screaming, crying, throwing up, passing away
Xuebing Du
Misplaced Lens Cap

izzy's playlists!
noise dept.
I'd rather be in outer space šø

blake kathryn
Alisa U Zemlji Chuda

Product Placement
Show & Tell
No title available
Three Goblin Art
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Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
Claire Keane

tannertan36

JVL
Today's Document
styofa doing anything
Lint Roller? I Barely Know Her
dirt enthusiast

seen from Malaysia

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seen from Indonesia

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@bewitchingthemoon
screaming, crying, throwing up, passing away
š Regular reminder that while Hozier has amazing love songs, he is ALSO very outspoken about his leftist politics, specifically anti-fascism, anti-racism, reproductive rights, Palestinian rights and more.
Take Me To Church and Foreignerās God are scathing critiques of organized religion, specifically the Catholic Church and the colonization of Ireland.
Momentās Silence is about oral sex but itās ALSO about how that specific sexual act is often distorted to a show of power rather than that of love.
Nina Cried Power is an homage to various (mostly Black) civil rights activists from the US and Ireland and a call to follow their path.
Be criticizes anti-migrant policies and Trump and his ilk.
Jackboot Jump is about the global wave of fascism and about protest and resistance.
Swan Upon Leda is about reproductive rights and the violent colonial oppression of Ireland and Palestine.
Eat Your Young is about the ruinous way the 1%/capitalism and arms dealers prioritize short-term profit over everything else to the detriment of the youth/99%
Butchered Tongue is about Irish and other indigenous languages being suppressed and erased by imperial powers.
If any of the above surprised you, please, please delve deeper into Hozierās music, youāre missing such an important part of his work.
Touching grass is not enough; I need to travel far over the misty mountains cold.
āyassifiedā classical composers
Well...that looks...wrong
And why does Vivaldi look like one of the Kardashians
Honestly...They could have just kept Liszt the way he was in the first place
Schostakovitch is the only one that kinda works
Clara Schumann already was a boss
Wow...They really did Elgar dirty
Great classical composers... with a 21st-century lick.
BOYFRIENDS - HARRY STYLES
Chrome extensions I actually use as a mentally ill university student
Making websites easier to digest:
Dark Reader - Changes any webpage to dark mode.
Mercury Reader - Simplifies the layout of any webpage to eliminate distractions and irritating formatting.
Podcastle AI - Turns any article into a podcast. This is a lifesaver for being able to process what Iām reading, to be honest.
Spelling/grammar:
LanguageTool - Spelling and grammar check for those of us who regularly type in more than one language.
Grammarly - Spelling and grammar check for those of us who only type in English. Can be used with LanguageTool installed, which is what I do.
Google Dictionary - Define any word on the webpage with a double-click.
Google Translate - Translate an entire webpage or even just a short segment.
Misc:
AdGuard AdblockerĀ - After trying quite a few adblocker options, this is the one I find the best.
The Great Suspender - Automatically suspend inactive tabs to help with performance.Ā <- as an edit, I donāt believe this is available anymore
Honey - Try coupon codes automatically to save money on online purchases.
Built-in Chrome tab grouping - Group your tabs to keep organized and minimize distracting clutter.
Charm for academic success
š®āØšāØšāØšāØšāØšāØš®
~reblog to cast~
The best crystals for... Part 1 š¤
Part 2
Part 3
Part 4
@lovebyluna on instagram
byĀ monkikong_mrks
old people really need to learn how to text accurately to the mood theyāre trying to represent like my boss texted me wondering when my semester is over so she can start scheduling me more hours and i was like my finals are done the 15th! And she texts back āYay for youā¦.ā how the fuck am i supposed to interpret that besides passive aggressive
Someone needs to do a linguistic study on people over 50 and how they use the ellipsis. Itās FASCINATING. I never know the mood theyāre trying to convey.
I actually thought for a long time that texting just made my mother cranky. But then I watched my sister send her a funny text, and my mother was laughing her ass off. But her actual texted response?
āHa⦠right.ā
Like, she had actual goddamn tears in her eyes, and that was what she considered an appropriate reply to the joke.I just marvelled for a minute likeĀ āwhat the actual hell?ā and eventually asked my mom a few questions. I didnāt want to make her feel defensive or self-conscious or anything, it just kind of blew my mind, and I wanted to know what she was thinking.
