Hindsight Is 20/20 When It Comes To Screenames @bufordt3z - Tumblr Blog

Link to the article (x) (x)

EW article released today about 11x04

In “Baby,” the show decided to focus in on the Impala that has been around since the pilot. The entire hour was told from the car’s perspective. In other words, if Sam and Dean got out of the car, the camera didn’t follow them. It’s a bold premise that no other show currently on the air could’ve pulled off. Heck, I’m not sure there’s another show that would have tried (or even thought of it).

But because of the loyal Supernatural fanbase, its history with bending the rules of format, and of course, its spectacular writing, it not only worked, but it was one of the show’s strongest hours to date.

For starters, it helps that Supernatural had established Baby as a character from day one. In a weird way, it felt right to finally see her side of things. (Yes, I’m talking about a car.) But more than that, there’s a reason why Supernatural can do pretty much anything: it manages to never lose sight of what it is at its base. This is the story of two brothers who love each other and would do anything to save each other. So long as the show holds on to that, it can put the brothers in any scenario and make it work…….”

lemondropsonice

“We are home” - SN: 11x04

deanschevyimpala

deactivated-blog

bangingpatchouli

I’ve no doubt Sam actually lost his virginity in the Impala

sunlitcas

deathbycoldopen

Dean opens the conversation with “Cas, you okay?”

Contrast that to the way that he withdraws from the conversation when Sam is in the car too. It’s been talked about over and over and over again, but here is yet another example of how Dean acts differently around Cas when Sam is nearby and when they’re alone.

When Sam is there, it’s all straight to business.

When they’re alone, it’s all about how much Dean cares about Cas.