âYou guys, youâre just ⊠I love you so much, youâre so stupid.â
âStupid? Farah, thatâs not very nice. Weâre not stupid, are we, Todd?â
âI mean. Iâm not stupid.â
âTodd!â kofiwidget2.init('Buy me a tea', '#8ebbb3', 'F1F01GOLN');kofiwidget2.draw();
I've been putting this off for a long time, having rationalised it as "eh, it still doesn't garauntee that stupid fucking losers won't scrape your work for AI", but in the wake of yet another Ao3 scraping of publicly available fics, I've decided to lock my fics. Maybe I'll unlock them at some point in the future, but yeah, for now, sorry. I really didn't want to make them less accessible, but here we are etc.
If you want to access one of my fics and can't make an Ao3 account, please feel free to message me and I'll see what I can do.
Pairings: Ryland Grace~Rocky the Eridian (have we decided on a queerplatonic symbol yet?) (I legit do not know where they're at in this one tbh)
Summary:
"It's like talking to a sitcom character with you sometimes."
"Yes, yes. Like Nanny Fine. Very charming and pretty."
"Oh, I just pictured switching your AAC voice to hers. Oh my god. Please let me do that. Five minutes, tops. I need the enrichment."
A late night conversation between two aliens on a spaceship.
âËâč ă €a collection of character analysis/headcanon questions to learn more about your character and your partners'! writing/headcanon prompts requested by anonymous. feel free to edit these as you see fit.
Whatâs your favorite ship for this character? (Doesnât matter if itâs canon or not.)
Freddie/suffering is my personal favourite but Iâm also partial to Freddie/the catastrophes of his own mistakes and Freddie/a crippling sense of deep-seated loneliness. And who could forget the classic Freddie/lying.
Weird Questions for Writers (because writers are weird)
1. What font do you write in? Do you actually care or is that just the default setting?
2. If you had to give up your keyboard and write your stories exclusively by hand, could you do it? If you already write everything by hand, a) are you a wizard and b) pen or pencil?
3. What is your writing ritual and why is it cursed?
4. Whatâs a word that makes you go absolutely feral?
5. Do you have any writing superstitions? What are they and why are they 100% true?
6. What is your darkest fear about writing?
7. What is your deepest joy about writing?
8. If you had to write an entire story without either action or dialogue, which would you choose and how would it go?
9. Do you believe in ghosts? This isnât about writing I just wanna know
10. Has a piece of writing ever âhauntedâ you? Has your own writing haunted you? What does that mean to you?
11. Do you believe in the old advice to âkill your darlings?â Are you a ruthless darling assassin? What happens to the darlings you murder? Do you have a darling graveyard? Do you grieve?
12. If a genie offered you three writing wishes, what would they be? Btw if you wish for more wishes the genie turns all your current WIPs into Lorem Ipsum, I donât make the rules
13. What is a subject matter that is incredibly difficult for you write about? What is easy?
14. Do you lend your books to people? Are people scared to borrow books from you? Do you know exactly where all your âlostâ books are and which specific friend from school you havenât seen in twelve years still possesses them? Will you ever get them back?
15. Do you write in the margins of your books? Dog-ear your pages? Read in the bath? Why or why not? Do you judge people who do these things? Can we still be friends?
16. Whatâs the weirdest thing youâve ever used as a bookmark?
17. Talk to me about the minutiae of your current WIP. Tell me about the lore, the history, the detail, the things that wonât make it in the text.
18. Choose a passage from your writing. Tell me about the backstory of this moment. How you came up with it, how it changed from start to end. Spicy addition: Questioner provides the passage.
19. Tell me a story about your writing journey. When did you start? Why did you start? Were there bumps along the way? Where are you now and where are you going?
20. If a witch offered you the choice between eternal happiness with your one true love and the ability to finally finish, perfect, and publish your dearest, darlingest, most precious WIP in exactly the way you've always imagined it â which would you choose? You canât have both sorry, lifeâs a bitch
21. Could you ever quit writing? Do you ever wish you could? Why or why not?
22. How organized are you with your writing? Describe to me your organization method, if it exists. What tools do you use? Notebooks? Binders? Apps? The Cloud?
23. Describe the physical environment in which you write. Be as detailed as possible. Tell me whatâs around you as you work. Paint me a picture.
24. How much prep work do you put into your stories? What does that look like for you? Do you enjoy this part or do you just want to get on with it?
25. What is a weird, hyper-specific detail you know about one of your characters that is completely irrelevant to the story?
26. How do you get into your characterâs head? How do you get out? Do you ever regret going in there in the first place?
27. Who is the most stressful character youâve ever written? Why?
28. Who is the most delightful character youâve ever written? Why?
29. Where do you draw your inspiration? What do you do when the inspiration well runs dry?
30. Talk to me about the role dreams play in your writing life. Have you ever used material from your dreams in your writing? Have you ever written in a dream? Did you remember it when you woke up?
31. Write a short love letter to your readers.
32. What is a line from a poem/novel/fanfic etc that you return to from time and time again? How did you find it? What does it mean to you?
33. Do you practice any other art besides writing? Does that art ever tie into your writing, or is it entirely separate?
34. Thoughts on the Oxford comma, Go:
35. Whatâs your favorite writing rule to smash into smithereens?
36. They say to Write What You Know. Setting aside for a moment the fact that this is terrible advice...what do you Know?
37. If you were to be remembered only by the words youâve put on the page, what would future historians think of you?
38. What is something about your writing process YOU think is Really Weird? If you are comfortable, please share. If youâre not comfortable, what do you think cats say about us?
39. What keeps you writing when you feel like giving up?
In this house, thanks to you, we now say âFuck The Internalization Of Capitalismâs Demands On Our Time.â This morning that manifests as reading your glorious fic and drinking coffee with chocolate creme AND French vanilla creamer.
Iâve no experience with either of those things, being a non-coffee drinker, but they do sound marvellous! Equally if not more glorious than my fic, surely. And that line is one Iâve gotten a lot of compliments on, happy it still hits, but as always I have to point the compliment towards my sibling @redgoldblue who actually said it to me when I was whinging about how I hadnât been productive while writing Cheer Up, Buttercup. Theyâre also the real life maker of Hot Bean Juice, though irl theyâre the youngest and Iâm the oldest. I was never to be trusted at a stove when younger.
I'm reading Cheer Up, Buttercup and will leave comments soon but have been binge-reading bc it's disturbingly good and therapeutic and I wanted you to know I'm up cleaning and organizing bc of chapters 6 & 7. And 8 too I guess bc motivating rewards and all that. đđ Your fic is changing a life for the better. Thank you.
Thank you so much!! And thank you for taking the time to message me here, thatâs so sweet. Iâm glad youâre enjoying. Iâm actually also in the ongoing process of reorganising my house at the moment. I relinquished some books, having finally admitted I was never going to finish reading Prachettâs Dodger. When I took the dust jacket leaf out of its spot as bookmark I saw that while the bulk of the book had browned with sun exposure, the bit I read was as lily-white as the day I bought it, which humiliated me in front of the woman helping me organise my shelves.
Ah fuck it, I need to put something made with my heart and soul into the world, hereâs the current draft of first chapter of my Doctor Who fic Iâve been working on for nine months, The First Question. Itâs Bill Potts-centric, with an OC, you can read more about it and see an earlier draft of the prologue here. Canon compliant retelling of season 10 up until a certain point but for the fact that the OCâs presence is obviously not canon compliant.
WHAT?
That weirdo with the tangerine is watching her again. He also seems to be pretending to read a book, but Billâs noticed by now that he just does that, he hasnât actually turned the pages in a long time. Similarly, he hasnât taken a single bite of his food, either the tangerine or the white bread sandwich. He just sits there at his usual canteen table, watching. In normal circumstances Bill might be annoyed or creeped out by the male attention, but thereâs something so distinctly not âmale attentionâ about it. Maybe itâs the way the tangerine weirdo doesnât look at her boobs or her arse, he doesnât unpack her with his eyes. He just watches her like heâs watching a television show. His favourite, even. Watching and wishing he could step inside it.
Now Bill thinks of it like that, that should feel annoying or creepy too. Especially considering how big his eyes are â all doll-like, dominating his face. But somehow he isnât creepy. Itâs something about how he moves his pianist hands, the way he delicately pushes his tortoise-shell glasses up his nose with the tip of his pointer finger, and the feminine cameo brooch he always wears on the lapel of his neat, grey tweed jacket. Billâs been where sheâs pretty sure he is, kin watching kin and trying to figure out a way to pointedly compliment some flag jacket patches without seeming desperate for a friend. Heâll probably get there eventually. Either that or heâs going to find out the hard way that bookish tweed-wearing boys arenât her type.
