 3 unreleased gems that cropped up on Radiohead's 'OK Computer' reissue.
Gig of the Year: Best gig has to be Shellac at London’s Electric Ballroom back in October. Also, I almost forgot about Part Chimp's triumphant and deafening live return at Cambridge's Portland Arms in April.
Moment of the Year: My moment of the year: Probably Theo (Morris, former Janet Street Slaughter guitarist) spectacularly stacking it off the stage at the final JSS gig in November!
F.O.X’s singing stadium superstar.
www.foxtheband.com
Album of the Year: Lana Del Rey - ‘Lust For Life’. I love everything she does, her voice is so haunting and powerful and I love the visions she creates in her lyrics of broken surburbia. Always takes me somewhere else.
Tracks of the Year: ‘Cover Me’ by Depeche Mode. The first time I heard this song it was like a lightning bolt, I always knew it was incredibly powerful and then when we supported them on tour it became almost their new anthem. A song of two halves. It's beautiful.
Gigs of the Year: It has to be Depeche Mode in Bucharest: it was the most beautiful stadium and the most perfect day. I've never seen them so on fire as I did there, the energy could be felt the entire way round the stadium and I just watched in in awe of it all. I'll never forget the thousands of lighters and phones lighting up the stadium - magical!
Moments of the Year: When we were invited to fly with Depeche Mode on their private jet to Leipzig. It was a true rockstar moment and I totally forgot my fear of flying!
Tips for 2018: My tip would be Amethysts, from Suffolk. I think they've got great songs and star potential - plus they're very nice people.
Click here to read Part One, featuring SuperGlu, Gaffa Tape Sandy, The State, The Glitter Shop, Blue Mean Eyes, Sun Scream, Young States, Lemondaze, Druids, Italian Books and more!
Words & Collage: Seymour Quigley