Turns out that sheās using the ellipsis the same way I would use a dash, and also to create āmore space between wordsā because it ājust looks better to herā. Also, that I tend to perceive an ellipsis as an innate ādownswingā, sort of like the opposite of the upswing you get when you ask a question, but she doesnāt. And that she never uses exclamation marks, because all her teachers basically drilled it into her that exclamation marks were horrible things that made you sound stupid and/or aggressive.
So whereas I might sent a response that looked something like:
āYay! That sounds great - where are we meeting?ā
My mother, whilst meaning the exact same thing, would go:
āYay. That sounds great⦠where are we meeting?ā
And when I look at both of those texts, mine reads like āhappy/approvalā to my eye, whereas my motherās looks flat. Positive phrasing delivered in a completely flat tone of voice is almost always sarcastic when spoken aloud, so written down, it looks sarcastic or passive-aggressive.
On the reverse, my mother thinks my texts look, in her words,Ā āditzyā andĀ āloudā. She actually expressed confusion, because she knows I write and she thinks that I write well when Iām constructing prose, and she, apparently, could never understand why IĀ āwrote like an airhead who never learned proper Englishā in all my texts. It led to an interesting discussion on conversational text. Texting and text-based chatting are, relatively, still pretty new, and my motherās generation by and large didnātĀ grow up writing things down in real-time conversations. The closest equivalent would be passing notes in class, and that almost never went on for as long as a text conversation might. But letters had been largely supplanted by telephones at that point, soĀ āconversational writingā was not a thing she had to master.Ā
So whereas people around my age or younger tend to text like weāre scripting our own dialogue and need to convey the right intonations, my mom writes her texts like sheās expecting her Eighth grade English teacher to come and mark them in red pen. She has learned that proper punctuation and mistakes are more acceptable, but when she considers putting effort into how sheās writing, itās always the lines of making it more formal or technically correct, and notĀ along the lines ofĀ āhow would this sound if you said it out loud?ā
the linguistics of written languages in quick conversational format will never not be interesting to me like itās fascinating how weāve all just silently learned what an ellipsis or exclamation mark implies and itās totally different in different communities or generations or whatever
We had a running joke about how many times our grad PIās emails scared us because they were uncharacteristically terse. (Youād get like āWe need to talk about your paper.ā and then the actual talk would be āItās great!ā)
And he heard us talking one day and started adding smiley emojis to his emails, and honestly it really helped
Can we also have a support group for all of the people whoāve had to do the āPlease do not send me a text that says ācall me.ā unless someone is dead. If no one is dead, you need to delete the period and add a lighthearted emojiā workshop with their boomer parents? Because I know about 10 people whoāve had that exact conversation.
Texts from my mom look like this now:
Call me! š»
call me š„ š„
Call me. (No oneās dead I just want to talk.)
CALL ME! šš¹š“š š¼š·šŗš
Book rec if you are interested in this kind of language stuff: Gretchen McCulloughās book BECAUSE INTERNET. It goes into these topics in detail along with a bunch of others and is really fascinating.
Thank fuck for Tumblr and my 21yo friend who keep me from sounding like the old lady I am.
Iām fascinated by this stuff, because I know that context/code switching is something that occurs in writing, not just spoken language. Punctuation, tone signifiers, and emoji usage all depend on who Iām texting.
hereās a quick guide on how i proofread and edit my essays as an humanities undergrad! i tend to spend more time on research and editing and much less time on writing and my first drafts are often horrendous, so editing is really important for me :^)
iāve also created guides on essay preparation, the 5-paragraph essay, how to research, and how to write essays. you can find all my other masterposts here.
transcript below:
tangentially related:
wow this cannot be good for me *keeps doing it*
me, drinking irish coffee... before school
love is insane you feel like you're always subtly asking "do you still love me even though i'm flawed" and the answer just keeps being yes