Anyway, Billâs completely occupied with more important matters. Sheâs sweating behind the canteen counter and elbow deep in chips, way too distracted by Model Girl to spare more complicated thoughts for Tangerine Weirdo. Every day for weeks Model Girl has come into the canteen with her bright green Disney princess eyes, and every day for weeks Bill has given her extra chips just for being illegally good-looking. Things feel like theyâre going somewhere with Model Girl. Model Girl smiled at her last Tuesday. Model Girl looks even cuter with a bit of extra softness to her cheeks, Bill thinks â but then sheâs distracted wondering if itâs okay for her to think that when sheâs responsible for the extra chips and therefore for the extra softness.
Tangerine Weirdo continues to watch Bill from the same table every day, dutiful tangerine perched untouched on his tray like a pet rock, and Bill continues to ogle Model Girl and tells herself it doesnât count as feeder kink if sheâs not deliberately trying to cause weight gain, itâs just a side effect of the situation sheâs gotten herself into. Then a week later sheâs closing up and sheâs halfway through stuffing her apron into her pigeon-hole when an apparition accosts her so suddenly that she shrieks and drops her keys.
Bill dives to pick them up, embarrassed by the sound that just came out of her mouth and irritated that Tangerine Weirdo might be creepier than she thought and possibly has the ability to teleport.
âCan I, um?â Bill scratches at the back of her head, unsure what to say. âCan I help you?â
Tangerine Weirdo then says, belatedly, âI took you by surprise, didnât I? I do apologise. That wasnât my intention.â
His tone and his face are both oddly bland, as if heâs reciting his times tables rather than talking to another human being. Heâs standing straight and prim, his faithful book held tight against his chest. Billâs always thought the bright orange-red of his hair looked a tad unnatural, but up close itâs even more jarring and she can see thereâs a curl pattern trapped under an industrial amount of hair gel. It looks as if it would make a sound if Bill knocked on it.
âSâalright,â says Bill with an attempt at an uneasy grin.
She waits for Tangerine Weirdo to say something, but instead the silence lingers uncomfortably.
âProblem with the food?â Bill tries instead.
Tangerine Weirdo doesnât answer this. Instead he extends one arm out, shaking back the sleeve of his jacket enough to check a wristwatch made up entirely of vintage watch faces strung together; he twists his wrist around to read one which lies back-to-front against his pulse-point. Bill is immediately reminded of a nurse.
âYouâve finished work now, havenât you?â he asks.
âUh ...â If this is an attempt at asking her out, it has to go in her book of very odd ones. âYeah. Yeah, I am?â
âExcellent.â Tangerine Weirdo puts on a strange, stiff smile. âThe doctor will see you now.â
Bill just blinks at him, even as Tangerine Weirdo begins to usher her towards the back kitchen door with petite shooing motions. âThe doctor? Sorry, but, hold on a second ...â She stops. âNo offence, mate, but what the bloody hell are you on about?â
Tangerine Weirdo stops. âAh.â He surprises Bill by smacking himself hard in the forehead so suddenly that she flinches on his behalf. He then continues, as if he didnât just smack himself in the face, âI do apologise. Iâm regrettably prone to this, starting things in the middle. Itâs confusing when you have to keep in mind that although the middle is also the present, the present isnât where you should start, the past is. Itâs a glitch, Iâm working on a patch for it.â
Even when heâs talking like an Alice in Wonderland extra, his voice and face stay completely neutral, flat, with not a hint of spirit or inflection. Bill begins to wonder if she should call security and exactly how to do that.
âYeah, I still donât get the joke,â she says.
âPeople rarely ever do, probably because Iâm not very good at making them. As I said, Iâm working on a patch.â Tangerine Weirdo clears his throat. âNow. He really would like to see you.â He walks away, out the door and into the hallway beyond.
Bill follows, feeling stupid and a bit reckless. Heâs leading her out through the front of the canteen.
âWho wants to see me?â
âThe doctor,â says Tangerine Weirdo without turning around.
âThe doctor?â Bill tries to sound it the same way he does.
âNo, the doctor.â
âThe doctor?â
âThe Doctor.â
âThe doc â Oh! You mean the Doctor!â Bill finally seizes upon this as the first logical sign of explanation, smiles, realises it actually just raises further questions, and smiles wider. âWait, the Doctor wants to see me? He âŠ?â
The smile drops from her face. For a second, horrible imaginings are flitting rapidly through her mind. Being thrown out of the university for Stealing Knowledge. Fired from her job. Stuck at home with her foster mum again. No more smiles from Model Girl, no more mad lectures ...
âWhy does he want to see me?â She shouldnât ask if sheâs in trouble. Thatâs the sort of stupid question people who are looking to get themselves in trouble ask. âAm I in trouble? Or is it just a ⊠uni thing?â
âYes,â is the only reply Tangerine Weirdo gives as he steps outside.
âWhat â wait. Wait!â
Bill chases him across the Japanese garden, which fills a little square between four wings including the canteen; Tangerine Weirdo is charting diagonally across it towards the front wing. Bill has to hurry not to lose him as he disappears into the white stone building like a rabbit into a burrow. Heâs faster than he looks, and he has an odd way of scuttling forwards that reminds Bill of a floor roomba â short, fast steps one after the other continuously. She doesnât know why doesnât take bigger steps, heâs got the legs for it. Maybe he doesnât need to when he can take short ones that fast.
âYes to the trouble or yes to the uni thing?â Bill pants when she catches up to him, two flights of stairs up.
âI said yes,â he replies, not even a bit out of breath.
âYeah, but âŠ? To which?â
âI do like you, Bill Potts,â says Tangerine Weirdo, though he still says it so blandly itâs hard to tell if heâs being sarcastic or sincere. âYou ask rather a lot of questions. Some of them are even the right ones.â
Bill continues to rapidly reevaluate whether or not she should be creeped out or annoyed by this guy. âHow dâyou know my name?â
Tangerine Weirdo glances sideways at her at that, as if he didnât expect the wariness in her tone. When he sees it in her face too he blinks, then takes two steps up quickly to get away from her. She canât believe he has the gall.
âDo you not recognise me?â he says without looking back. âThatâs quite rude. We sit in the same space week after week and you donât recognise me.â
âI recognise you, yeah,â Bill snaps. âTangerine, ham sarnie.â
âWhat?â Tangerine Weirdo reaches a landing and swivels on the spot. A real expression has finally broken through the blandness; he looks genuinely confused. âWait, what are you talking about?â
âThe canteen. Thatâs what you order, like, every time.â
âYouâve memorised my canteen order? Iâm not entirely sure Iâm comfortable with that, Miss Potts.â
Bill stops on the stairs, frowning up at him. âListen, mate, youâre the one coming in there every day, staring at me. Pretending to read your little book.â She motions at the book tucked under his arm. âItâs proper weird.â
His face, still baffled, goes smooth again. âOh, of course.â He smacks himself in the forehead again, this time hard enough to make a loud âŠ? Clanging noiseâŠ? âThe staring. Yes, thatâs also a problem. Iâm working on a patch for that too. I do apologise. To be perfectly honest âŠâ He pulls Advanced Quantum Mechanics out from under his arm and slides the book up out of its book jacket, revealing a completely different front cover emblazoned with zeros and ones. âItâs a rather slow read. No, I wasnât actually aware you worked in the canteen until today. I was performing normal human canteen activities in there up until now. To answer one of your questions: because I have an excellent memory.â
Tangerine Weirdo nods at her, as if that bizarro speech sorts it all out, and then rounds the corner to the next flight of stairs.
âWait.â Bill flies up the stairs after him, her trainers squeaking on the floor as she takes the turn sharp. âWhich question does that answer? Did your forehead just clang? How did you do that?â
âOh, youâre never satisfied,â Tangerine Weirdo observes aloud. âPerfect.â
âCome on, mate,â Bill groans, jumping a couple of steps to keep up with him, âgimme a break, please. You working on a patch to make yourself make sense?â
Tangerine Weirdo laughs as if it was startled out of him, then covers his mouth with one hand. He glances back at Bill and slows down slightly to lead only by one step.
âI attend his lectures too,â he says, after a moment.
