ohhh once i figure out what the fuck is going on it’s over for all of you
Xuebing Du
Sweet Seals For You, Always
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"I'm Dorothy Gale from Kansas"
NASA
hello vonnie

if i look back, i am lost

Love Begins
EXPECTATIONS

shark vs the universe

Andulka
The Bowery Presents
taylor price

❣ Chile in a Photography ❣

roma★

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todays bird
Cookie Run:Kingdom Official!

Game Changer & Make Some Noise

seen from Pakistan
seen from United States

seen from Portugal
seen from United States
seen from United States
seen from Chile
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seen from China
seen from Finland

seen from United Kingdom
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seen from Bangladesh
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@bookish-bimbo
ohhh once i figure out what the fuck is going on it’s over for all of you
Ms. Marvel by Tran Nguyen
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
*a breathtakingly powerful statement even today, three quarters of a century later
someday you will ache like i ache
✨ Fascinating ✨ ◦ Watercolor & ink on paper ◦ available
Wilfried Podriech "Sätty" (1939-1982) — The Inner Eye [poster, 1968]
THE FALL (2006) dir. Tarsem Singh Costume Design by Eiko Ishioka
Ship of Ishtar by Virgil Finlay, 1949
PRIDE & PREJUDICE (2005) Dir. Joe Wright
Innocentia, ca. 1890 Lovis Corinth
Anna May Wong born January 3, 1905
🕳 American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned vaudeville, silent film, sound film, television, stage, and radio was born in Los Angeles, California (d. 1961)
i feel like such a loser when i like someone wtf
mutuals i am. placing a very small very friendly baby dragon . in your hand :]
(´▽`ʃ♡ƪ)
'The Bridge and the Blue Knight'. Andrea Calisi. 2026.
Virgil Finlay (1914-1971), “Thrilling Science Fiction”, #26, 1972 Source