~BigLove~ _GSC

💚❤️Expression of Imagination Manifested💚❤️ 💋PanSexual CisMale💋 🌹Transcending Gender🌹 🔥Anarchy🔥🌗Jungian🌗✨Magick✨ #Artist, Rapper, Model, Creator#

[thecollectibles]

Art by 三叠色 Size

[rumwik]

Strange haunted photo where Winifred looks like she's a painting

[needs-more-hugs]

I have placed her in a more fitting setting

[bisexual-engineer-girl]

For the first time in my tenure on tumblr, it's "THAT'S A PHOTOGRAPH?" and not "THAT'S AN OIL PAINTING?"

[genderkoolaid]

on the topic. can we talk about how megan's music videos have cornered the market on the genre of like, absurdist erotic horror.

Thot Shit is the most obvious, its essentially a short film in which a powerful white man politician who enacts misogyny to women like megan while getting off to their bodies, is forced to go about his life unable to escape black women shaking ass in a hostile manner, and the video ends with a shot of the man having had his mouth surgically turned into a realistic sfx vulva. similarly, BOA is a short film clearly parodying creepypasta about haunted video games; three teens play a clearly haunted copy of "Curse of the Serpent Woman," and meg kills each of them, including killing a guy by literally crushing his face with her ass.

in Mamushi (probably the least absurdist), she's a shape-shifting serpent woman who seduces men at a sauna, kills them, and then her partner turns them into an undead army (in a scene inspired by a story from Akira Kurosawa's film Dreams). Roc Steady is a direct reference to Jennifer's Body, and it shows Meg being a quirky cheerleader who graphically kills and dismembers men. most recently Whenever is a music video that is literally set in a Salvador Dali painting (The Persistence of Memory), & while its less horror it is very absurdist in a specifically erotic way, with megan and her eroticism being associated with the strange, shifting room the music video takes place in, and is contrasted with a older woman who watches everything in quiet confusion. and that is accompanied by the repetition of "it's whatever, bitch," brushing off the need to make sense to other people.

commonality in all of these is how she blends horror, absurdity, and eroticism. her being sexy in these videos is not incidental to the horror or absurdism, and the horror isn't softened by her being sexy. the final shot of Thot Shit is genuinely unsettling; its a man with a vulva for a mouth, done with very realistic sfx makeup, clearly in horror himself. in BOA the deaths are depicted in a cartoony but still visceral way - the guy's face literally crushed by megan's ass, the girl's head blown up by being constricted by a snake. in Mamushi, megan swims through the water of the sauna, using her arched back to imitate a snake's movement in water. but when she turns into a giant snake, its just a Fucking Giant Snake. its huge and scary and a snake and it kills the guy who was admiring megan's beautiful human body. and then her victims are depicted as helpless bodies dragged away and repurposed, made into an undead thing for megan to order around.

erotic art isn't taken seriously as art. and incidentally, neither is/was horror and comedy for the most part. because all of these genres seek to create and explore certain felt experiences (desire, dread, humor) and historically art that "appeals to the base senses" is associated with the lower classes and "low culture" while art that "appeals to the mind" is associated with "high culture" (& there's plenty more to be said about all of that). megan's art specifically as a Black woman whose art is very Black and very erotic is often seen as shallow and "base." when people can't deny her obvious lyrical and performance skill, they try to separate her ability to write hard as fuck bars and deliver incredible flows from her identity as a freak bitch. so i find it really interesting how her music videos explore eroticism through horror and horror through eroticism and unites those two forces through absurdity, playing in the face of those who don't take her art seriously by actively making it a mindfuck that serves her own artistic purposes.

[elisecairo]

[katherynefromphilly]

As someone who was alive when Bob Ross (and William Alexander before him — that’s where the approach is from) was on PBS, I can 100% testify that you can paint along with him.

You may need to learn how to set up your paints and such… but this is what people did, live, while the show aired. That’s what the show was for. I had family members create lovely works of art they enjoyed, which I still have on my walls, because William Alexander and Bob Ross both said:

SCREW METICULOUS CLASSICAL ART PRACTICES — JUST GRAB A PALETTE KNIFE AND BIG OLD BRUSH AND PAINT!

They freed a whole generation of people who were taught to paint detail and realism and exact representation of reality — people who largely gave up this kind of thing because it got tedious.

I watched the joy of family members as they rediscovered art as a messy fun spontaneous half hour activity.

Give it a try.

[lovenostalgia]

[robstaryeah]

Love stories in tight places by Gabriel Picolo

[nipuni]

Crowley in heaven 😇

[hotelcrying]

[twyllodrus]

Who do you think the best angel was? This one.

[tetrapaec]

I don't think you understand how important this kiss is.

Doing this in front of God too.

They sacrificed their love so that we, humans, could love each other and make decisions. They spent 6000 years teaching each other that humanity is not a toy. They died for us, they love us as much, if not more than they love each other. They are our deities, our creators. They are Love. We are children of Love.

[tumbld-out-of-my-bed]

Despite everything, this is so precious to me.

In every lifetime, in every timeline, in every universe, Crowley will wait for him.

[hgedits]

Could you sign it for me? Course. What's your name? Fell. Asa Fell, with an S.

[actual-changeling]

well apparently everyone else hates it. i do not. i love it. i love what they did with it, i love that crowley got to choose, i love that he chose humanity, that he did not choose to run away.

because THAT is who he is. he loves his stars and creations, he loves humanity, he loves the messiness, the good and the bad, the ugly and the beautiful, he loves watching them. he showed jesus all the kingdoms of the world to share that love with someone who he knows already felt it.

in the end, they made that choice together. it's a choice they have made before, over and over, saving humanity over themselves. no god, no angels, no demons, no thousands of years of suffering for all the millions of eternal beings.

personally, i choose to believe that god's last gift to them was integrating them into the fabric of the new universe, so they will find each other in every lifetime. but without anyone watching, without any plan behind it, without senseless suffering, without creating stars just to destroy them.

just the two of them, together, always.

[the-ink-archives]

[theonevoice]

For a moment I thought they were going to spend eternity together in the cosmic bookshop writing the whole universe back in existence in the blank books...

[renzilla-exists]

coming online as someone who liked the finale

[milliekr]

GO hot take apparently

Imagine finding out you have 90 minutes to tie up a love story that's developed over thousands of years. You create something beautifully in character and completely on point for the plot. You pay homage to the original writer's legacy in a fitting and poetic way and create an ending that not only shows the depth of two people's love for each other but the wider love they have for the thing that brought them together in the first place.

And then you go online to find the loudest outcry is that everyone hates it and "THEY DIDN'T EVEN KISS!"

I feel sorry for people who didn't get anything out of that stunning finale.