My Cousin Vinny (1992) dir. Jonathan Lynn
Misplaced Lens Cap
will byers stan first human second

titsay
"I'm Dorothy Gale from Kansas"
Stranger Things
Sweet Seals For You, Always
Xuebing Du
wallacepolsom
TVSTRANGERTHINGS
macklin celebrini has autism

tannertan36
Cosmic Funnies
Mike Driver
Sade Olutola

oozey mess
ojovivo
The Bowery Presents
we're not kids anymore.

#extradirty
almost home
seen from United States
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seen from Singapore

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@bird-wings
My Cousin Vinny (1992) dir. Jonathan Lynn
My Cousin Vinny (1992) dir. Jonathan Lynn
Varl in Horizon Zero Dawn 04/??
you should get a second evening for reading fan fiction. And you should get an extra day in the week to do arts and crafts.
I get in theory why people complain about het ships or whatever, I get wanting to watch queer media I really do, but I guess where y’all lose me is like. I saw some asshole on a post about Sinners complaining it was “hetslop”—this person was specifically doing so while also claiming Remmick was a queer character and thus they were justified in caring more about him than the Black protagonists. which is a whole other disgusting can of worms that has been well addressed by others at this point. but even in the absence of that part of the argument, like, no, i actually don’t think that a hunger for queer stories is an especially good excuse to deride and dismiss a piece of landmark Black filmmaking, especially as a non-Black person. I have a post that’s been going around encouraging folks to engage with more Native stories and characters, and I had someone come onto that post saying in the tags that they’d need these stories to be queer in order to care. and I just think that, you know, sucks! like obviously as a queer Native I also want to see more of those stories too. but idk how else to put it other than to say that Black people and people of color shouldn’t have to be like you in order for you to care about our narratives and experiences. and I think some of y’all are using this disdain for heterosexuality as a cover for your unexamined racial biases. it’s not okay to be racist to people just because those people happen to be straight, and you continue to be white before you are queer.
on an even more basic level than that, also, I simply just think some of y’all NEED to learn how to interact with media and storytelling without ships and fandom in mind. like if not being able to write fic about two men kissing is genuinely going to be a dealbreaker for you I think that’s actually something you need to work on within yourself because at that point I think you’re no longer really interacting with art and themes and narrative so much as just kind of playing with toys. which is, like, fine I guess. have fun. but it wouldn’t kill you to disengage from that from time to time. especially if would allow you to actually appreciate rich and deeply moving cultural stories from communities of color that you desperately need to learn how to see as human
''what if you regret it'' then you will expirience regret - a normal and unavoidable part of the human expirience.
Trying to keep up with this made me feel like English wasn’t my native language
this is art
Everyone needs to stop saying death of the author when what they mean is separating the art from the artist. Like FR stop it.
I know it's mainly just ignorance of what the term means but I do wonder if this happens in part bcos 'death of the author' sounds so dramatic like oh this author is dead to me, I don't care about them anymore. Whereas 'separating the art from the artist' is a lot more neutral and well. In CERTAIN CASES it is kind of immediately apparent that you cannot.
TO REITERATE:
Death of the Author is a term coined by Roland Barthes for his essay of the same name in 1967.
In brief: death of the author is the concept that analysis of a work of art should not be focused on the artist's intent; the artist's intended reading of their own work is just A reading and no more valid than anyone else's.
A good straightforward example of this in practice is the response to Andy Weir and Project Hail Mary. Weir is adamant that his work contains no politics but I would say that PHM is pretty clearly a story about climate change.
You can apply death of the author to any work of fiction and it has nothing to do with whether the author is a good or bad person.
We need to start seriously treating the concepts of "obesity" and "weight loss" as a dangerous pseudoscience and I'm not kidding.
It's some shit that everyone thinks they can understand based on vibes but science just doesn't work that way. Real scientists have proved time and time again that it doesn't work how people assume. Many medical conditions where it's assumed weight is a "cause", something to blame the patient for, it's often actually a symptom.