âHis ⊠the Doctorâs?â With that, Bill connects a few of the loose cannonballs that have been this conversation so far. âRiiight, you know me from the lectures. âCause heâs always getting people to do that thing âŠâ
âName, rank, species. Yes, he never stops thinking thatâs hilarious.â
âI dunno,â Bill smiles, amused. âI thought it was sort of ⊠a cool thought exercise. Having to define yourself on the spot like that.â She snickers, batting Tangerine Weirdo in the arm. âWere you there the day he threw someone out for making a transphobic helicopter joke? That guy really thought he was gonna get away with it âŠâ
âMany times has the law student who thought he could get away with the transphobic helicopter joke found himself sorely mistaken,â says Tangerine Weirdo. âThough not the first one, unfortunately. You should have seen the Doctor when I explained it to him afterwards. That was quite a long one. I had to use a slideshow. He hated it.â
âI donât remember seeing you at them,â Bill says, half to herself. âThough, to be fair, Iâm usually kinda wrapped up in the lecture itself â wait, do you know the Doctor? Like actually know him, know him? Are you like his assistant, or something?â
Tangerine Weirdo jumps up two steps ahead again with one long-legged bound. So he does use them when he wants to, Bill notes.
âIâm his PhD student, in a manner of speaking.â
âOkay ⊠In what manner?â
âIn that I literally am his PhD student. Just not with this university.â
âLike a transfer student? Is that a thing?â
âOh, the university has no idea about me,â Tangerine Weirdo says as they reach a long hallway.
Bill looks around. Sheâs never been in this wing before, not except to pass through on the ground floor in the main throughway. Sheâs never been up here. Everythingâs plush red carpeting and panelled wood walls, the kind of corner of the University that really screams the word âuniversityâ. Sheâs not surprised. She canât imagine the Doctor having his office anywhere else.
She gives Tangerine Weirdo a sidelong glance. âThe uni has no idea about you?â
He stops in front of a door abruptly. Bill could swear she hears something, almost like a spring squeaking.
âNo.â He pushes his glasses up his nose. âI may as well be a ghost. Youâre not the only one stealing knowledge.â
Billâs stomach swoops with nerves. âListen, I âŠâ
âOh, donât worry,â says Tangerine Weirdo, still with that totally flat affect. âYouâre amongst kindred spirits here.â He puts one hand out to shake. âFreddie Markiv, PhD candidate, mother of two, and general dogsbody.â
Bill takes his hand hesitantly. Itâs warm.
âYou forgot âspeciesâ,â she jokes.
Freddie drops her hand and knocks on the door, then swings it open. âWeâll get to that later,â he says. âMiddle first. The Doctor will see you now.â
Bill steps through the door, and her life changes forever.
â
âI donât mean to sound rude or anything, but whatâs he actually doing here?â Bill asks the Doctor a fortnight into her private tutoring. âHeâs your student too, yeah? But I never see him studying?â
Freddie has just stepped out of the Doctorâs office after half an hour of ⊠well, from what Bill could tell, nothing but sitting in the alcove over by the stained glass windows and scrolling through what looked suspiciously like Tumblr on a bulky white laptop. Every day, Bill comes to the Doctorâs office at six oâclock sharp, five minutes before, if she can manage it, and every day Freddie is there. Bill would describe it as loitering, but Freddieâs posture is too perfect for that word to feel completely right. Heâs never doing anything that seems like actual work. He wanders in and out of the office, sometimes carrying a tangerine that Bill never actually sees him eat, and he sits in chairs off to the side or lingers around the raised level where the Doctor has his mini-library. Bill never catches him looking at her or at the Doctor, but she always feels his eyes on both of them. It feels like being chaperoned.
âHeâs not studying the same thing as you,â answers the Doctor, turning a page on her essay âCosmic Far Ultraviolet Backgroundâ.
âBut Iâm not studying a thing,â says Bill, âIâm studying everything. Far as I can make out, anyway.â
âFreddieâs not my student.â The Doctor turns another page. Bill doesnât know how he reads so fast. âHeâs my PhD candidate. Theyâre basically indentured servants crossed with familiars. They donât count as students.â
âOkay, but how come heâs never reading anything or writing anything? Itâs not like heâs making tea for you or doing errands and stuff either.â
âHe does errands, just not in here. When heâs erranding heâs out ⊠doing the errands.â The Doctor rubs his temple and squints down at the essay, trying to refocus and reading aloud, ââ... really, in darkness we see ourselves as we really are. When left alone with ourselves, we exist in a state usually philosophically unreachable. It does come with one paradox: we are our own witness. However, perhaps in this state weâre able to truly strive forâ â youâve split an infinitive here.â
Bill leans over the desk to peer at the line. âIâm guessing thatâs a bad thing to do?â
âThereâs no such thing as an absolute good and bad, in grammar or anywhere else in life. Anyone who says otherwise is a blithering moron.â
âBut is it bad here?â
âItâs emotive,â he says flatly.
Bill isnât sure if thatâs good or bad either. âYeah?â
The Doctor raises an eyebrow at her, picks up his marking pen, and writes a spidery â97%â on the front of the essay.
â
âIf Freddieâs not studying, whatâs he hanging about in your office for?â Bill asks a week later. âIs it just while Iâm here or is it all the time?â
âI never said he wasnât studying,â says the Doctor, not pulling his nose out of the bookshelves heâs currently scanning. âWhere is it, I know I had a copy somewhere âŠâ
âSo whatâs he studying?â
âThere!â The Doctor grasps at a leatherbound book as if heâs catching a live fish from a pond. He flips it open with a grin which quickly falls off his face. âNo. No, wrong edition.â
âDoctor?â
âDonât worry, itâs here somewhere! I was reading it just a second ago âŠâ He mutters to himself, running his fingers along the spines, â1972 ⊠or maybe â73 âŠâ
âIs he a physics student?â
âWho, Tolkien?â
âNo,â Bill rolls her eyes, âFreddie!â
The Doctor peers down at her, bemused. âWhat are you shouting for? Whatâs the to-do?â
âWhatâs Freddie studying?â Bill asks again, forcibly reminded of the six-months volunteering stint she did in the old folksâ home.
âHim?â The Doctorâs bemusement deepens. âWhy do you want to know what heâs studying?â
âI âŠâ Bill shifts from side to side with a sheepish grin. âJust curious, I guess. Iâve seen him reading that book on quantum mechanics.â
Freddie has been reading it again lately. In fact heâs been doing nothing but âreadâ that book. Billâs still yet to see him actually turn a page. She doesnât know how someone can stare at something for so long without going barmy, because heâs obviously not really reading it. She wonders if heâs reading Advanced Quantum Mechanics or the one covered in what she now knows is binary code.
The Doctor gives up on the hunt through that particular shelf and clambers down from the ladder. Bill expects him to answer her question, but he just passes her right on by and goes on down the steps to the main area, heading for another bookshelf. Bill follows him uncertainly, not sure if sheâs stepped on a nerve somehow. Itâs impossible to work out whatâs going on in his head, and half the times sheâs thought he was mad at her it turned out he was figuring out what to have for dinner or something. Once she thought sheâd pissed him off with too mouthy a rebuttal about Kant and after she apologised he admitted heâd been thinking about a triple chocolate milkshake. And also that he agreed with her about Kant.
âIs he ⊠a lit grad?â Bill guesses.
âLit grad is your next guess?â
âYeah, I dunno. All that tweed, innit?â
âWe all had a tweed phase.â
Bill laughs, âYou had a tweed phase? What?â
The Doctor looks like he regrets admitting to it. He goes back to digging through the shelves. âI was young, taste-impaired, I had no idea about real fashion.â
Today heâs wearing a pair of green and blue tartan trousers with Doc Marten boots, a slumpy maroon hoodie, what looks like about five t-shirts layered on top of each other, and a frock coat he could have stolen from Harry Houdini. He looks like he walked backwards through an alternative teen clothing store with his arms flung out.
Bill wants to make a smart remark about who the hell has their tweed phase when theyâre young and then has ⊠whatever phase this is when theyâre old, but she doesnât dare. Yet. She does say, cheekily, âAre there photos? Can I see them?â
The Doctor blanches and swings away to another shelf. âAbsolutely not.â
âAw, come on!â
âBelieve me, you wouldnât even recognise me. Check that stack over on the table there.â
Bill stumps over to a table under one of the windows and starts sorting through the books piled there. She doesnât see the promised signed first edition of The Hobbit anywhere, which is a shame because sheâd been looking forward to bragging rights over getting to hold it. Not that she really has a whole lot of people to brag to about it.
âIs he doing philosophy, then?â she asks.
âYouâre not still asking about Freddie?â The Doctor doesnât sound angry, just exasperated. âHeâs just doing his PhD. Iâm supervising him. Thatâs it, thatâs all. Nothing else to see. Why are you so interested in what exactly heâs studying?â
ââCause heâs always around and heâs the only other person I ever actually see you with,â Bill replies honestly. âLike, I never see you with other staff or anything. Or any other students. Or, I donât know. Friends, family.â
The Doctor goes still. He turns around from the shelf heâs searching and Bill is nervous for a moment that she has actually upset him now.
