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If you're angry about the CEO of Tumblr's parent company being a total fucking asshole, you can always come to the fediverse and use an instance run by trans people. I use https://transfem.social .
Heartless Reread
It's been six years since @heartless-webcomic by @myrastuff ended. I did a full reread and wrote down my thoughts, mostly stream-of-conciousness. I'm mostly elsewhere on the internet nowadays (you can find me on the fediverse at @[email protected]), but since Heartless is hosted on Tumblr, and since I was using Tumblr as my main social network back when Heartless was current, I figure I ought to put this commentary on Tumblr too.
This post will contain SPOILERS for Heartless.
2023-10-01
It was six years ago that I first discovered Heartless, as the comic was part-way through Chapter Six. It's been four years since my last full reread. When I first read the series I was completely enthralled (allured?) by a series that was so unapologetic about the protagonist being AroAce, and I seriously considered picking a name based on one of the characters. When I did my reread four years ago, I didn't make a bunch of mostly-stream-of-conciousness notes, so I'm going to do that now.
Chapter 1: Death The cover page shows Clara with blood on her neck, yet her teeth show she has clearly been vampirized already. The story opens as a circular narrative, with Clara writing about her journies one year later. She assures us it's true, and wonders if we are ready for "so great a change," before she allures and feasts on a random person in the street.
Now Clara sets the scene: two months after she turns 18, in 1852, the first chapter post-prologue truly begins with Chapter 1: Death.
The first page after the front-matter begins at Daniel's party. I'd forgotton the Baron was mentioned on the first page. More importantly, however, is what's under the page: the artist's snarky one-sentence page-summary! The first one is "In which our intrepid hero is more properly introduced." At this point in the story, Clara is definitely not intrepid. Clara's human teeth look rather uncomfortable: it's little wonder she prefers unlife as a vampire.
Our heroine's first meeting with Daniel is perfect. I can't tell whether Clara is rejecting what she thinks is a romantic advance, or just completely oblivious as I would be at that age. The author summary says she avoided a "romantic encounter," but of course Daniel didn't really have romance in mind, since he's gay.
Then things kick into high gear as we get our first true introduction to both Elizabeth Knight and the Baron. This is my first reread since I picked a name similar to Elizabeth (and my first reread since I picked a middle name similar to Clara), and Elizabeth's introduction is every bit as badass as I remember. Elizabeth considers the humans of London to be her subjects just as much as the vampires. William makes a strong first impression as a villain by killing the protagonist. I love Daniel and Elizabeth's discussion about whether to vampirize Clara. Also, I'd forgotten Daniel calls her "Liz." More important is that Clara sees Elizabeth use her fangs, but faints before she can see Daniel's fangs.
Chapter 2: Welcome
Clara awakens as a vampire with "concerns about her situation," and complete terror of Daniel. I love how her scream carries across three pages. We get introduced to Genevieve, who partially calms Clara down with words, and unsuccessfully attempts to further calm her using the Allure. Clara's new friends look awfully uncomfortable when she says she is hungry, since they haven't yet told her what she is now. As she bathes, Clara reminds me of one key way she is in no way similar to me: her strong sense of smell, heightened by vampirism. Sound and smell don't normally translate to a comic, but the author does a splendid job showing how Clara can sense the heart of a random passer-by on the street. Clara shows her fangs and red eyes as she drinks blood tea, all without realizing what's happened to her. What's in the scones she's eating? I don't recall if we ever find out. And now, even after assurances from Genevieve that Elizabeth is good, we see Clara is still terrified of Elizabeth.
As Elizabeth becomes the latest to fail to Allure our hero, we get one of my favorite humorous clashes of expectations: Clara is ashamed to admit to reading penny dreadful novels, because they aren't "appropriate for a young lady," while Elizabeth is disappointed to find the kids these days learning about vampires from penny dreadful novels instead of whatever the old fashioned way was. And we meet Permelia, the last member of the main cast and the only unabashed acemisic (though we don't know she's heartless-misic yet). Oh goodie, one of my favorite snarky-author-page-summaries: "In which Elizabeth bemoans the state of kids these days."
