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Aqua Utopia|海の底で記憶を紡ぐ
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izzy's playlists!
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let's talk about Bridgerton tea, my ask is open

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@bezixx
Can (if you have time, of course 💀) to draw Adult Azula, dressed in like a red hanfu, or like in that fanart with Sokka that was rumming the tumblr for some time? I'm really curious how that would look like in your art style (that I do like a lot). Again, only if you please or have the necessary time on hand.
Some concepts
Could you please draw Azula doing something funny? Like her doing pranks or just showing off with something like juggling for example, or maybe even mimicking Aang's spinning marbles trick from Kyoshi Island episode, which I definitely didn't make a headcanon story of.
Azula doing silly things is pretty underrated lol.
Can you please draw Azula and Ty Lee cuddling?
???
Can you please draw Azula as a sun warrior at some point, possibly bending rainbow-colored fire?
I made some concepts.
The last one is simply a slightly more adult Azula playing The Dancing Dragon.
Evitando desenlaces. Las cosas no son faciles con Azula pero pese a todo: Mai y Ty Lee siguen preocupandose por ella a su manera.
A peteición de @sokkla-azula, Al final Mai y Ty Lee no dejan sola a Azula con su quiebre mental.
Crazy how the only 2 major characters in ATLA that don't get ridiculously scrutinised for all of their wrongdoings are both the lightest skinned and most traditionally masculine characters in the show (zuko and iroh). Probs just a coincidence tho
wait what. what. literally what. neither of them look white???? iroh's bad actions are never explicitly shown and none of us are smart enough to think about it too hard??? yes i kinda agree with the zuko one cause we just glossed over and focused on the redemption arc but still. i also think that we dont give aang enough shit about yelling at toph (the library thingy) and non-consensually kissing katara (still adore kataang dw). i dont think that toph gets enough shit for being so blatantly rude all the time. and i think we truly dont remember sokkas misogyn (yes it is fixed but still) they all committed bad actions and all of them have their bad actions glossed over by everyone but their haters but i dont think it has anything to do with race because NONE OF THEM ARE WHITE and i'd argue that neither of them are really that masculine. at least i don't view them as such. sokka, hakoda, jet, ozai, zhao and honestly kinda toph are arguably more masculine. yes i do think that their wrongdoings are not focused on enough but i don't think it's because of their skin colour or masculinity
Im a little late to this one but you seemed to take this very personally and you should probably reflect on as to why that is
I never said they were white, i said they had the lightest skin, and colourism is a real world problen many darker skinned people face on a daily basis
Im talking about major characters, the main cast, so yea while zhao and ozai and hakoda are obviously more masculine, theyre each only in a couple episodes and people talk about them much less
Aang has literally been called a rapist for a decade and a half by a very large portion of the fandom pushing the most popular ship. "Not criticized" is not his thing.
Indeed, Aang constantly gets the flak for kissing Katara and trying to flirt with her or "not understanding her feelings", and then to suddenly not wanting to kill Ozai and lashing out at others who tell him to do it.
Fandom: Ursa didn’t play favorites! Azula was just mad that Ursa actually told her “no”!
Meanwhile, her official character profile:
Meanwhile, the show:
And the comics:
And of course, Azula's POV:
The strange argument I often see is that Azula's words are unreliable (despite the obvious pained expression on her face as she says them).
And it's funny, because if what Azula says can't be trusted, I guess Mai and Ty Lee's monologues about families can't be trusted either?
In the show, we haven't seen Ty Lee's sisters AT ALL, yet we're willing to just believe what Ty Lee tells us about how she felt around them. Same for Mai's family.
But when it comes to Azula's confession, how she felt like her mother liked Zuko more, she suddenly becomes an unreliable narrator and her words are now "can't be trusted".
And it's especially weird, since we have NO hints in the show that Ursa was just as affectionate with Azula as she was with Zuko.
" Ursa just didn't approve of Azula's behaviour and told her " no" !"
From everything we've seen in canon, Ursa tried to correct Azula, but it was ineffective, because she also showed favoritism to Zuko, only fostering sibling rivalry, and thus did nothing to actually help Azula with some of her problems.
I think you'll love this Azula fancomic!
https://www.instagram.com/p/C4MMGr7NNJK/?igsh=emgxbzgzaG13bjFh
I already saw it before reading the ask, but thank you none the less.
And you are right, it really delivered feels. Vago brought in a much needed freshness in the fandom with their comics. I recommend for others to read it as well.
From Zutara to Sokkla - Narrative Framing and Hypocrisy
Something that boggles me about the fandom is the complete double standard between Zuko and Sokka vs Katara and Azula.
A pretty noticeable example is how we frame the infamous “I’ll save you from the pirates” scene versus the Day of Black Sun.
The infamous pirates scene is often lauded (or condemned) as the birth of Zutara. Fans allege the tension between Zuko and Katara is palpable, and that their attraction is clear.
But let’s consider:
Katara isn’t a realized bender yet. She can’t defend herself. She’s surrounded by hardened adult criminals with weapons who have it out for her, and two firebenders (like the man who killed her mother!) who have been pursuing her doggedly, one of whom has shown he is quick to use violence even against civilians and the elderly.