But he just cocks his head at her in a way she canât read. âHow would you know you were seeing me with family if you saw me with family? Can you psychically tell when people are related? Is it a superpower?â
Bill feels a bit silly. âNo, just ⊠you know what I mean.â
âNo, I donât.â
Heâs wearing the expression sheâs starting to recognise as the one he wears whenever heâs waiting for her to elaborate on an argument. It does also bear a worrying resemblance to the one he wore the day she made the mistake of mentioning Derren Brown, but Bill decides to take a gamble.
âWhen you see people with family you can tell. Not right away, obviously, but you canât hide it for long. Body language, the way you talk to each other, nicknames, all that stuff. Even if itâs family you donât get along with, still shows. Itâs like trying to pretend you donât know how to ride a bike. You canât hide familiarity.â
The Doctor looks bemused again. âWho tries to hide it? Iâm not hiding anything.â
âI donât mean âŠâ Bill shakes her head, âbad wording choice. I just mean Iâd know if I saw you with family. When you love someone like that the way you act around themâs instinctual, it just oozes out of everything you do. At least, thatâs what Iâm told.â
She tries to say it like itâs a joke but the Doctorâs eyebrows still bunch together faintly. Bill feels stupid again. She should have kept that last bit to herself. Maybe she should just go back to sorting through the books.
âAnthropology,â the Doctor says after a moment in his usual abrupt way.
âOh âŠâ Bill tries not to look disappointed or worse, confused. Somehow that just doesnât fit.
Freddieâs so remote. Billâs met anthropology students, theyâre some of the most frequent attendees of the Doctorâs lectures. Some of them are remote, yes, but not in the way Freddie is â âremovedâ would be a better word for it, the way they stand off to the side of every bubble enthusing about how interesting everything thatâs going on inside it is. Freddie is ⊠distant. Heâs outside the bubble, with his back turned to it, holding a tangerine for some reason.
âWhatâs his thesis on?â she asks.
The Doctor, whoâs gone back to his book search, stops to make a spluttering noise of disbelief, âYouâre never satisfied!â
âYeah, he seemed to think youâd like that in a student,â Bill says, remembering back to the day Freddie showed her up to this office.
The Doctorâs expression turns mulish; he goes back to the books muttering to himself.
âSo? Whatâs his thesis on?â
The Doctor gesticulates wordlessly, seems to consider ignoring her and going back to the books, realises sheâll just keep pestering him, and finally says, âMe! Heâs writing his thesis on me, thatâs why heâs around all the time.â
If anyone else had claimed an anthropology grad was writing their PhD thesis on them, Bill would have thought it was either a delusion or a lie born of a very puffed up, self-obsessed mind. Billâs known the Doctor for three weeks. She believes him.
âAre you foreign?â is her next question. âOooh, are you one of those people who look white but are secretly mixed race?â
The Doctor throws his head back and laughs.
â
The next day, Bill asks the Doctor: âIf Freddieâs writing a whole thesis on you, why do I never see him write anything down while heâs around?â
âWell, I used to have a typewriter, but the Doctor threw it out a window.â
Bill turns her head so fast she nearly snaps her neck. Freddie is standing in the open doorway of the office as if waiting in the wings, holding his Advanced Quantum Mechanics book like a stage prop.
âHe did what?â Bill turns back to the Doctor, whoâs scribbling in the margins again. Not on one of her essays, this time, he finished marking hers twenty minutes ago and started annotating a worn paperback titled Addie Pray, transferring notes from it to a larger notebook. He didnât tell her to leave, though, so Bill had stayed. âYou threw his typewriter out the window?â
It takes the Doctor a second to surface from his notes. âWhat?â He blinks, sitting up. âThatâs ridiculous, Iâve never thrown a typewriter out of a window. Where are you getting this?â
Bill thumbs over her shoulder. âFreddie said âŠâ
âOh, that. Yes, I did throw that typewriter out of the window, yes. It was like having someone teach an elephants-only samba class while I was trying to read.â
Freddie comes further into the room, wandering towards the library. âYou were the one complaining about my handwriting. I didnât exactly have other alternative writing options at the time.â
âWhat about your laptop?â Bill says, twisting and leaning her arm against the back of her seat to face him.
Freddie pauses. âThe typewriter incident rather ⊠predates my laptop.â
âBy all logic you should have perfect handwriting,â the Doctor chides him absently, putting down another note, âconsidering your ⊠parentage.â
Bill laughs; he raises his head to her questioningly.
âPot, kettle,â she lifts her returned essay, covered in crooked writing that crowds the ends of printed lines and spills over the edge down the outer margins like a waterfall, âbiro ink black. Are you the reason they call it âDoctorâs handwritingâ?â
Thereâs a noise that sounds like a snort, but when Bill glances over at Freddie his face is completely neutral.
âThe Doctor told me youâre writing your thesis on him. Any chance I can see a draft?â
Freddie adjusts his glasses. âYou would have to ask my supervisor.â
Bill looks back to the Doctor. âCan I see his draft?â
âWhat draft? He hasnât got time to write, heâs working on his PhD.â
âWhatâs your thesis statement?â Bill asks Freddie.
Freddie gestures vaguely and wordlessly at the Doctor. The Doctor does jazz hands. Bill laughs and the Doctor goes back to his annotations with a small smile.
âSo youâre basically bullshitting and just spending all your time on research?â
âLike I said, heâs working on his PhD.â
âIâm not just bullshitting.â Freddie looks over at the Doctor, pausing. When the Doctor says nothing, Freddie clears his throat and adds, âI write fifty alternate versions of the same paragraph, waste three days deciding whether or not to kill a sentence, write a fifty-first version pulling material from a completely different part of the thesis and convince myself it looks much better there, and then realise that that completely ruins the spot I pulled that material from, excuse me, I think I left my favourite tangerine downstairs.â
He swivels away from Bill and exits the office as perfunctorily as he entered it. As he goes, Bill notices something off about his gait; itâs unlike his usual smooth roomba walk, almost but not quite a limp. Bill could swear she hears a faint creaking sound with each swing of his left leg. Freddie is gone too quickly for her to pinpoint what it might be.
âIs he always like that?â Bill asks the Doctor.
âHmm?â
Bill gives up. âNever mind.â Then a new idea occurs to her. She un-gives-up. âHey, does Freddie have a prosthetic?â
The Doctor lifts his head from his hands in total bewilderment. âA what?â
âA prosthetic. Like a fake leg or something.â
âThatâs a really personal question.â The Doctor is scandalised. Itâs hilarious.
âI know,â Bill gives him what she likes to think of as her most winning smile, âthatâs why Iâm asking you, not him. Does he?â
âWhat on New Earth makes you think Freddie has a prosthetic?â
âHe walks funny.â
The Doctor baulks. âNow youâre just being offensive.â
âNot like that, like ⊠sorry, I donât mean it in a bad way,â Bill says hurriedly. âJust, he has this ⊠specific way of walking, and heâs always making weird noises.â
âYou could say the same about that puppy in the Grape you kept showing me yesterday,â says the Doctor dismissively, âand you didnât seem to find that strange.â
âVine, and that puppy was adorable,â Bill corrects him laughingly, âand also Freddieâs not a puppy.â
âYouâre right,â says the Doctor, scanning the current page of his paperback and taking one last note from it before tossing it to the side. âA puppy would be much easier to train.â
âDo you know what I mean though?â Bill tilts her head at him, not sure if heâs really chosen this thing of all things to be polite about or if heâs just slightly hard of hearing and hasnât noticed the hydraulic hissing noise that Freddie sometimes makes when he moves. âThereâs like, a sound. Sometimes. Not all the time, just sometimes, when he walks, or moves his arms. Itâs like creaking, or ⊠whirring, or âŠâ Bill struggles to think of the right thing to compare it to. âOne of the homes I lived at, there was this keyboard, yeah? Like a piano keyboard. And if you put it to the right settings, all the keys made special effects noises, like drums or whistles or a bloke shouting âŠâ
âBefore you continue, just checking, is this like the chip story or is it going to take us somewhere?â the Doctor says.
Bill laughs at him disbelievingly, âYou went off on a whole tangent about the aesthetics of turntables when we were supposed to be doing the solar system yesterday!â
âThatâs completely different, vinyls and the movements of the solar system rhyme perfectly. Anyway, Iâm the teacher, I make the lesson plans.â
A loud, ungainly snorting noise breaks out of Billâs mouth before she can stop it.
The Doctor frowns, but thereâs a smile playing at the edge of his mouth too, poorly hidden. âWhatâs that supposed to mean?â
âI donât think youâve ever made a lesson plan in your life,â Bill snickers.
