Bare: A Pop Opera song saga- #1 Epiphany
So I've decided to post some of my 'half-analysing half-raving about every song in Bare: A Pop Opera' posts in here because I can. If even 1 person out there appreciates hearing someone's else's thoughts about this, this will have been worth it, because I'd love to hear other people's thoughts on this too. Alright! So my thoughts on Epiphany:
Perfect balance of funny, catchy, Christian and angsty for this musical.
The stagecraft is usually very interesting for this number but my favourite version of the choereography has to be the 2004 Michael Arden version solely because of how much they carry and throw him around. Really emphasises how powerless he is against his peers and the authority figures in his life, and makes his character growth all the more satisfying, where he gains the courage to come out but also to understand the true gravity behind coming out. Also it's just so fun to watch!!! Unfortunately most of the lyric changes were a bit of a letdown, the original lyrics are the best in my book. Personally I found the LA version's choreography rooted in one position, leading to less of a dynamic effect- Payson's Peter had a lot more space and freedom to watch them say their anti-gay Christian stuff than Michael's Peter did which made it feel a bit like a strange fever dream rather than a full-on nightmare sequence.
Speaking of the original lyrics, shoutout to "looks around in gym, it pleases him"- it both makes me laugh and is sung SO well. Also shoutout to "dig down deep and save your soul"- the classic dental alliteration and sibilance to really get the message drilled into your skull the way it's being drilled into his.
Also speaking of the original lyrics! I find it very interesting that the phrase, "loves his female singers, loves to cook" is included. It's gay stereotypes that aren't central to Peter's character in any way- we never see him cook or enjoy cooking, and he references Diana Ross once when high. I see this being interpreted in multiple ways- 1 being that he genuinely does love female singers and cooking and he sees those as being signs of his gayness that he must hide or else he'll be found out, or 2 being that he is being really paranoid that something like him being fairly familiar with who Diana Ross is will lead to people calling him gay- even if it's so small it's almost insignificant, in a toxic environment or with high levels of paranoia, it's perfectly plausible he is scaring himself over the smallest of things. I know, I've done that. It's just interesting to me.
The ending of the song-- the harmonies are SO GOOD!!! The overlapping harmonies of "bear the cross" culminating in them chanting it more and more aggressively till Peter wakes up is so urgent and fun to watch while also giving the cult-sense of religion gone too far.
There are so many motifs introduced here, like Matt's motif, the Epiphany motif and the Bare motif (the song). It's always really cool going back and relistening to these with the new context you have, and it means so much more when you do. The more you listen, the more you discover!