Body size is based on so many individual possibilities. genetics, upbringing, wealth, what type of food you eat, what type of work you do, where you live, etc etc etc. it is impossible to control for all of these.
I was a child born to fat, impoverished, labourer parents, and I grew up doing farm labour, gaining muscle - I will never ever be thin. It's just how my body developed. And no matter how much weight I were to hypothetically lose, doctors would still push me to lose more. Family would push me to lose more. Society would push me to lose more. It will never ever ever be enough. You will never be thin enough, there is no bmi low enough to satisfy them, there is no "progress" that won't just make them pity or shame you even more. Your personal circumstances aren't important to a pseudo-scientific practice, the variables don't matter that much, it must be a one-size-fits-all solution.
Every weight loss pill, every low calorie shake or meal replacement, every weight watchers frozen meal, it all contributes to the pseudo-scientific cult of thinness. Every ad that says you're not good enough, it pushes you to drop your critical thinking skills. We have created a world where people think shitting themselves into thinness using potions with untested ingredients is healthier than having some fat on their bodies. But it's not! That's absurd! You're sending your body into a constant state of gastric shock!! And one day, when you get bored of eating tasteless nutrient paste and decide to eat something with some flavour in it, your body will react with a starvation response and store every little bit of fat that it can, because it's so used to being fucking starved. Which sends people into a panic response, buying up more pills and trying to crash-diet and lose their meagre protective layers.
Your body stores fat because that's your reserve energy. Fat is protective. I thank my body every day for storing so much energy for me, fuck knows I need it! That's your blubber!! You are a large mammal. Your body is designed to keep energy in reserve so you can sleep and stay warm and keep your brain alive. You should research the human metabolic process. You should research the cow metabolic process. You should research bear metabolic process. YOU NEED FAT!
And just like so many other pseudosciences, fatphobia and all that it entails is deeply rooted in racism and specifically antiblackness. It is not a mistake that the ozempic-chic era is coinciding with one of the biggest waves of open, globalised white supremacy we've seen in decades. Whiteness needs to perform & police whiteness constantly, maintaining appearances is THE way to stay part of the ingroup.
You must commit to removing yourself from that ingroup. Do not allow it a single toe in the door. A pseudoscience, no matter how comforting and easy to digest it may be, is not your friend. It is feeding you lie upon lie upon lie.
You know that whatever character did those problematic things isn't like. Real, right?
You are aware that a fictional character is just a rhetorical construct designed to fulfill a narrative/thematic purpose right? That their actions are written by an author who wants to use them to explore complex ideas and moral gray areas within the safe confines of fiction right? That they aren't a real person who has killed real people right?
ALLIE HAYES Off Campus (2026—) — costume design: Charlene Akuamoah
The ‘Dance of the Wilis’ Giselle by Ran Chilipye
Calico out there putting tuxedo on the mats
Educate yourself people. Read classics. It's 2025. At this point everyone should've read the raven cycle
I'm sorry but if I see one more middle aged man complain about how Milly's supergirl is unlikable and obnoxious, I'm going to combust. Shes REAL. She is messy and kind of a bitch and she's hurting but she's also badass and she's TRYING. That's what being a woman is!! I loved her!! I am her!! Guys please.
to me she's one of the MOST likable female characters (in superhero movies) ever, because she is so real, I love everything about her. and speacially how messy she is!!
Plate, chainmail, swords, and straps ⚔️
We're at the "JK Rowling is personally funding litigation to try and destroy AMNESTY INTERNATIONAL" stage of rabid UK terf brain.
Screenshot via Alejandra Caraballo @esqueer.net on bluesky
Tldr Amnesty International, global human rights organisation, published a report called 'A growing threat: the anti-rights movement in the UK'. In it is detailed, amongst others, a whole bunch of transphobic groups and organisations, including Beira's Place, JK Rowling's trans exclusionary sexual violence support service. JK Rowling threw a shit fit and got Amnesty to take the report down by threatening libel. This was obviously not enough, because you can't appease a fascist, so now she's going to bankroll a bunch of lawsuits anyway through the JK Rowling Women's Fund.*
You can read an archived version of the report here, please save it and share it.
*Not so friendly reminder there is no way to engage in the wizard books without enabling this shit.