âHey, Iâm amazing at lesson plans, Iâm great, I learned from the best!â
âThen whoever taught you was completely barmy, mate.â
They get truly off topic from there and wind up talking well after the time Billâs lesson usually ends. Something nags at the back of her mind but sheâs having too much fun just getting to â well, sort of hang out with the Doctor to pay it much attention.
Itâs been a long time since Bill got to really just hang out with anyone one-on-one. Sheâs spent the last four years existing on the fringe of about two-and-a-half different friend groups, and everyone in her life always has someone else â even her foster mum, though Moira flits desperately from one partner to another like if she just cycles through them enough sheâll figure out which one holds the key to her perfect life. Itâs nice to have someone to just talk to. Itâs also nice to have someone who answers her questions, because people are usually only willing to answer about one-fifth of them, so Bill spends her life rationing out other peopleâs patience and trying not to be too much of a mess about it. Itâs been three weeks but Bill already knows this: the Doctor, even when heâs evasive, even when heâs baffled, answers every question she puts to him, and he never truly loses his patience. Itâs different. It feels easy like nothing has ever felt easy before.
Itâs only when she gets back to her flat that night and sees Moira sitting up by the telly, watching some rerun of some past year of The Royal Variety Performance, where Elton John is banging away at a piano, that Bill remembers something she had meant to say. Something about keyboards and special effect keys and robot noises.
Itâs probably not important.
â
Something Bill notices, nearly a month into being tutored by the Doctor, is that Freddie no longer sits in the canteen every day with his tangerine, sandwich, and book. Sheâs not sure when he stopped, but she certainly canât remember seeing him since she started her lessons. She means to ask him about it, but heâs rarely been around at all lately and when he is, something about him seems off. To be fair, being âoffâ seems to be a permanent state of existence for Freddie, but something has been building, trickling over until it feels like a change, or at least something Bill never quite noticed before. He seems almost ⊠angry. Bill isnât sure why she thinks that, because nothing in his face ever suggests it.
Freddieâs face never suggests anything. Heâs studiously neutral at all times, even more so than he was the day he led Bill up to the Doctorâs office. Not even empty or cold, just neutral, all the time, no matter what. Bill had assumed he was just one of those awkward people that open up their faces more when you get to know them, but if anything Freddieâs face seems more closed. In fact, itâs quite possible that that ten minute walk was the most expressive Freddie has ever been in his life. The boy spends all his time looking like heâs halfway through making a sandwich heâs not particularly passionate about. Bill knows some people just have permanent flat affect. But itâs like the anthropology thing. It doesnât ⊠make sense for Freddie. It doesnât suit him, somehow, the same way his hair colour clashes with his skin even though it matches his eyebrows. And Bill knows itâs insane, but she has this totally irrational feeling that underneath that exterior of bland, inoffensive Neutralness, Freddie is quietly, secretly seething about something.
She wants to ask him about that too. But again, sheâs never really given the chance, not until one day, when sheâs sitting in the Doctorâs office, trying to resist the urge to pick up one of the weird stick gadget toys from the pen-holder on his desk and investigate it. The Doctor isnât there, which has never happened before. Bill is torn between being a bit concerned about that (what if heâs had a triple-chocolate-milkshake-induced stroke or something?) and really wanting to play with one of the stick toys. She expects that if heâs AWOL for another fifteen minutes the concern will weigh out, but right now sheâs on stick temptation.
Temptation wins. She reaches for one of the toys, the one with the blue tip.
âI really wouldnât if I were you,â says a disembodied voice off to her right, making Bill give a little shriek.
âWhat â hello?â she calls out to the room at large, her brain not quite working. Itâs not her finest moment.
Thereâs a shuffle and a buzzing hum over by the big stained glass windows and Freddie steps up out of a chair in the alcove, obscured from Billâs view. âI suppose thatâs a lie,â he says.
Bill had forgotten how irritating he could be. âA lie? How am I lying?â
âNo, that would be me.â Freddie nods at the toys in the pen-holder. âI would probably pick them up too.â
âWhereâs your tangerine?â Bill blurts out suspiciously.
It isnât the question she meant to ask him, but he is missing his tangerine today. He looks oddly incomplete without it.
âMaybe I ate it. Thatâs what people do with tangerines, isnât it?â He waves a hand at her outfit, picked out to multi-task for tonightâs lesson and a trip to the pub. âYou seem to be wearing slightly different clothes today. Presumably with the intention of some sort of pleasing aesthetic effect.â
How is what heâs saying so bitchy when his face is being so boring? Itâs not even coolly remote, or aloof, or snobby. Itâs just boring. But thatâs alright. Bill considered this. Embarrassing blurting-stuff-out moment aside, Bill has a plan.
âAre you alright?â She springs the question on him like sheâs trapping a moth under a glass.
Freddie immediately rewards Billâs underhandedness with a facial expression: true, vivid surprise blossoms across his face. His blue-grey eyes get even bigger. He pulls it all back very quickly, but not quickly enough, and the fact that he pulls it back at all tells Bill a lot. The Neutralness is a choice.
âWhy would you ask that?â he says evenly.
âYou seem mad.â
âNo, I donât.â
âAlright.â Bill shrugs. She makes a show of looking around the room nonchalantly. âYou seen the Doctor?â
âNumerous times over the course of my life, yes.â Again, snarky words, boring face, boring voice.
Bill gives him a look. âToday, I mean. Itâs nearly six-fifteen, heâs never been late.â
âFor you,â Freddie replies. He comes over, and Bill edges back in her seat as he leans over her, but all he does is drop Advanced Quantum Mechanics on the other side of the desk with a loud bang that makes Bill wince.
âYeah, see, things like that, thatâs what makes you seem kinda mad,â Bill says as he sweeps away towards the fireplace. She watches him pick up one of the statuettes on the mantelpiece and tap a finger against its head. âAre you mad at me?â
Freddie puts the statuette back down. âWhy would I be mad at you?â
âI dunno. Does he do this a lot?â
âYes, very frequently. Actually, itâs a miracle he hasnât been late before.â
âNo.â Bill turns in her seat to face him properly even though all she can see is the hair-gelled back of his head. âAm I the first student heâs taken on besides you?â
Freddie barks out something similar to a laugh which suggests the answer is a resounding ânoâ, but instead he says, âYes, you are. And no, thatâs not why Iâm mad.â
âSo you are mad!â
Freddie turns around and crosses his arms, and as he does so thereâs an odd noise â three, actually, one of the hydraulic hissing noises that Bill is now used to, then a clinking noise, then a dull thud from somewhere near the floor. âYouâve made up your mind that Iâm mad, Iâm just going along with it. Iâm very obliging like that.â
Bill squints at the floor. She could swear she saw ⊠âDid you drop something?â
Freddie swings forwards on one foot like heâs about to start dancing, but then he just stops there, feet oddly splayed. âNo. Did you?â
Bill decides to let that one go in favour of moving on to another question. âDoes the Doctor live here all the time? What does he do? When heâs not lecturing and stuff?â
âYes, a lot and not much,â replies Freddie.
ââYesâ he lives here and he gets up to a lot and not much?â
Freddie cocks his head. âI thought you were getting high essay marks.â
âHow are you so mouthy while looking at me like that?â Bill bursts out.
This time, Freddie surprises her. He looks, just faintly, just a bit, chastised. âOh. I ⊠er. I actually ⊠I suppose the face is making it come out âŠâ He stands straighter and says, very slow and stilted, âI did not mean to be impolite. I do apologise, Iâm working on a patch for it. Would you like to see a magic trick to make up for it?â
âYou what?â
âA magic trick,â Freddie repeats. âWould you like to see a magic trick?â
âWhat?â Bill regards him warily, not sure if she does want to see a magic trick, not when itâs offered in such an ominously polite way. âYou gonna pull a tangerine out from somewhere I donât wanna know about?â
âNot a tangerine, no.â Freddie readjusts his stance and starts to raise his arms.
âWait, if the âsomewhere I donât wanna know aboutâ is involved then I really ⊠donât âŠâ
Bill trails off, stunned, as Freddie faces his palms together, presses his right-hand fingertips against his left palm, and â with a look of conscious effort â slowly begins to pull something long and silver out of his palm. First he just has it by the fingertips, then heâs grasped the end of the object itself, then heâs wincing slightly, as if it stings, and then out it comes in one last pull and a blast of blue light. Thereâs a metallic clink from Freddieâs left palm but he closes it into a fist before Bill can see the source of it. He raises the object he pulled out of his hand. Itâs one of the stick toys from the Doctorâs desk.
