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@blacksmithingbutch
gay🎮irl
Sometimes I think about lesbian icon renée vivien lauging so hard she had to leave a lecture bc the man was talking about how a book of anonymously published love poetry was the pinnacle depiction of a young man’s desire towards women…… but it was her book. She wrote it. About her girlfriend.
Worth noting the girlfriend in question was also present
Wild Heart, Suzanne Rodriguez
this is the funniest fucking paragraph
a sketch commission for someone who im not sure is on here!! thats how it goes sometimes
Magic tea
Can you elaborate on antisemitism within Dracula and such? I love vampires in media but I can’t continue to enjoy them if I feel they are blatantly antisemetic.
disclaimer! i am not a jewish person, i just have a ba in english and have written and read about vampires a lot, specifically i’ve written and read about dracula like four times in my academic career because every time i read that book i find something new to talk about. if you want actual answers about antisemitism you need to ask a (willing! do not use marginalized people as google) jewish person, they are the experts on their own persecution and i have merely read books and watched documentaries and spoken to people about it
i’m not gonna tell you to cut vampires cold turkey because that doesn’t feel especially nuanced and vampires are their own genre with a variety of lore, tropes, visuals, and what-not to choose from and i think it would be disrespectful to any jewish creators who have created vampire media (what we do in the shadows) to say “throw the whole thing out!”. just like how i would never tell you to completely stop consuming cosmic horror because the architect of the genre had worms for brains since there’s like a huge movement of writers of color and/or jewish writers and/or irish writers taking worms for brains’s ideas and making them good and not shitty. everyone knows i’m a slut for vampires, right? what’s not to love? however, the complicated thing about horror is that it doesn’t exist in a vacuum. most monsters are never just monsters but representations of something else whether it be a fear, a concept, or a people group. monsters, in the hands of the white horror “masters” often just meant anyone who wasn’t a straight white man, and in dracula that’s especially emphasized
in my thesis project which was mostly on jordan peele’s masterpiece get out, i asserted that the vampire, because it’s an idea that has existed in some form in cultures scattered throughout history, can represent different things at different times. just as zombies or cannibalistic monsters can represent everything from lust to capitalism to the poor, vampires can represent everything from lust to capitalism to the jewish people. vampires, in the hands of the antisemite, are especially violent symbols because often vampires are seen feeding off of innocent white women clothed in white living in civilized white western cities and towns or innocent white children clothed in white living in civilized white western cities and towns and well.... that’s blood libel
this is, like, a broad oversimplification of my own months of research and analysis work but stoker specifically ran right into antisemitism with the portion about dracula coming from transylvania to britain to kill a bunch of white hoes and “spread the vampire curse” when quite a few of the immigrants to britain at the time from that region were jewish folk fleeing pogroms. stoker also has it so that when she’s turned, sweet innocent white queen lucy’s hair turns dark and her eyes look like the devil’s and also there’s the fact that christian imagery repels dracula like there’s a lot to unpack here but basically what you need to know is that while stoker gave the vampire genre a lot to work with, so much of the imagery in his novel is, um, gross at best and built from victorian racial science and fear of the other and the fact that it became the standard for what we know as the modern vampire is uncomfortable but necessary to recognize so that we can figure out what to do about it
basically, we have to ask ourselves re: monsters, what is this text emphasizing about this monster? what makes this monster monstrous exactly? it’s what you have to ask about king kong and evil aliens with “dreads” and the hillbilly cannibal trope like you have to ask “WHY is this scary?”. you might not like the answer most days, but that’s okay because if you’re a writer like me you can attempt to re-wire these monsters to be powerful, subversive, and respectful to those who have historically been disrespected by horror. like it is possible to create a vampire that isn’t an antisemitic stereotype but it takes a lot of research, honest questions, hard work, and research
happy christmas to my favourite story of all time
if i was a vampire i would hang up a bunch of pictures in my house but for some reason inexplicably one wall of pictures would have them all hung sideways and then whenever the rando i’ve lured into my Vampire House looks at them they’ll instinctively tilt their head to one side to look at the pictures thus leaving their neck wide open for Vampire Shenanigans to ensue. step one of making this plan happen is becoming a vampire. if you’re a vampire i’ll totally let you have my very good idea but in exchange you gotta make me a vampire also, no take backsies
[image description: A bust drawing of Jester Lavorre, a light blue tiefling with short dark blue hair with bangs, and dark purple horns that curl above her pointed ears. She is facing profile to the left, with her head facing mostly profile, but tilted slightly as though she is looking at the viewer.]
YES GOD FINALLY.
this is in france, but hopefully this’ll slowly mean fewer creepy abusive parents making their kids childhoods into Content:tm:.
another important thing mentioned in this article:
This is an essential part of emerging tech rights, esp for young influencers and media users. Kate Eichhorn recently wrote a fantastic book abt this called The End of Forgetting: Growing Up with Social Media that explores the ways permanent records of childhood — particularly representations the children themselves may not be in control of, such as the children of mommy-bloggers or influencers used for clout — can have lasting influences on how we mature in a digital society
Most people over 20 or so have grown up on an internet with natural growth cycles; certain forums and MMORPGs die over time, and our Yahoo sites and Club Penguin accounts die with them. But the centralization of social media platforms, data monopolies compiling detailed profiles on both creators and their audiences, and the incentivizing industry of younger and younger influencers (this article mentions a 6 year old girl making $18M), will make it harder for younger generations to control their digital selves. Hopefully other countries will also realize that virtual autonomy is an important civil right, and a necessary protection for our children
This is the polar opposite to “there isnt a single encouraging word on that screen”
every single word of this got me increasingly more hype for it so I had to search to be sure that it’s for real and guys….
it is a real thing.
“It’s not a Pinocchio for all the family,” he said of his story, set in 1930s Italy. So is it a political film? “Of course. Pinocchio during the rise of Mussolini, do the math. A puppet during the rise of fascism, yes, it is,” said the filmmaker.
SIGN ME THE FUCK UP.
it’s good when someone who thought they were bisexual realizes they’re a lesbian and when someone who thought they were a lesbian realizes they’re bisexual. both of those moments deserve at least a tasteful brunch celebration
this is almost five years old now but i still like it
might fuck around and read a 500 page physical published book in one sitting like it’s 2006 and I’m being bullied in middle school so I take refuge in the library and inhale books at a frightening speed that I have not been able to replicate since
Damn op you didn't need to just kill everyone who grew up with undiagnosed ADHD like that.
i recommend learning other alphabets if for no other reason than it’s very fun to see people replace latin alphabet letters with complete nonsense for Aesthetic
as julius caesar famously said: “vspph vphdph vphcph”
as brutus said, tase him again