The chapter closes with Elizabeth and Daniel realizing Clara's orientation, and plotting to use her against William. I love all of these characters, and all except Permelia make a strong first impression. My view of Permelia's first appearance is likely also tainted by how I know she acts later. The author has been very quick to give us a sense of her world and where the story is going, but the characters are what make this comic a joy to read.
Chapter 3: Promenade I forgot about these cute kids waking Clara up! Clara's "RAAR!!!" to her bedroom mirror is just as sweet as I remember. Daniel is interrupted before he can explain to Clara exactly what they are fighting, which is good for drama because Elizabeth's demonstration later is important. This is the part of the story where I start to suspect old vampires like Elizabeth have a fear aura: Clara quickly overcomes her fear of her new powers and the other vampires, but she's still terrified of the one vampire who's done as much as anyone to help her.
I also appreciate the twist that vampires in the Heartlessverse seem to be the same people they were in life, as it's a change from what other media does. And since it's 1852, I like seeing pre-Stoker vampires who dislike sunlight but aren't actually harmed by it, as Clara and Elizabeth go walking outside in midday. We get the full name of Baron William Lazarus, and Clara still struggles with the behavior she's learned from human society.
Wow, I love Elizabeth's flowery demonstration and description of the Allure, and Clara's shocked reactions when she realizes it takes only "a passing thought," of the sort she doesn't have, to control someone's mind.
Just as Mrs. Pendergast gives us a hint of what will happen in the rest of the story, Clara is distracted by husks. Elizabeth says husks are "things." And the process to create them is what she is fighting against. Clara is willing to join the fight.
Chapter 4: Lessons
Clara is frustrated that she can't be allured, indicating she hasn't yet fully accepted that she's ace. Wow, Permelia really does not like Clara, even before finding out her orientation. Maybe it makes sense, as Permelia has no idea why her leader is treating this new vampire like she's so important.
Clara's first sparring match goes poorly inspite of her immunity to the Allure, but Genevieve's advice turns out to be a lot better than Daniel's. Ah, right, this is when we first explicitly learn that Genevieve Henley (Viv) has a hopeless crush on Liz.
Now we get to the real heart of the chapter, and arguably the heart of the story. Or, the lack of heart, since we finally learn the meaning of the title. Due to her unusual status as a Heartless vampire, Clara has to learn about vampire culture a few decades early. Vampire culture lacks some of the problems of human society in 1852 London: no one questions having a black woman as their leader, for example. But other bigotries are alive and well. Elizabeth's illustrated descriptions still give me chills. Finally, Permelia reveals that she, just like our heroine, can eavesdrop, and finally tells Clara the title of the comic. Oh, and Permelia is the first character to display unreserved acemisia. Fuck her. Not literally.
Ah, now I remember, this is the chapter with a rollercoster of multiple scenes that feel like the "end." Clara asks us to understand her decision, and I think I do, but it's still probably the second-worst decision Clara makes in the entire story. The author summary, "In which our intrepid hero refuses to think things through," is a taste of what's to come in a chapter and a half. As Clara arrives home, I still feel excitement at the cliffhanger despite knowing exactly what will happen next. Come back next time for the final two chapters!
2023-10-02
Chapter V: Home My reread continues with Chapter 5. Having got a taste of how vampire society treats openly heartless vampires, Clara does what many struggling queer creatures before and after her have done: She attempts to get back into the closet. Clara tries pretending once again to be a straight human. Falling right back in with her family, Clara finds her parents still want her to get married ASAP. She also finds that no matter how hard she may try to pretend, she is NOT human anymore, and she still has to eat a vampiric diet. The progression of Clara's body language as she hungers, feeds, and heals her victim provide a rollercoaster of flowing emotions. But none of that compares to Clara finally putting her foot down and telling her mom she doesn't want to get married, only for her mom to make excuses about it. Oh and there's a vampire eavesdropping. Now everything Mrs. Pendergast told us in Chapter 3 comes back, and Clara is the latest "troubled" girl to fall victim to the Baron's scheme. I remembered the seamstress warning Clara about the vampire, but forgot about Clara telling the seamstress how wildly overconfident she is.