Bill whips back around to look at the pen-holder. The blue-tipped one, the exact one she reached for, is missing.
âHow the hell âŠ?â
She looks back at Freddie. Heâs not smiling. And yet, somehow âŠ
âYouâre really pleased with yourself for that one, arenât you?â she says.
âYouâre not?â Freddie shrugs. âAlright then âŠâ He lifts the toy up in the air and proclaims loudly, âWith this magic wand, I will turn off all the lights in this room.â
Bill grins. âGo on, then.â
Freddie waves his other hand and presses something on the side of the toy; it makes a buzzing sound that immediately reminds Bill of the robot noises always coming from Freddie â thatâs it, thatâs what sheâs been trying to put her finger on, theyâre robot noises, and sheâs just about to exclaim that when all the lights go out. Itâs dusk outside, and some weak evening light is still filtering through the windows, so itâs not nearly as dramatic as it could have been, but Bill still lets out a yelp because she really hadnât been expecting that.
âOkay,â she nods, getting a hold of herself, âremote control lights. Nice.â
Freddie makes a very small, displeased grunt. âItâs not a remote control. Itâs magic.â
Through the shadows, she can see him waving his hand; thereâs another flash of blue and a buzz, and the lights all switch back on. Heâs standing in front of the fireplace still, but now thereâs a strange look on his face. Itâs an actual look, for one. It takes Bill a second to place what else is strange about it, but then she realises that heâs actually making direct, sustained eye contact with her. Heâs never done that before, not even and perhaps especially when he used to come to the canteen. He opens his mouth.
âWhere do you eat lunch?â says Bill curiously.
Freddie blinks, shutting his mouth and jerking his head back. It makes him look like a pigeon that just flew into a concrete pillar. âWhat?â
âYou must eat your lunch somewhere else now,â she says, ââcause you donât come to the canteen anymore. Why do you not come to the canteen anymore?â
Freddie stares at her. âYou ⊠told me it ⊠You found my presence in the canteen disturbing.â
âDid I?â Bill thinks back. âI donât remember saying that.â
Freddie looks at her and looks at her, and Bill looks back at him, still curious, trying to wrap her head around the expression on his face. Sheâs not sure how to describe it, even to herself. It reminds her of how he used to look at her in the canteen, all brimming over with wistfulness and something else. Whatever it is, it pins her to her chair.
âI ⊠I eat ⊠somewhere else on campus.â Freddie takes one hesitant step towards her, then another, as if sheâs an animal that might spook at any moment. âI could âŠâ
His big eyes flicker, and Bill recognises something in them. âYou wanna hang out?â
Freddieâs gaze drops to the toy in his hand. Deliberately, moving as if in a trance, he turns it around and reaches it out towards her, the handle offered out.
âItâs not a remote control,â he says quietly, âitâs âŠâ
The door swings open with a loud clatter that brings Bill crashing back down to Earth. The Doctor comes sliding into the room, actually skidding to a halt, his arms full of what look like takeout containers.
âSorry, sorry, sorry!â he cries. âHad an early dinner, I lost track of âŠâ He stops, taking in Freddie, whoâs hurriedly stuffing the toy into his jacket pocket. âWhat are you doing here?â
âFilling in, opening act, making an idiot of myself, take your pick,â Freddie mutters. He gestures stiffly at Bill. âHalf an hour. I expect someone was dying? Good evening.â
With that collection of barely coherent half-sentences, he stalks out of the office. The Doctor watches him go, then swings around to shoot a guilty âoops, Iâve upset Motherâ look at Bill. She snorts, which seems to encourage him.
âIâll just âŠâ He lifts the takeout containers, nodding towards the door that leads off into his private rooms. âSorry.â
âItâs cool,â Bill smiles, âbut you know this means I get to be at least forty-five minutes late at least once with zero notice and you canât give me shit for it.â
âDuly noted,â he says sheepishly, and backs off into his rooms.
As he shuffles and bangs about behind the door, Bill tries to peer through the crack, but as usual she canât make out much beyond more wood panelling. She casts her eye down at the floor in front of the fireplace instead, where Freddie had been standing. She spots something silver glinting on the maple floorboards. She feels an intrigued smile pull at her face, the dopey open-mouthed one she can never really hold back when something catches her fancy. She gets up and picks the silver thing off the floor.
Itâs a metal nut, octagonal, similar to the kind sheâs used to seeing in IKEA furniture kits. On one edge thereâs a smear of what looks like oil. It has a strong but not unpleasant smell unlike any oil Billâs ever smelt before. It almost reminds her of ⊠God, what it is? Damp earth? Resin? Smoke?
Bill presses the nut between her palms. Itâs still warm.
â
âDo you ever leave campus?â Bill asks the Doctor later that night, as sheâs pulling her bag onto her shoulder.
Theyâve wrapped up on string theory and fairy floss, and Bill has a list of required readings jotted down on a torn piece of the Doctorâs fancy University-issue stationery. The Doctor is getting up from his chair and stretching; he raises an eyebrow at her.
âWhy wouldnât I leave campus? Do you think teachers only exist on school grounds? Do we turn into little puffs of smoke if we ever step off the boundary line?â
âObviously not,â Bill rolls her eyes. âI just meant more like, do you go out? Where you were just before, did you meet up with someone? Have a hot date?â
The Doctor laughs a slightly odd laugh. âNot exactly.â Seeing Billâs questioning look, he elaborates, âI try to vary where I eat. I once accidentally spent an entire decade only ever eating in my bedroom in front of the telly, I think it did something to my brain. Now everytime I see Alan Davies I crave Mee Goreng.â
Bill imagines the Doctor picking a random spot on campus to eat dinner at, alone. Itâs depressingly easy. She can visualise him with his feet tucked up on a bench in the gathering dark, surrounded by stir-fry.
âYou had six boxes of takeout,â she says. âWhat you doing eating six boxes of takeout alone in public like an insane person?â
âI order for leftovers!â He starts to shoo her towards the door. âHadnât you better be going? Itâs getting dark out.â
âItâs already dark out.â
âThere, you see, youâre already running behind.â
Bill relents, though she does stop to say, âI was gonna ask if you wanna come to pub night?â
The Doctor looks just as stunned as Freddie did when Bill asked if he was alright.
âItâs supposed to be open mic night, so I thought you could bring your guitar,â she says when he doesnât reply. âI always hear snatches of stuff but Iâve never actually heard you play a song all the way through âŠâ
The Doctor hesitates for a long moment before saying softly, âNo. No, not tonight, I think.â He adds with a gentle smile, âBut thank you for inviting me.â
Bill, who had kind of expected that answer, smiles back. âSuit yourself.â She heads for the door, and sheâs only taken two steps before an idea starts to percolate in her head, a whim forming into an urge she tries to dismiss as stupid. By the time sheâs stepped over the threshold the urge turns itself into another question and launches itself out of her mouth: âHey, do you think Freddie would wanna come?â
âFreddie? You want to invite Freddie to pub night?â
Bill supposes the Doctorâs right to look a bit sceptical. Itâs easy to imagine the Doctor scoffing down Mee Goreng on a bench like a weirdo, itâs hard to imagine Freddie socialising in a pub like a normal person. Pubs are colour and noise, music and lights, lager and chips. Freddie is elbow patches and plaid wool ties.
âItâs not really that I want him to come,â Bill admits, just to the Doctor, just because she knows he wonât tell a soul. âItâs just ⊠he seems like maybe he doesnât have a lot of people?â
The Doctor makes a psshh noise, âPeople, heâs got all the people he wants. Heâs not really a people person.â
âYeah,â Bill laughs, âhe doesnât really seem like one.â
They bid each other good night and the Doctor shuffles off to his private rooms. As Bill heads down the corridor away from his office she can hear him string out a chord on his guitar, followed by a trio of plucked notes that fade into the nighttime ambiance of the university â the warm enveloping quiet and Billâs footsteps on the stairs down to the ground floor.
Itâs a nice night for it, that kind of fresh-aired autumn night where everything feels like itâs in vivid clarity, so much so that every crisp browning leaf seems to bely its own age, seems more to be coming alive. Billâs mates meet her at the front drive and together they walk down to the bus stops that run around the edge of campus. They take the 550 six stops to what Trish has been calling âthe gay pocket of Glenndale Streetâ.
From what Bill can see through the window as the bus pulls up, itâs pretty much what she expected: an artsy strip of shops and eateries, by day probably bustling with people with undercuts looking for vegan burritos and good coffee. At night, strings of lamps hang across the narrower openings to residential streets leading off the main drag, and the shop windows and cafes are dark, leaving the clubs and restaurants to glow with activity.
