#extradirty
2025 on Tumblr: Trends That Defined the Year
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@bonedomain
MICHAEL (2026) Dir. Antoine Fuqua
The way I cried watching this movie. I've been a Moonwalker since I was born, my dad grew me up with his music. Watching this movie has been one of the best experiences of my entire life. It felt like being there with Michael. They all did such a good job, I'm sure Michael is smiling from Heaven. This is literally one of the best movies of the entire human history.🫶🏻
Jonathan Bailey | Esquire UK | November 09, 2025 | 📷 Matt Healy
David Dastmalchian
📷 Gina Manning
David Dastmalchian
📷 Gina Manning
David Dastmalchian Photographed by Gina Gizella Manning
David Dastmalchian Photographed by Gina Gizella Manning
It's impressive how Neil Gaiman vanished from the internet. Wish Rowling would do the same.
Also impressive how quickly and thoroughly people who previously loved his work have disowned it, stopped buying it, and stopped discussing it.
Wish Rowling's fans would do the same.
^^^
Capitalism kills.
Republicans deregulating kills.
Anti-prevention reactionary ignorance kills.
It's not just to have a "do over" that doesn't involve the original cast, it's to cut them out of the royalties. Literally the entire point is to make sure all the money made by Harry Potter goes to transphobes or people willing to work with transphobes.
If you watch it, you are supporting bigotry, hate, and oppression. That's just objective reality. All for a story that you probably have already seen in movie and book form.
#the last point is especially true since the old cast receives royalties for anything with their likeness on it#meaning the original trio still gets money for every mug with their 14 year old faces on it#if they stop making those and replace them with the new cast which they will the old cast gets cut off completely#which is again exactly what rowling wants because she cannot stand those 'ungrateful brats' as she would likely put it#and as she has last say in anything that gets made in harry potter paraphernalia this might also explain the decrease in faces on products
via @discipleofkleio
I hate Rowling so much.
Madison Brown for Selkie
Not taking any of Crayola’s shit today.
I think this is my first post to break 100. Clearly many of us have issues.
i am full of love and also fatigue
Aphrodite’s dark side | Epithets
Evidence of a cult of a warrior and dark Aphrodite has been widely studied. Aphrodite had been depicted with armor and prayed to for martial assistance in many places from Syria, to Corinth, Sparta, Argos, the Attika, Kypris, Rome, Naxos, and many, many, other places (but mainly Sparta. Surprising, no?). The cult of a warrior Aphrodite has been suspected to have emerged from Aphrodite’s “ancestral” correspondents like Istar or Astarte, who were both goddesses of sex and war. However, the evidence of a dark face of Aphrodite is there, and it can be too called upon today, even if it wasn't as popular as her holy and hevenly aspects.
Enoplios — weapon bearing
This is an epithet of Aphrodite attested by Plutarch, and is also epigraphically present in the Roman period. In the third century AD a priestess, Ponponia Kallistoneiké, set up a dedication to Artemis Ortheia in Lakonia attesting one of her fellow deities was Aphrodite Enoplios.
Summakhia — ally in war
Pausanias finds a cult of Aphrodite “ally in war” in Arkadia. This is all the comment I could find about it.
Nikephoros — victory bearer
In Argos, according to Pausanias, Aphrodite wore the epithet “victory-bearer”. Icons of Nikephoros and Hoplismene (armed) Aphrodite have been also attested in Syria and Eretria.
Areia — of Ares / war-like
At Sparta mainly, there is a lot of evidence of icons portraying an armed Aphrodite with inscriptions of this epithet. Pausanias tells us of one in a temple behind the Bronze House of Athena. There is another female wearing a peplos, a helmet and a spear, but without the aegis that characterizes Athena, thus many suspect it belongs to an armed Aphrodite.
HOWEVER Leonidas of Tarentum writes in the third century: “Eurotas once said to Kypris (Aphrodite), ‘Either take up arms, or quit Sparta, the polis mad for arms.’ She, laughing, replied, ‘I shall be ever unarmed.’ She said ‘and I shall dwell in Lakedaimonia.’ Our Kypris is unarmed. Shameful are those tale-tellers who say that our goddess bears arms!”
BUT from Antipater of Sidon, in the first century, there is a contradiction: “Even Kypris is Spartan. She is not dressed as in other towns in soft garments; But in full-force she has a helmet instead of a veil, instead of golden branches a spear-shaft. For it is not proper for her to be without arms, the consort of Thracian Enyalios (Ares) and a Lakedaimonian.” And this is not the only record we have of an actual Aphrodite wearing armor in Sparta; Plutarch, Nonnos, Julianus of Egypt and perhaps others tell us about the Spartan tendency to portray Aphrodite wearing an armor; either bow and quiver, spear and helmet, a shield, and even a sword. So perhaps Leonidas was either being sarcastic or lying (or the cult of Aphrodite Areia came after him, of course). This Epithet is thus related to Hoplismene. Julianus tells us that in the sanctuaries of armed Aphrodite girls revere her war-like nature and women give birth to courageous children.
Above all, Pausanias also claims that this Aphrodite was specifically worshipped as a female Ares. This gives us a clue whether this Aphrodite had been syncretized with Ares’ actual femenine counterpart, Enyo (Ares has an epithet related to her: Enyalios)
Androphonos — killer of men
This epithet is representative of her chthonic aspect. There is evidence of a sanctuary of hers and Aphrodite Anosia in Thessaly.