Remember last chapter when I said running home was the second-worst decision Clara makes? This is the worst. Clara allows herself to be taken straight into the Baron's shadow prison, without discussing her plan with her allies. For someone who reads so many novels, she should know that failing to communicate with your co-protagonists is always a bad idea. But the author did a good job building up to Clara's poor decision, as the conversation last chapter lead her to lose trust in Elizabeth and Daniel.
Chapter VI: Rescue This chapter has everything. Comprising nearly a quarter of the length of the entire series, the final chapter of Heartless is by far the longest. It was mid-way through publication when I caught up, though I don't remember exactly what page I caught up on. The author comment under the cover page says that it is "very likely the last chapter of Heartless, at least in this storyline." At the time, I assumed that meant a short break before Book 2, but that didn't happen.
The chapter opens with Clara and two human shadow prisoners drawn by carriage towards the psychiatric shadow prison. Immediately jumping out at me is the fact that Clara looks just as scared and miserable as her companions, in stark contrast to her confidence at the end of last chapter, and in spite of the fact that she could have easily avoided coming here by fleeing to Elizabeth the previous night. Clara's fear turns to terror as she sees her killer for the first time since the night of her death. AndâŠanother vampire tells Baron Lazarus that the girls have "excellent marriage prospects." I totally forgot that: what is William planning on doing with the girls whom he doesn't husk-ify? Does he want his vampire girls to marry into the human nobility, to potentially get more vampires who count as "nobles" among humans, or are they talking about vampire marriage? I don't remember ever finding out, so maybe it isn't addressed.
Ooh, bonus art of Elizabeth reciting a Christmas poem that Daniel is tired of.
Once again, I love the facial expressions from Clara's companions, especially the darker-haired one. Clara's excitement at her successful use of the Allure is topped only by her companions' total confusion as to what happened. I love Clara's deflection, and I wonder if she ever tries contacting her "new friends" again after the events of this chapter, given that we know Elizabeth deals with humans who support her cause. As Clara finds Viv, we get perhaps my favorite snarky-author-summary in the series: "In which it is brought to light that our heroine hasnât really thought this through." The "nurses" remind us that despite Clara's immunity to the Allure, she barely has any practice fighting other vampires. Of course, they assume she's noble, because ace erasure.
The Baron reveals that he is a man of tradition, and that means threatening to kill the hero's friend to get her to talk, before trying to Allure her. Right away, we learn some key information about how the Allure works: A vampire doesn't automatically magically know if their Allurement attempt succeeded, as William clearly thinks he's in control of Clara. Oh, and a snarky-author-summary I'd completely forgot about, "In which our heroine has rather improved her poker face."
A connection I hadn't thought of before (or forgot about) is that both the Baron and Clara's mother assume Clara has the same orientation, though for different reasons. Clara's mom assumes Clara is straight because she assumes all humans are straight, while William assumes Clara is straight because she's apparently not attracted to women.
Right at the midpoint of the chapter, Clara does the most badass thing in the series: come out to William while stabbing him in the eye with a sword. She's done pretending to be straight, she's done pretending to be a meek human. She's the star of the story and the title character, and she wants us to know it.
But the Baron is an elder vampire, so he can survive being stabbed through the head. Our hero and her now-unallured friends are on the run. I forgot Clara is still sort of squeaked out seeing her best friend drink a husk's blood.