Trish has been trying to drag Tom there since term started, arguing that the music scene is as good as his native Liverpool, and Tomâs very vocal doubts have only made her more determined. And because Tom is going and thereâs going to be drinks, Jon is going too, and that means Jon and Trish have to be in the same room for a whole night, and as always that means âŠ
âThanks for coming,â Tom says to Bill in an undertone as they get off the bus. âI know it was short notice.â
âItâs not like I had any other plans to drop,â she says. âAnd I figured you might hear the music better if Trish and Jon werenât trying to kill each other next to you.â
âOne day Iâm gonna work out how you chill them out and stop bothering you so much,â Tom jokes. Then he hastily adds, âNot that I only invited you for peace keeper duties, obviously, itâs â itâs been ages, been meaning to catch up.â
Bill waves a hand. âItâs cool, I get it, Iâve been pretty busy âŠâ
âHere it is!â Trish calls from up ahead. âCome on, come on!â
Trish has pulled up at a shopfront with darkened windows. Bill, Tom, and Jon squint to look inside.
âUh, you sure?â
âTrish. This is a bookstore.â
Trish breaks into a lazy grin. âYour faces. Nah, thatâs just what it is by day. Pubâs out the back. Come on!â She leads the way past the front door and the big windows as if heading to the restaurant next door.
âThereâs a pub out the back of a bookstore?â Bill says. âHow the hellâs a whole pub supposed to fit at the back of âŠâ
Trish turns left and disappears into the wall between the bookstore and the restaurant. Tom calls out and they all scramble to follow Trish: first Tom, then Jon, and then Bill, who finds herself standing before a cramped opening to a long corridor of violet stars.
Theyâre not actual stars, Bill realises after the initial jolting wonder of it. Itâs a long and very narrow brick alleyway, about the width of two adults squeezed side by side, and a tarp covering has been put up to shield it from the rain. Under that tarp are lines and lines of purple fairy lights, illuminating the entire alleyway all the way down to where Bill can see people moving about beyond the opening at the end. The sound of live music drifts up the alley, and as Bill gets closer and closer â because she started moving down that corridor of stars without even realising it â she can hear the hum of gathering voices and the clink of drinking glasses.
The backlot is huge. It doesnât feel huge, it feels cosy and tucked away, but it must be huge all added up. Thereâs a half-inside, half-outside area where the alleyway meets up with the open double doors of the pub, a sort of courtyard scattered with busy tables. The pub itself seems built directly into the high stone walls that surround the lot, and its peeling, partially exposed brick facade faces back towards the bookstore. A pink neon sign over the door reads St Sebastianâs.
Trish is beckoning Bill through the front doors; she pulls her over to a table half backed by a booth seat, tucked away off to one side towards the front. Jon and Tom are already seated there.
âYou sure thereâs not a less shit table going?â Jon says, raising his voice partially to be heard over the sound of pub-chatter and music, and probably partially because heâll take any excuse to raise his voice in conversation with Trish. âWe canât hardly see the stage even. You know Tom likes watching the acts.â
âEverywhereâs packed! You wanna do better?â
âI like it,â Bill puts in. âItâs kinda cosy. Anyway, perfect excuse to come back a second time! If we do a Saturday night we can come earlier, I wonât have tutoring on.â
âTutoring? At St Lukeâs?â Trish looks at her with interest. âI thought you didnât apply?â
âI didnât âŠâ Bill grins, âand then I kinda got in anyway.â
Tom and Trish exchange a look and Trish stands. âOkay, Ms Mysterious, Iâm getting us a round and youâre telling me all about it.â
She disappears to the bar and Jon leans back with a sigh. He tries to peer around Bill at the obscured stage. âThis is opening act stuff,â he complains.
Bill tunes into the music behind her. Itâs a low and melancholy voice over electric guitar: âI donât believe my willâs quite free, Iâm half machine, at least half steam; Aquinas, call on me, how many angels on the head of your pin?â
âHey, no hating on opening acts,â says Tom, âTrish did an opening act last week at the Spinning Wheel down in London.â
âAnother one? You know what they say. Always an opening act, never a headliner âŠâ
âAnybody in stilettos can answer that old thing: itâs one for the right foot, one for the left, half an angel per pin at best âŠâ
âI like them,â Bill says in the invisible musicianâs defence, swiftly moving onto, âalso, Jon, you are keeping your head pulled in tonight, right?â
Jon lets out another long sigh. âYeah, yeah, alright. But this place had better be as gay as Trish promised.â
Tom subtly indicates a passing woman with a teased up, magnificent blue mohawk. âPretty sure itâs gay, mate.â
âItâs in the name, innit?â says Bill with enthusiasm. âSt Sebastian. Heâs that twink with the arrows in him. Martyr and gay icon.â
Jon chuckles at her, amused, âSince when do you know about martyrs?â
âI did this essay, sort of a philosophy one. Light and blindness, martyrs, that kind of thing.â
As soon as Bill gets talking about it, she finds herself unable to stop. Jon at least is interested. Tom isnât really a philosophy essay kind of guy, and Bill knows she should shut up, but itâs a good ten minutes later when she wraps up, âYeah, so, basically, all about the subjectivity of morality. Thought I was gonna completely flunk it because it turned out so far off from the brief but my tutor liked it.â
âWhat was the brief?â asks Jon.
âThree thousand words on a worthwhile death.â
âKeeping the conversation light over here?â
Trish has returned with a tray of their drinks. She sets them down around the table, though somehow Jonâs ends up just slightly out of his reach. Bill passes it to him.
âBill reckons this place is named after some dead gay guy,â says Tom.
âYeah, St Sebastianâs in the back and Sapphoâs in the front. Thatâs the bookstore. Itâs a nice place, they do coffee and stuff during the day.â
âSo itâs basically Dead Gays Central.â Jon raises his eyebrows. âWow. That shitâs problematic.â
Even Trish laughs at that. âYouâre an arse.â
They fall into conversation and rounds of beer from there. Bill tells them about her tutoring with the Doctor and the span of topics theyâve covered thus far, philosophy and physics and high fantasy fiction. She describes the Doctor himself to them as best she can, all strange, charming, tartan-wearing six-foot-something of him, always spouting lyrical about the nature of reality and finding a way to squeeze in some offbeat joke about cabbages. She tells them how heâs somehow gotten her properly enrolled at St Lukeâs and that she has a sneaking suspicion he might have changed her whole life.
Billâs not totally shocked to find out that Trish thinks itâs the most sinister thing sheâs heard of since Trump announced he was running for President in the US. Itâs not the first time someoneâs speculated on the Doctor like that â Moira said something stupid about it just last week when she found out about the whole thing. If Bill forces herself to be objective, she gets it. If one of her friends told her theyâd been personally selected by a much older uni professor to have private lessons every weekday afternoon in his office, sheâd also be telling them to ring some sort of helpline. But they havenât met the Doctor. They donât know him. They havenât seen his big sad eyes or the old photos on his desk. They have no idea how gentle he is. Bill doubts even the Doctor knows that.
Tom is less weirded out by it, or at least more willing to accept Billâs judgement. Jon thinks it all sounds much more exciting than waiting tables and claims he wants to sneak onto campus to infiltrate the Doctorâs lectures too, to see if he gets âspecially chosen to be an X-Manâ. He asks if the Doctor has room for another student.
âYeah, not bragging or anything, but I donât think he picks people out that easily. Actually I donât think heâs ever picked anyone out before me, at least thatâs what Freddie said.â
âFreddie?â
Bill rolls her eyes almost reflexively. âThe Doctorâs PhD student. Heâs the only other one around. Pretty sure he hates my guts.â
âWhatâs his problem?â says Jon.
âNo idea,â says Bill, âbut apart from obviously having one heâs âŠâ Sheâs not sure what he is. Strange and not charming? Boring? Fascinating? Creepy? Annoying? âNot really worth talking about.â
The conversation moves onto things that are worth talking about: Trishâs continuing search for a booking agent, Jonâs most recent entertainingly awful customer service stories, Tomâs new flatmateâs predilection for seafood and how the entire flat smells of salmon on a semi-permanent basis now. At some point at the bottom of her second glass of beer Bill reaches that comfortably buzzed out state where sound and light permeate her awareness like refractions on the surface of a rippling pool of water, not quite hazy, but fluid. Her friends continue to talk around her, as they often do, and she listens to the music weaving around her from the stage far at her back. The lyrics murmur about street lights on wet pavement, a city reflected twice over, smoke and street corners.