Zuko dangles Katara’s necklace in front of her, the only item she has left of her mother, and threatens to take it away forever if she doesn’t sell out her friends.
If you want to read romance in this harrowing scene, feel free. It’s fiction and I’m not the morality police. Have fun!
What bothers me is the hypocrisy in how people frame this scene by comparison:
Consider this: Azula can’t bend. She’s unarmed. She’s pinned to the wall and has no means of escape. Her enemy is armed, is the architect of this invasion, has an army outside ready to follow him, and is currently flanked by an unstoppable earthbender and the friggin Avatar!
Azula is using herself as bait to protect her father (and ostensibly Zuko) knowing her life would be in terrible danger for minimum of 8 minutes. During which the enemy can do anything to her. The Fire Nation has done a lot of harm and there are surely many soldiers out there who would love to take their revenge on the Fire Nation’s pretty little princess who conquered the “impenetrable” capital of the Earth Kingdom.
The show goes out of its way to inform us that Azula is an expert at hiding her emotions. She can even fool Toph’s lie detector. Why?
Many people misinterpret this as a sign that Azula is an emotionless sociopath or whatever ableist pop-sci ideas they have about ASPD.
In reality, it’s the opposite. Azula being an expert at hiding her feelings is made clear so that we understand why she doesn’t look terrified, or vulnerable, or sad, or hurt until the finale when she finally cracks and her facade slips.
All she has at her disposal to protect herself is her wits (she had a knife and some Dai Li, but she has neither by this point). She smartly uses what she knows about Sokka to exploit his weakness and buy herself time. She’s so good at getting under his skin (which takes a sophisticated level of weaponized empathy) that even after he figures out what she’s doing, Sokka still can’t help himself.
This is all she can do to protect herself and her father. We as the audience know that Sokka and Toph aren’t going to kill or maim her, but Azula doesn’t!
So why in the world was this scene received as traumatic for Sokka?
Fans will claim that Azula’s mind games in this scene left Sokka with lasting trauma. That this is emotional abuse.
But who is the one pinned to the wall with no way to defend herself? Who is the one with weapons to threaten her with, and powerful allies who have it out for her?
If Sokka experienced any lasting trauma from this altercation, he sure never showed it! Sokka never seems to think much about Azula at all outside of wanting a rematch when it’s presented at the Boiling Rock. And even that is due to his feelings of inadequacy after the invasion. He even makes fun of Suki for being captured by Azula! Doubt he would do that if she had genuinely been tortured or if Sokka had been so traumatized by this scene.
Suki: Are you trying to get on my bad side?
Meanwhile, Katara does seem to have lasting trauma over her repeated altercations with Zuko. She talks about how he chased them all around the world threatening them. She refuses to trust him after he betrays her and fears he will get Aang killed. Zuko did hire an assassin.
In what universe can we read Zuko and the pirates threatening a helpless Katara as “romantic” but the scene with Sokka and Toph threatening a helpless Azula as “traumatic for Sokka”?
Only a universe where we have already subconsciously decided we are on Zuko and Sokka’s side.
These scenes can only be read that way if we have already decided Zuko isn’t that bad regardless of how Katara feels about what he does to her, and that Azula is pure evil regardless of what anyone does to her.
It’s a world where both Azula and Katara’s feelings are ignored.
If you want to read the pirate scene as romantic? Have fun. Enjoy your fics. It’s all good.
But let’s not pretend Zuko is some pure woobie in this scene that just needs some Katara loving, while Azula is some fearless psychopathic monster that enjoys putting herself in danger as long as she gets to “abuse” Sokka.
There’s a reason these two scenes exist this way. Katara and Zuko are parallels just as Azula and Sokka are. Katara and Azula are foils just like Sokka and Zuko are.
Fandom can and should do better by Katara and Azula. They deserve just as much consideration and empathy for their suffering and unmet needs as their brothers do. Even if Azula was a villain - so was Zuko for most of the show!
And as a pretty consequence, I can say this: Zutara and Sokkla are equally viable.
Goodnight, shippers.
What is wrong with that child?
My problem with this line isn't that Ursa says it at all, or that she's concerned about Azula, but rather HOW she says it.
Notice, that Ursa doesn't even say " What is wrong with Azula, or THIS child", but " What is wrong with THAT child", instead.
I see this as an intentional hint left by the show's creators. It may be a small hint, but I think it's a hint nonetheless.
"The word 'this' is used to point to a singular person or object that is close to you. On the other hand, 'that' is used to point to a singular person or an object which is farther away from you."
It seems to me that calling your child "that child" is an expression of distance. It's almost as if Azula called her mother "that woman.
We have no evidence that Ursa didn't love Azula at all, but we also cannot say that Azula and Ursa had the same close relationship that Ursa had with Zuko.
Never thought of it that way. The fact that she speaks it near her instead of actually explaining what is wrong already felt rather tactless, but this also further pushes the implication that she might have not been a good mother to Azula.
I was in my avatar mood yesterday and decided to draw Azula (this isn't supposed to be realistic, I tried to recreate her original facial features as best as I could)