Y/Project, fall 2019
occasionally subtle
$LAYYYTER

izzy's playlists!
KIROKAZE
Cosmic Funnies

ellievsbear
sheepfilms
"I'm Dorothy Gale from Kansas"

blake kathryn
hello vonnie
Not today Justin

Origami Around

Jar Jar Binks Fan Club
todays bird
No title available
TMBGareOK. The Official They Might Be Giants tumblr
No title available

Kiana Khansmith
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let's talk about Bridgerton tea, my ask is open
seen from Chile

seen from Bangladesh

seen from Malaysia

seen from China

seen from United States
seen from Venezuela
seen from United Arab Emirates

seen from Türkiye
seen from United States

seen from United States

seen from Germany
seen from United States

seen from Mexico
seen from United States

seen from Türkiye
seen from Germany
seen from Italy
seen from Indonesia
seen from United States
seen from Pakistan
@blacque-widow-universe
Y/Project, fall 2019
Collaboration....
Jenny Holzer Living series at the MOMA.
“YOU SHOULD LIMIT THE NUMBER OF TIMES YOU ACT AGAINST YOUR NATURE, LIKE SLEEPING WITH PEOPLE YOU HATE. IT’S INTERESTING TO TEST YOUR CAPABILITIES FOR A WHILE BUT TOO MUCH WILL CAUSE DAMAGE”
“I love being a woman. I love having my period, i love theses breast, that body and all that biology that make me a woman. Despite all the discrimination linked to that biology I love it and i want to celebrate it"
Laetitia Ky, West African sculptor who uses her own hair
Thenmozhi Soundararajan—first Dalit artist featured in a New York contemporary-art show—with her work in #PerilousBodies.
The portraits of caste-oppressed women demand they be seen with humanity and empathy–not through the restrictions that have governed their lives.
That’s why the artist used the copper plate, the form historically used to inscribe caste laws, to create her defiant memorials.
She titled the piece “Ama, Amachi, and Mother. We are still here”
x
Self Portrait Nude, 1910, Egon Schiele
Size: 43.1x27.5 cm Medium: watercolor on paper
by Alena Shymchonak
Jennifer Mehigan
Carrières de Lumières, France by ptit_ourson_pyreneen
Don’t tell me that, I’ll get down on one knee and propose
A lot of people already condemn and calling this teacher a bitch/monster on the comment/reblog, not knowing the whole story. It was actually the TEACHER who drew the beautiful art on the blackboard, and the teacher is a HE, he’s an accomplished artist who was trying to teach his students about the beauty of art and however changing it is. He will draw any arts by request from his students, the students will take some pictures, and then he erases it from the board, and make new ones. He’s not a monster. He’s actually trying to spark the students’ interest in art. Funny how a simple pic without context enrages people - and the people refusing to look beyond the story.
You can follow his artworks on Twitter @hamacream where he always posts/tweet his arts.
Here are some samples of his artwork:
It’s awsome I wish I had a teacher like that
Thank you for the context I feel much better now.
Also, it’s on a chalkboard. It’s not supposed to be permanent
Maria Roosen at Fons Welters
Reverse graffiti
Reverse graffiti, also known as clean tagging, dust tagging, grime writing, green graffiti or clean advertising, is a method of creating temporary or semi permanent images on walls or other surfaces by removing dirt from a surface. It is often done by removing dirt/dust with the fingertip(s) from windows or other dirty surfaces, such as writing ‘wash me’ on a dirty vehicle. Others, such as artist Moose, use a cloth or a high power washer to remove dirt on a larger scale. - Source
Annie Besant and C. W. Leadbeater, from their book Thought-Forms, 1901
1-Unknown
2-Peace and protection
3-Sudden fright
4-Intellectual aspiration
5-Explosive anger