âThey used to know me here, havenât used that name in years, been a woman too long for that song now âŠâ
Bill is turning over the metal nut she found on the floor of the Doctorâs office, watching it glint in the gold and rainbow hues of the pub lights, turning blue and then red, silver and then gold. She raises it to her nose to smell again, trying to place that scent. Before, she thought it was damp earth, now she catches something else, something like lightning and rain. Thereâs a word for that. The smell of a storm coming, that sharp, almost smoky tang. Ozone. Ozone and damp earth. Thereâs a word for that too, Bill remembers. Or she remembers, but canât remember. Something about an expensive bottle of perfume she saw in a shop years ago. It had a name Bill fell a bit in love with. The beautiful redhead on the packaging didnât hurt either.
âIâve been lost and Iâve found out high supply just brings your cost down, they donât want you involved, just want you around âŠâ
Bill raises the nut up to the light and sees that the inside of it is strangely shaped, different from any metal nut sheâs seen before. She wonders silently at the way the negative space inside it looks just like a star. Itâs oddly beautiful.
âWalking in, I gotta step over a pretty thing leaning her head on her own shoulder âŠâ
She peers through the hole, as if it might show her the pub in a whole other light, one wilder and stranger and a little bit impossible.
âI donât ask if sheâs alright, âcause I think sheâd lie tonight that her rideâs coming, her rideâs coming, her rideâs coming, her ride âŠâ
Bill makes eye contact with someone on the other side of the star. Itâs a girl all the way on the other side of the pub, a whole ten feet away, which somehow feels like a million miles. Sheâs ⊠Bill has never been a poet, so Bill canât possibly describe her. Her hair is blonde. Her lips are red. Her top bares her shoulders and her collarbones are a delicate expanse of pale skin. With the way her head is tilted, one eye catches the light just like the nut that Bill is peeking through, mirroring the star all the way down to the iris in a gleam of gold.
Bill doesnât want to lower the nut from her eye. Sheâs scared that somehow the girl will disappear, that the moment Bill drops her hand to the table thereâll be nothing there but an empty space. Still, with a shaking hand she lowers the nut. And the girl is still there. Sheâs looking back at Bill, straight into her eyes, and Bill can feel every single nerve ending in her body as if each one is a lightbulb bursting.
â... need another round, Jon, come on, cheapskate!â Trishâs voice rings distantly into Billâs ear.
âIâll get them in,â Bill mumbles, finding her feet, which suddenly feel very far away from the rest of her.
Across the pub, the other girl is standing too. Sheâs moving towards Bill like a perfect mirror. Bill is supposed to be heading for the bar, but she finds herself veering left, drawn like a magnet into the girlâs path as she heads straight towards Bill. Is the girl going to talk to her? Is she going to ask her to dance? Is there dancing here? Bill doesnât know if people are dancing, she canât remember if she saw them. She canât sense anything outside this pull; she feels the way she imagines the ocean tides feel about the moon.
They come to a halt, face to face in the middle of the pub. What Bill had thought was an optical illusion seems, impossibly, to be the truth â there is a golden star in the girlâs right eye, glowing as if Bill put it there herself by holding the nut to the light and shining it towards her. Her other eye is hazel, all the colours of the deepest forest. Bill stares at her, unable to move past her, unable to ask her name, unable to move. Even if this place is called St Sebastianâs, sheâs not sure itâs gay enough to witness what sheâs thinking about right now.
The girl stares back, straight into Billâs eyes, as if their boring brown is just as hypnotic as her golden star.
Thereâs an unholy screech to the far left and the girl startles like a rabbit, mumbling an apology and darting away past Bill. Dazed, Bill still stands there like an idiot in the middle of the floor, slowly catching up with time as it starts moving like normal again, realising that the unholy screech was made by the guitarist on the stage, presumably having spectacularly fumbled a chord. Bill weathers the irrational urge to climb up onto the stage and kill them. Then she gets over it and turns away to get the drinks.
She spends the rest of the night alternating between kicking Jon or Trish under the table and glancing over at the booth where the girl with the star in her eye had been sitting. The girl doesnât return, and the women sitting there eventually leave. Bill swallows her disappointment along with the last of her beer an hour later, as theyâre all getting ready to leave.
She asks Trish if other students from St Lukeâs ever come here â Trish is in her third year already, she ought to know â but Trish is too sloshed to give a more helpful answer than, âoh, yeeeaahâ and bob her head. Bill sighs. Theyâve reached that time of the night. All Trish wants to do is sing âThatâs Amoreâ at the top of her lungs and find weird ways to interact with Jon. Because itâs Jon, as always, who helps Trish up when she nearly faceplants off the steps out of the pub.
âYouâre such a fuckinâ lightweight,â he says to Trish softly, steadying her at the waist as if sheâs made of glass. âCanât take you anywhere.â
âYouâre an arse,â Trish tells him for the second time that night, âand your hair is fucking stupid.â
And as always itâs Tom who follows behind them quietly with his hands in his pockets, with Bill the only one standing at the right angle to see the look on his face when he watches them ahead.
Later, in her bedroom at Moiraâs house, Bill takes off her jacket and starts emptying the pockets, only to find that the nut is gone. Sheâs left it at the table at the pub. Or possibly she dropped it when she stood on the floor in the girlâs thrall. She feels a pang for the loss of it so soon, cursing her stupidity. As ever, too busy gawking at a pretty girl.
But, God. What was the nut? Probably some useless piece of IKEA metal that fell out of Freddieâs pocket. And what was that girl? Possibly the love of Billâs life. Possibly an entire universe.
Either way, definitely a girl worth losing a puzzle piece over.
I've been joking that there's a real danger of my hideously long DW fic being the size of LOTR when finished and now. i think. "real danger" is becoming "almost certain". the good news is that like LOTR it does sort of separate into three books/arcs. but uh. well. fuck me i guess
should i lean into the three books thing and separate it into a trilogy of three fics? i don't really like that idea because, well, it's not three stories. it's one story.
do i lean into the three books thing despite keeping it in one fic, eg try to direct pacing to highlight the three arcs, use chapter titles a certain kind of way, etc? i'd probably do that if it were a book i was publishing but i'm not sure how well that would translate to fic
I've been joking that there's a real danger of my hideously long DW fic being the size of LOTR when finished and now. i think. "real danger" is becoming "almost certain". the good news is that like LOTR it does sort of separate into three books/arcs. but uh. well. fuck me i guess
Rating: Teen And Up Audiences
Fandom: Homestuck
Relationship: Dave Strider/Karkat Vantas
In the interest of cultural sharing between two planets recently at peace, Karkat Vantas has opened a blog on a shared social media site, to schoolfeed humans on the nuances of quality cinema.
In the interest of doing some dumb bullshit and making hella money, Dave Strider has just released Sweet Bro and Hella Jeff: The Movovie, the latest in his oeuvre.
The thing is though, SBaHJ has never just been dumb bullshit. And somehow, Karkat Vantas is the first person to notice.
Inspired by The Worst Goddamn Movies Ever Fucking Made by @theobot
To me the most fun part about fix-its is placing dominoes.
Tragedies often consist of and ecalating series of actions and circumstances that, in isolation, were not clearly leading to the tragic end but form a chain of cause-and-effect directly towards it in hindsight. In equal but opposite fashion, I love starting with small inoccuous changes to canon that in themselves do not obviously fix everything but start a new chain that leads to a better ending.
It's kind of impossible for fix-its to feel fully naturalâ the reader by definition knows what the original ending was and that this ending will be happier because the writer wants it to beâ but it is possible for them to not feel contrived. A big deus-ex-machina, or a character breaking with their pre-established tragic flaws to suddenly make all the "correct" decisions almost always feels unsatisfying to me.
But a few carefully placed small domino pieces slowly knocking over bigger and bigger tiles until the entire story has radically changed? That's a lot more fun.
It recquires the author to both correctly identify the original chain of cause-and-effect and understand the characters well enough to know how they'd react to different circumstances. Because if the story feels like it's fixing the wrong problem or the characters don't act like themselves the magic is lost. But when it works? When it clicks and the reader sees the domino chain laid out in front of them? It's beautiful.
Summary:Â The Doctor is out of action, and Yaz doesn't know what to do. But surely, he isn't the answer.
Notes: This fic is a sequel to this fic involving the queen of lies, Clara Oswald, as part of my series all of your lies, dealing with all the things Thirteen isn't telling Yaz about. That said, you don't need to have read that fic to get this one!
Pairings: Vincent Benitez/Thomas Lawrence, Aldo Bellini & Thomas Lawrence
Summary:Â At the age of thirty-three, those faithful who have kept their bodies chaste come into the divine gift: the ability to understand the minds of others through mere touch. Thomas Lawrence has been in possession of his gift for thirty-seven years. But what good has it done him?
Notes: A Cherry Magic AU of Conclave, in which the ability to read minds does not resolve the Conclave any faster.