Elizabeth's entrance is totally badass and oh yeah Daniel's also here but he's nowhere near as badass as his leader. My first time through, I thought the Baron's line to Elizabeth about how the council will have her head for apparently sending a heartless assassin was supposed to be foreshadowing to set up Book 2. The author-snark-summary reminds us that this was only "light" assassination. Evidence for my elder-vampires-have-fear-aura hypothesis might be accumulating, as Clara is terrified to see Elizabeth transform. Then again, it may just be the overall situation she's afraid of. Either way, I love how the transformed elder vampires look. Elizabeth and Viv must be proud that their protege gave William an injury that persists even as he shapeshifts. I also love seeing the shadow prison burn, just as Elizabeth knocks William out the window.
Ah, the callbacks: Clara is just about to ask how old Elizabeth is when she gets cut off by a moderately angry Vampire Queen. Here's another line that feels like foreshadowing for a future book that never came: Elizabeth says that thus far her methods are the only way to keep power away from people like the Baron. Sounds like the kind of thing our protagonist could eventually solve, given a few more books.
Daniel and Elizabeth's banter as the Vampire Queen falls unconscious still gives me giggles. The Baron is still alive, Clara brings the ending full-circle with her book, and my reread of Heartless is done.
Six years later, I still love these characters and this world. At 146 pages including bonus art, the story is just long enough to get me really attached. While the story did end at the end of an arc, it still feels like a cliffhanger ending: how will William get the Council mobilized against Elizabeth and Clara? How will Clara overcome the acemisia on her own side from people like Permelia? What happens to the human girls Clara rescued? What word do vampires use for nonbinary folks? We may never know. Even so, I love every page of this series and I'm grateful for what we got.
Back when I made that post about the webcomic Heartless for Queer Media Monday, the artist found it and commented on it. To which I reacted by doing the reasonable thing, and drew a fanart of Clara. I did send it to @myrastuffâ via PM, but never actually posted it.
So, here you go. Asexual vampire lady. <3
Reblog if your blog is ace/aro friendly...
So that I can follow you.Â
Always!!!
Iâm not a(ro)spec myself, but I have some very good friends who are. Y'all are absolutely welcome here, always đ
⊠wow, digging through my old reblogs and this post aged like milk. Hi, Iâm Katrina, and Iâm actually ace as shit XD
Sister Claire 3 Spirits Song Parody, and My Other Song Parodies Moving to AO3
Hey, remember when I used to post song lyrics that I had rewritten to be about Sister Claire? Itâs been awhile, but here is a new one here just in time for Bright Night! Itâs based on â3 Spiritsâ from A VHS Christmas Carol and features Zora and Mother Abraham as Jacob Marley and Scrooge. I think this one is a contender for the best Sister Claire Song Parody Iâve written, although maybe my opinion will be different when I look back in a few years.
Iâm also announcing a plan to re-edit my old SCSPs and upload them to AO3. Some of the older ones arenât up to my current quality standards.
The Dursleys in A Very Potter Musical
I realized recently that something I had thought for the past decade was a plot hole in the A Very Potter Musical trilogy is not actually a plot hole. Â At the end of AVPS, Harry asks Dumbledore why he had to grow up in the muggle world, and Dumbledore says he didn't want Harry to grow up in a place where all of this wasn't special. Â But Harry doesn't ask the follow-up question: given that he had to grow up in the muggle world, why did Dumbledore leave him with abusive muggles instead of a foster family who would actually love him? Â The musicals never explain it, and until recently I thought it was a plot hole. Â The books do explain it, but that explanation is tied with the books' handling of elves for my least favorite plot point in the series, so I greatly preferred not having it answered in the musicals.
But recently I asked myself: how do we know the Dursleys are abusive? Â Maybe they aren't abusive at all, and Lockhart simply changed them to be abusive in the books to make it sell better. Â At the beginning of AVPM, Harry says he doesn't deserve the rules made by the Dursleys. Â But Harry is 12, so him thinking his guardians are making bad rules doesn't necessarily mean they were actually bad parents. Â And he'd rather go back to Hogwarts than stay with the Dursleys, but in the song itself Harry focuses more on how awesome Hogwarts is and and how awesome being the Boy Who Lived is than how he wants to get away from bad family.