Anosia — the unholy
Aphrodite Anossia apparently was celebrated by women in Thessaly, and she is associated with homosexuality (although this is doubtful). Atheneus tells us a tale of a hetaira (courtesan) named Lais, that flee to Thessaly and fell in love with a man. A band of jealous women beat her to death at Aphrodite’s temple and thus the goddess in this temple became known as Anosia, the Unholy.
Tumborukhos — gravedigger
The Pythagoreans said there are two Aphrodites: one in heaven and one in the Underworld. Therefore she was called Tumborukhos as well.
Epitumbidia — she upon the graves
Couldn't find much information on this epithet either but it must be related to the previous one and representative of her Underworld connections.
Skotia — dark one
This epithet is referent of Aphrodite’s origins as a terrible goddess, and her associations with the planet venus, which were suppressed later by the pop cult (not the association with the planet, tho). This epithet appears to link her to the Erynies and Hekate, and may be referent of a “witch-star” (kakkab kassaptu in ancient Babylonian) nature. The lack of evidence for these type of epithets points at an unpopularity of them. It is important to highlight that some of them could be use against the goddess to give her a bad or “demonic” reputation in the christian sense so I suspect their suppression might have a relation to that.
Melanis — black
Related to the previous epithet. It appears that these “dark” and “unholy” aspects of her are related to the planet venus, as points her Ouraneia (“heavenly”) epithet as well. Venus was known as a “star of lamentation”.
Persephaessa — Queen of the Underworld
This epithet appears to be a syncretism between Aphrodite and Persephone. This is obviously mainly an epithet of Persephone. I could not find evidence for it being used to Aphrodite in the ancient world, just commentaries about it; however, by searching it on google you find an archeological source of it but sadly its written in german, and I have no idea how to read german.
Hoplismene — armed
Pausanias tells us about the sanctuary of Aphrodite at Kythera, saying that there “the goddess herself is an armed xoanon”. The xoanon were archaic wooden icons, and this one, according to Pausanias, was wearing an armor. Quintilian once asked why the Lakedaimonians (Spartans) have an armed Aphrodite, and Plutarch said that they like to portray every god in armor to show that all of them have excellence in warfare. This Aphrodite is present in Corinth as well.
Hegemone — leader (of the troops)
This Epithet of Aphrodite is found in the Athenian Agora, and their border fortress at Rhamnous. The city council also offered dedications to this Aphrodite. There are figures of her engaged in combat with the giant Mimos, and other portrays Aphrodite in a chariot wearing Athena's aegis (although it lacks the gorgon face), along with Poseidon. Hesikhios confirmed this epithet in the sixth century AD saying it applies to Artemis as well. This Aphrodite was also offered sacrifices with Themis and Nemesis, in honor of Aeneas, her son.
Strateia — campaigner
In the Hellenistic period, Aphrodite was called Strateia in western Asia Minor. There is an inscription from Mylasa refers to a priest of Aphrodite Strateia, and a calendar of offerings specifies sacrificing to Aphrodite Strateia along with Arete and Herakles. In Paros and Epiros, strategoi (military generals) are known to have sacrificed to Aphrodite, along with other deities.
Enkheios — spear-bearer
Hesikhios, an author from the 6th century AD, tells us about a terracotta Aphrodite in Cyprus depicted holding a helmet in one hand, a spear, and a shield leaning against one of her legs.
Conclusions
Can we use these aspects of Aphrodite even if they have been exaggerated and weren't actually very much present in ancient cult? Of course. Because worship changes and evolves, if you find one of these epithets symbolic in your life and devotion, you can totally use them and even give them a different dimension. As a witch, for example, I could use the dark and unholy epithets of Aphrodite as a symbol of how witchcraft has been regarded as evil in superstition and a reminder of the persecution women have gone through, and it would be an act of devotion to the Goddess and an act of empowerment. The unpopularity of many of these epithets is also representative of stigma against women and thus using them today could be attested as an act of rebellion.
References
Stephanie L. Boudin, Aphrodite Enoplion
The Other Side of Aphrodite
William Manning, The Double Tradition of Aphrodite’s Birth and her Semitic Origins
Yulia Ustinova, The Supreme Gods of the Bosporan Kingdom: Celestial Aphrodite & the Most High God
Laura McClure, Courtesans at Tables: Gender and Greek Literary Culture in Athenaeus.
John Opsopaus, The Ancient Greek Esoteric Doctrine of the Elements: Water.
Aeon Journal, Aphrodite
new beginnings are scary but they're necessary new beginnings are scary but they're necessary new beginnings are scary but they're necessary new beginnings are scary but they're necessary
<3
maidens if you are going to flee dramatically from my castle in the middle of the night once i reveal my true nature to you please leave your candelabra on the little ledge by the portcullis we are running out of them
starting to think these maidens are stumbling in soaked through from the rain just to steal my beautiful gowns and homewear are any of you actually lost
At the checkout in Home Goods loading the belt with nothing but candelabras in all shapes & sizes while the cashier watches sympathetically and asks if it’s the maidens again
[grabs your shirt] listen. listen to me. the practical is holy. the everyday is sacred. the simple act of surviving is divine. do you get it? sanctity begins at home, in the hands that build and the lives we live and the deaths we die and the worms that eat our bodies. if making something by hand is not worthy of veneration then nothing is.
Oooh, I needed this reminder and I bet someone else does too
being at work while your personal life is falling apart has to be among the top 3 worst human experiences. You’re at your absolute lowest and someone wants to circle back on an email…… unreal