In AVPS, Harry tells Hermione that before coming to Hogwarts, he was not a popular kid in the muggle world: he was what's known as a douchebag. Â He assures her that even though she wasn't popular in the muggle world either, she can be cool and have a place in Hogwarts (and write his ancient runes essay, of course). Â That conversation suggests Harry prefers the magic world due to the social interactions with his peers, not due to having a bad muggle family. Â And crucially, When Dumbledore gives his talk about our time away from Hogwarts being what makes it special, Harry doesn't think to ask Dumbledore the follow-up question, perhaps because Harry himself realizes the Dursleys aren't a bad family: they just treat him like a normal kid and not a superhero.
Now, I admit there are some possible issues with this interpretation. Â In AVPS, Harry tells Ron he's been living in a cupboard under the stairs. Â That could be explained by assuming the Dursleys are poor, not mean, which would make it extra exciting for Harry when he discovers he is rich in the wizarding world. Â However, I admit that probably isn't what the Lang brothers were thinking.
Then there's the entire song "To Have a Home." Â Again, it's at least possible that Harry feels more at home at Hogwarts because he has a whole school of peers who think he's cool and isn't worried about having enough to eat, in a way he wouldn't feel in the tiny house of the Dursleys (if they are poor) and having no friends. Â This could be similar to how, in NMT Season 2, Episode 4, Hannah feels more at ease around her psychic teenage friends than she previously felt in Lex's tiny appartment, despite the fact that she has a perfectly loving guardian.
I should also note that it's been several years since I did a full rewatch of AVPS, so there might be other issues with this idea that I forgot about.
A Critique of Starkidâs âYellow Jacketâ
I really enjoyed watching âYellow Jacket,â but afterwards, but as soon as it ended I felt like it missed something.
Warning: This post contains spoilers for Nightmare Time Season 2.
Throughout the entire final episode of NMT Season 2, we never get to see Hannah use her powers for good. Every time Hannah uses her powers, it is to advance Pokeyâs plan.Â
The episode opens with Hannah getting a vision sent by Pokey, which leads to her expensive medical bills and gives her an incentive to get involved in a lucrative but risky endeavor. She wins an arcade game that exists to help Pokey find psychic adolesents. And she wins a bunch of show matches against other victems of Pokey in a game which only exists as a cover for Pokeyâs real scheme.
Hannah then takes control of Ethan to get him to agree to what Pokey wants, and uses âtremendous powerâ to excise Pokeyâs oldest enemy from her mind. Â
But when the spotlight illuminates the stage for the climax, Hannah, the âshatterpointâ and the âmost powerful psychic mind in the history of reality,â is reduced to a mere damsel in distress. She canât fight Pokey, and she canât escape. Instead, it falls to Webby, Lex, and Ethan to save her. Lex gets no help from Hannah in destroying Pokeyâs body, and Ethan gets no help in engineering their escape. Â
During the VIP talkback, it was suggested that Hannah could heal Starfire and the other person who was enveloped by Pokey, but the episode doesnât actually show this happen.
Black Friday similarly lacks a chance for Hannah to show us her powers, but Hannah isnât really meant to be the main character of Black Friday.
Adding to my frustration is the fact that only small tweaks to the climax would be necessary to address this criticism. They could have showed Hannah healing Starfire, either during her fight or immediately after Pokey explodes. Hannah could have used her power to pull Lex to her instead of Webby doing it. Or, Hannah could have teleported Ethan next to Chuck instead of Ethan being able to get their himself. If the writers had done any one of these things, Hannah would have been more than a damsel in distress during the climax of her own story.
I still enjoyed watching the film, but the fact that Hannah doesnât gets the chance she deserves stops it from being my favorite in Season 2.
A ranking of things by how illegal they are in the United States:Â
1)CocaineÂ
2)MarijuanaÂ
 3)AlcoholÂ
4)GunsÂ
5)ArsenicÂ
6)CarrotsÂ
A ranking of the same things by how dangerous they are:Â
1)GunsÂ
2)ArsenicÂ
3)CocaineÂ
4)AlcoholÂ
5)MarijuanaÂ
6)Carrots
Only carrots are in the right place.
Zoomâs automatic speech-to-text transcription changes âisotopyâ to âheights Adobe.â
And it changes âisomorphismâ to âin the markers.â
I think much of what is wrong with American TV "news" networks is encapsulated in the following three things:Â
1)Very recently, several Republican state legislatures have attempted genocide against trans people by passing or attempting to pass laws making it illegal for them to get one of the necessities of life (health care).Â
 2)Very recently, several Republican state legislatures have past or are attempting to pass banning transgender people from one kind of entertainment reality TV competition (sports).Â
 3)The major "news" outlets believe that point (2) is more newsworthy than point (1).Â
 Like, I get why Republicans think the most important issue of the day is sports.  Sports are the biggest budget reality TV shows in the country.  If sports aren't important, all reality TV is unimportant.  And if reality TV is unimportant, then electing a reality TV actor with no government experience President of the United States is a really stupid idea.  And of course Republicans also have to hate health care because it's supported by scientists and Democrats.  But what kind of messed up thought process could possibly lead a "news" reporter to think that *state-mandated mass murder of children * is somehow no biggie in comparison to a game?
A section of dialgoue from Starkidâs âForever and Alwaysâ that was in the script and the livestream was cut from the final conversation between Emma and Paul, and it significantly changes the context of the rest of their dialogue in that scene. The missing dialogue was in between Paul's line "and taking his place," and "I know things aren't perfect." Why @the-real-team-starkid ?
Five years ago today was a low point for me
Today is January 25 2021. Five years ago today was one of the worst times in my life. People who were supposed to protect me ended up hurting me. I was unsure if I would every be allowed to live my life or even walk outside ever again. Â
I was, and still am, very fortunate to have a family that supports me. They helped get me out of the bad situations I was dealing with. Â
Five years later, none of the people who hurt me have faced any consequences for their actions. I get angry when I think about other people they hurt, and may still be hurting: people who had struggles like mine but who didnât have the support network that I have. Â
In a lot of other ways, the world has gotten a lot worse in the last five years. But for me, a lot of things have gotten better. It may sound selfish to say, but I am in a better place than I have ever been before. Â
I am celebrating by reading the awesome webcomic Avaâs Demon by Michelle Czajkowski.  I originally tried reading it in mid-2016, but the traumatic experience I had had a few months earlier made reading the comic very upsetting, so I had to stop. I am very happy that I have reached a point in life where I can enjoy Avaâs Demon.
Note: I originally made this post in March 2019. I accidentally deleted it recently, so I am reposting it.
I woke up humming this morning. When I tried to figure out what song I was humming, I realized it was actually two songs that blend together. Â
Day after day
Give me clouds and rain and gray
Give me pain if thatâs whatâs real
Itâs the price we pay to feel
The price of love is loss, but still we pay
We love any way
So look out, itâs around every corner
Kind of weird but that's neither here nor there.
You can face it, embrace it.
No need to fear the beauty.
Beauty everywhere.
The melodies do blend together, although the lyrics donât. You know what that means: Itâs time for a crossover between Starship and Next to Normal! Bugette seemingly returns to life, but only people who knew her before she died can see or hear her.
petition to start saying âtheyâre just datingâ or âtheyâre only marriedâ instead of âjust friendsâ :)
lords in black gang sleepover
Don't you just love it when a person that's VERY clearly allo and has no idea what aromantic/asexual is, reblogs an aro/ace post and manages to interpret it the most allo way possible?
Just...how?
Catharine from Sister Claire is asexual!